A Boli sculpture, Bamana, Mali.

According of Brett-Smith they are "used by high-ranking male members of the feared Komo association to focus power from the spirit world. The unique heavily encrusted surface on these objects is the result of a compilation of a variety of sacrificial elements such as wood, bark, tree roots, cotton, animal hair, blood and other substances applied as an offering over to the spirits, collected in the Bamana region of Bla, 120 km from Segou together with a small sack-like fetish object.

This object, called a boli (pl. boliw), once played a central role in the ritual life of a Bamana village. Such power objects are owned by male initiation associations whose members progress through induction processes that span decades. Over time, they attain esoteric knowledge that leads to a greater understanding of the natural and spiritual worlds. Opaque and mysterious to the uninitiated eye, boliw are safely handled only by those association members equipped with the most rarified skills and
expertise.

The primary function of a boli is to accumulate and control the naturally occurring life force called nyama for the spiritual benefit of the community. Used as altars or carried during dance performances, they are complex creations created from esoteric recipes, or daliluw. Animal bones, vegetable matter, honey, and metal are packed around an interior armature of bamboo.

wrapped in white cotton cloth. They are covered with layers of mud and clay, and their surfaces accumulate sacrificial materials over time, including chicken and goat blood, chewed kola nuts, alcohol, and millet porridge. Each added layer of material lends the structure greater spiritual power.

Boliw and their numerous ingredients have been interpreted in a number of different ways. It has been suggested, for instance, that the disparate elements of which boliw are composed symbolize the various parts of the universe, so that the whole can be read as a model of Bamana cosmological belief. It has also been noted that the boliw's sacrificial coatings are strikingly similar to the undigested contents of human stomachs, while the interiors of the boliw are made of materials generally associated with the body's exterior. For this reason, they have sometimes been interpreted as portrayals of animals and people turned inside out. While this example takes a vaguely bovine form, others are more representative of recognizable subjects, including human
figures.

Sources: A History of Art in Africa - The Art of A Continent.

For related examples: s. Sarah Brett-Smith, The Making of Bamana Sculpture, Creativity and Gender, Cambridge University Press, 1994; 24.



The primary function of a boli is to accumulate and control the naturally occurring life force called nyama for the spiritual benefit of the community. The composition of the encrusted patina varies, but all the ingredients possess this inherent and important spiritual energy. The encrustation may include the blood of chickens or goats, chewed and expectorated kola nuts, alcoholic beverages, honey, metal, animal bones, vegetable matter, and sometimes millet. Sometimes this added matter is so extensive that it obscures the original wooden form and takes on a shape all its own. As the encrustation cracks and hardens throughout the years, it gives the impression that these ingredients are tightly packed within the boli. As the sacrificial materials accumulate over time, each added layer affords the structure greater spiritual power.

Boliw and their numerous ingredients have been interpreted in a number of different ways. It has been suggested that the disparate elements of which boliw are composed symbolize the various parts of the universe, so that the whole can be read as a model of Bamana cosmological belief. Such power objects are owned by male associations whose members progress through induction processes that span decades. Over time, they attain an esoteric knowledge of the natural and spiritual world. Opaque and mysterious to the uninitiated eye, boliw are safely handled only by those association members equipped with the most rarified expertise and knowledge.

Source: The MET.

A Boli sculpture, Bamana, Mali.

According of Brett-Smith they are "used by high-ranking male members of the feared Komo association to focus power from the spirit world. The unique heavily encrusted surface on these objects is the result of a compilation of a variety of sacrificial elements such as wood, bark, tree roots, cotton, animal hair, blood and other substances applied as an offering over to the spirits, collected in the Bamana region of Bla, 120 km from Segou together with a small sack-like fetish object.

This object, called a boli (pl. boliw), once played a central role in the ritual life of a Bamana village. Such power objects are owned by male initiation associations whose members progress through induction processes that span decades. Over time, they attain esoteric knowledge that leads to a greater understanding of the natural and spiritual worlds. Opaque and mysterious to the uninitiated eye, boliw are safely handled only by those association members equipped with the most rarified skills and
expertise.

The primary function of a boli is to accumulate and control the naturally occurring life force called nyama for the spiritual benefit of the community. Used as altars or carried during dance performances, they are complex creations created from esoteric recipes, or daliluw. Animal bones, vegetable matter, honey, and metal are packed around an interior armature of bamboo.

wrapped in white cotton cloth. They are covered with layers of mud and clay, and their surfaces accumulate sacrificial materials over time, including chicken and goat blood, chewed kola nuts, alcohol, and millet porridge. Each added layer of material lends the structure greater spiritual power.

