原版木版畫 - 紙 - Itō Shinsui (1898-1972) - 'Tokei to bijin (II)' 時計と美人 (II) (Beauty and Clock [II]) - Bonbon Clock ボンボン時計 - 日本 - 1967年（昭和42年）

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Original woodblock print - Paper - Itō Shinsui (1898-1972) - 'Tokei to bijin (II)' 時計と美人 (II) (Beauty and Clock [II]) - Japan - 1967 (Showa 42) There are 4 types in this series. At the top of the woodblock print, there is a repair on the torn part. This was made in the showa 42 period(1967) Itō Shinsui(1898-1972)memo Along with Kawase Hasui(川瀬巴水) and Yoshida Hiroshi(吉田博) , he is a master of bijin-ga who led the Shin-hanga movement. Real name is hajime. While working as a printmaker and lithographer, he studied Japanese painting from Nakayama Shuuko (中山秋湖). At the age of 13, he became a disciple of Kaburagi Kiyokata(鏑木清方) and was given the sign of “shinsui”(深水). he was selected at the Nihon Bijutsuin Exhibition when he was 16 years old. After seeing a work of deep water at the venue of the “Kyodokai”(郷土会) held by Kaburagi Kiyokata’s students in 1916, he was invited by Watanabe Shozaburo, who , and produced his first woodblock print “Anti-Mirror”(対鏡) in July of that year. Since then, he has been active as a standard-bearer of the new print movement centered on Watanabe.

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原版木版畫 - 紙 - Itō Shinsui (1898-1972) - 'Tokei to bijin (II)' 時計と美人 (II) (Beauty and Clock [II]) - Bonbon Clock ボンボン時計 - 日本 - 1967年（昭和42年）

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Original woodblock print - Paper - Itō Shinsui (1898-1972) - 'Tokei to bijin (II)' 時計と美人 (II) (Beauty and Clock [II]) - Japan - 1967 (Showa 42)

There are 4 types in this series.

At the top of the woodblock print, there is a repair on the torn part.

This was made in the showa 42 period(1967)

Itō Shinsui(1898-1972)memo
Along with Kawase Hasui(川瀬巴水) and Yoshida Hiroshi(吉田博) , he is a master of bijin-ga who led the Shin-hanga movement. Real name is hajime. While working as a printmaker and lithographer, he studied Japanese painting from Nakayama Shuuko (中山秋湖). At the age of 13, he became a disciple of Kaburagi Kiyokata(鏑木清方) and was given the sign of “shinsui”(深水). he was selected at the Nihon Bijutsuin Exhibition when he was 16 years old. After seeing a work of deep water at the venue of the “Kyodokai”(郷土会) held by Kaburagi Kiyokata’s students in 1916, he was invited by Watanabe Shozaburo, who , and produced his first woodblock print “Anti-Mirror”(対鏡) in July of that year. Since then, he has been active as a standard-bearer of the new print movement centered on Watanabe.