Osiris.

Ancient Egypt, Late Period, 664 - 332 B.C.

MATERIAL: Bronze.

DIMENSIONS: 10.3 cm height and 12.2 cm with the stand.

PROVENANCE:
- Art market, Barcelona.
- Private collection, J. M., Barcelona. Formed at the beginning of the 1960s - 1970s.
- Inherited by his wife C. C., Barcelona.

CONDITION: Good condition.

DESCRIPTION:

Originally, the figure of Osiris was linked to the fecundity of the Egyptian soil, the renewal of vegetation and the world of shepherds, as evidenced by the heka sceptre (which reproduces the shepherds’ crook). He embodied the fertile land and the arable fields, and therefore became the guardian of the order of the universe and the cycles of nature. But the most famous myth concerning him is the one in connection with his death, known through many versions: the son of Geb (the earth) and Nut (the sky) and the husband of Isis, the god primarily was a pharaoh. With Isis, they were a pair of royal benefactors who taught mankind farming and fishing (Osiris), weaving and medicine (Isis). Jealous of the sovereign, his brother Seth assassinated him, cut up his body and disposed of the pieces in the Nile. However, Isis, his wife and faithful widow, found and reassembled the body of her husband and, with the help of her sister, Nephtys, and of Anubis, she embalmed the corpse. After breathing life into him for a short instant, Isis was impregnated by Osiris: this union resulted in the birth of Horus, who, following in the footsteps of his father, became Pharaoh. And so, after having survived the ordeal of death, Osiris triumphed thanks to the magic of his wife and became the ruler of the underworld. He represented the seeds of life and, at the same time, was the protector of the deceased, to whom he would promise life after death.

These two closely related characteristics linking the god of fecundity and the funerary divinity were certainly the basis for the success Osiris enjoyed in the Egyptian world: from the New Kingdom on, and especially during the entire 1st Millennium BC, statuettes of Osiris were among the most important funerary offerings.

The technique of lost wax casting is a sculptural procedure using a mould made from a prototype of the piece to be worked, and this prototype is usually made from beeswax. This is covered with a thick layer of soft material, usually clay, which then solidifies. Once this has hardened it is put in a kiln where the wax inside melts and leaks out through expressly made holes in the clay. In its place molten metal is injected and this takes on the exact form of the mould. To release the final piece the mould must be removed.






Notes:

- The piece includes authenticity certificate.
- The piece includes Spanish Export License (Passport for European Union). NOT TAXES.
- According to Spanish legislation, items sent outside the European Union are subject to export taxes and will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price and the tax rate is not applied directly on the total value of the item to be exported, but rather the different percentages by sections are applied to it:
- Up to 6,000 euros: 5%.
- From 6.001 to 60.000 euros: 10%.
This export permit application process can take between 1-2 months maximum.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.

卖家故事

古代艺术画廊 - 位于巴塞罗那的考古学,拥有超过 15 年的经验。擅长古典艺术、埃及艺术、亚洲艺术和前哥伦布时期艺术。它保证其所有作品的真实性。它参加了西班牙最重要的艺术博览会,例如 Feriaarte,以及国外的博览会,BRAFA、Parcours des Mondes、Cultures Brussels。 所有作品均附有西班牙文化部颁发的出口许可证。 我们通过 DHL Express 或 Direct Art Transport 快速发货。
使用Google翻译翻译

Osiris.

Ancient Egypt, Late Period, 664 - 332 B.C.

MATERIAL: Bronze.

DIMENSIONS: 10.3 cm height and 12.2 cm with the stand.

PROVENANCE:
- Art market, Barcelona.
- Private collection, J. M., Barcelona. Formed at the beginning of the 1960s - 1970s.
- Inherited by his wife C. C., Barcelona.

CONDITION: Good condition.