Boliw and their numerous ingredients have been interpreted in a number of different ways. It has been suggested, for instance, that the disparate elements of which boliw are composed symbolize the various parts of the universe, so that the whole can be read as a model of Bamana cosmological belief. It has also been noted that the boliw's sacrificial coatings are strikingly similar to the undigested contents of human stomachs, while the interiors of the boliw are made of materials generally associated with the body's exterior. For this reason, they have sometimes been interpreted as portrayals of animals and people turned inside out. While this example takes a vaguely bovine form, others are more representative of recognizable subjects, including human
figures.

Sources: A History of Art in Africa - The Art of A Continent.

For related examples: s. Sarah Brett-Smith, The Making of Bamana Sculpture, Creativity and Gender, Cambridge University Press, 1994; 24.



The primary function of a boli is to accumulate and control the naturally occurring life force called nyama for the spiritual benefit of the community. The composition of the encrusted patina varies, but all the ingredients possess this inherent and important spiritual energy. The encrustation may include the blood of chickens or goats, chewed and expectorated kola nuts, alcoholic beverages, honey, metal, animal bones, vegetable matter, and sometimes millet. Sometimes this added matter is so extensive that it obscures the original wooden form and takes on a shape all its own. As the encrustation cracks and hardens throughout the years, it gives the impression that these ingredients are tightly packed within the boli. As the sacrificial materials accumulate over time, each added layer affords the structure greater spiritual power.

Boliw and their numerous ingredients have been interpreted in a number of different ways. It has been suggested that the disparate elements of which boliw are composed symbolize the various parts of the universe, so that the whole can be read as a model of Bamana cosmological belief. Such power objects are owned by male associations whose members progress through induction processes that span decades. Over time, they attain an esoteric knowledge of the natural and spiritual world. Opaque and mysterious to the uninitiated eye, boliw are safely handled only by those association members equipped with the most rarified expertise and knowledge.

Source: The MET.

Nombre de objeto indígena
Bolí
Grupo étnico/cultura
bamana
País de origen
Mali
Material
Madera
Sold with stand
No
Estado
Estado aceptable.
Alto
48 cm
Profundidad
58 cm
Peso
20,4 kg

1191 valoraciones (424 en los últimos 12 meses)
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Ein zierliches, sehr attraktives Stück, das wie immer gut verpackt bei uns ankam.

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MPOKL

Wieder ein sehr schönes Stück,schnell und sicher verpackt geliefert-Vielen Dank dafür.

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user-1d8684a1638f

Sculpture arrived very well packaged, in perfect condition, and exactly as described. It's a beautiful piece & I'm delighted to have it - thank you so much

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user-a41135914ac3

Great mask, very friendly seller. Very well packed!

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Venditore serio e professionale. Grazie.

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2276

Prima! Zeer tevreden. Doch invoering van referentie nr. XBD 154350 via jullie site levert geen resultaat op. Graag correcte info. Dank

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josvo

Mooi item ontvangen! Netjes verpakt met een persoonlijke kaart en cataloguscode. Prima levering.

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mooi en bijzonder voorwerp, wederom veel dank, zowel voor het voorwerp als voor het verpakken ervan.

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Quanjin

Beautiful object and superb packaging and delivery

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user-e1a8bae

Diesmal hat die Lieferung zwar erstaunlich lange gedauert. Aber das Objekt ist top, wie beschrieben, sehr ansprechend. Und wie immer optimal verpackt.

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user-0ccdb359bde3

Descrição exata. Cuidado de enviar certificado de autenticidade da peça. Recomendo

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Thank you so much for this exeptional piece. I'm so pleased with it.

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always a pleasure, excellent items, professional seller, thank you

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Everything is very good, I sincerely recommend

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user-64a24ad60f5f

TOP verpackt, TOP Ware. Vielen lieben Dank

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Monnaie Chamba reçue. Merci. Paul Giro

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I am very happy with the item received from this seller and his professionalism! Please, don't hesitate to buy from this person!

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1191 valoraciones (424 en los últimos 12 meses)
  1. 416
  2. 4
  3. 4

Ein zierliches, sehr attraktives Stück, das wie immer gut verpackt bei uns ankam.

Ver traducción
MPOKL