This piece is one of a kind. 2023 exhibited in Design Museum Den Bosch. Featured in lifestyle magazine Dolce Vita.

This vase embodies the dialogue between humanity and the world we inhabit.
Our interactions with our environment shape our existence, thoughts, and spirit.
We live on a damaged planet facing an environmental crisis, characterized by massive biodiversity loss. Toxicity is our nature.

Finding ourselves at a crossroads between the Holocene epoch and the Synthetic Age. Our relationship with nature is changing as we are getting stronger by engineering nature. It seems that our engineering prowess may be the only thing capable of saving us.

Natural evolution is too slow for the rapidly changing world we've created. We can hasten evolution to preserve numerous species, or perhaps even create something entirely new.
Are we positioning ourselves into the role of god?
The god is dead.


The price for the shipping is 250 euros.

This piece is one of a kind. 2023 exhibited in Design Museum Den Bosch. Featured in lifestyle magazine Dolce Vita.

This vase embodies the dialogue between humanity and the world we inhabit.
Our interactions with our environment shape our existence, thoughts, and spirit.
We live on a damaged planet facing an environmental crisis, characterized by massive biodiversity loss. Toxicity is our nature.

Finding ourselves at a crossroads between the Holocene epoch and the Synthetic Age. Our relationship with nature is changing as we are getting stronger by engineering nature. It seems that our engineering prowess may be the only thing capable of saving us.

Natural evolution is too slow for the rapidly changing world we've created. We can hasten evolution to preserve numerous species, or perhaps even create something entirely new.
Are we positioning ourselves into the role of god?
The god is dead.


The price for the shipping is 250 euros.

时代
2000年后
重量
3 kg
标题附加信息
合成时代的奖杯
物品件数
2
国家
捷克地区
设计师/艺术家/制作者
Eliška Janečková
材质
PLA 3D打印, 玻璃, 铝
状态
作为新的 - 未使用
高度
43 cm
宽度
56 cm
深度
36 cm
推算时期
2020年及之后