DESCRIPTION:

Originally, the figure of Osiris was linked to the fecundity of the Egyptian soil, the renewal of vegetation and the world of shepherds, as evidenced by the heka sceptre (which reproduces the shepherds’ crook). He embodied the fertile land and the arable fields, and therefore became the guardian of the order of the universe and the cycles of nature. But the most famous myth concerning him is the one in connection with his death, known through many versions: the son of Geb (the earth) and Nut (the sky) and the husband of Isis, the god primarily was a pharaoh. With Isis, they were a pair of royal benefactors who taught mankind farming and fishing (Osiris), weaving and medicine (Isis). Jealous of the sovereign, his brother Seth assassinated him, cut up his body and disposed of the pieces in the Nile. However, Isis, his wife and faithful widow, found and reassembled the body of her husband and, with the help of her sister, Nephtys, and of Anubis, she embalmed the corpse. After breathing life into him for a short instant, Isis was impregnated by Osiris: this union resulted in the birth of Horus, who, following in the footsteps of his father, became Pharaoh. And so, after having survived the ordeal of death, Osiris triumphed thanks to the magic of his wife and became the ruler of the underworld. He represented the seeds of life and, at the same time, was the protector of the deceased, to whom he would promise life after death.

These two closely related characteristics linking the god of fecundity and the funerary divinity were certainly the basis for the success Osiris enjoyed in the Egyptian world: from the New Kingdom on, and especially during the entire 1st Millennium BC, statuettes of Osiris were among the most important funerary offerings.

The technique of lost wax casting is a sculptural procedure using a mould made from a prototype of the piece to be worked, and this prototype is usually made from beeswax. This is covered with a thick layer of soft material, usually clay, which then solidifies. Once this has hardened it is put in a kiln where the wax inside melts and leaks out through expressly made holes in the clay. In its place molten metal is injected and this takes on the exact form of the mould. To release the final piece the mould must be removed.






Notes:

- The piece includes authenticity certificate.
- The piece includes Spanish Export License (Passport for European Union). NOT TAXES.
- According to Spanish legislation, items sent outside the European Union are subject to export taxes and will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price and the tax rate is not applied directly on the total value of the item to be exported, but rather the different percentages by sections are applied to it:
- Up to 6,000 euros: 5%.
- From 6.001 to 60.000 euros: 10%.
This export permit application process can take between 1-2 months maximum.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.

卖家故事

古代艺术画廊 - 位于巴塞罗那的考古学,拥有超过 15 年的经验。擅长古典艺术、埃及艺术、亚洲艺术和前哥伦布时期艺术。它保证其所有作品的真实性。它参加了西班牙最重要的艺术博览会,例如 Feriaarte,以及国外的博览会,BRAFA、Parcours des Mondes、Cultures Brussels。 所有作品均附有西班牙文化部颁发的出口许可证。 我们通过 DHL Express 或 Direct Art Transport 快速发货。
使用Google翻译翻译
文化
古埃及
Name of object
奥西里斯。晚期,公元前 664 - 332 年。高 10.3 厘米。
世纪/时段
Late Period, 664 - 332 B.C.
起源
私人收藏
国家
未知
材质
黄铜色
状态
很好

2340 条评价 (829 过去的12个月)
  1. 818
  2. 10
  3. 1

Magnífica la entrega y el objeto. Perfecta la sonido del sibato

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jlpp

very well packed with all the documents included, thnks

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user-7e2859b5bd8e

Great object. Really beautiful. Quick delivery. Excellent.

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user-9567dceff0be

Superbe objet, Service d'Arqueologia Ancient Art excellent et rapide. Jaume Bagot toujours parfait .

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Domidogan

Todo perfecto gracias

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user-3268607d7894

Thank you for this Oinochoe, one question: did you as promised read my post!

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robarbouw

Very cooperative in every aspect of the transaction.

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user-d52762e

Always a great pleasure!

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deogracias

Fine quality, good service. Thanks.

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user-ccb692a05b84

Muy amables, muy bien todo. Gracias

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user-32ce3021b4a5

exactly as described and shipped safely and punctually.

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user-8d5f4840dfce

schnelle Lieferung sehr sichere Verpackung alles bestens

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user-7e268bc34a81

tres bel objet je le recherchai depuis longtemps envoi rapide et protégé je pense qu'il y aura d'autres achats avec ce vendeur merci +++++++

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user-78de74aee092

top oggetto bellissimo grazie 💯💯💯💯💯💯 :-)

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user-a1739a8e7293

I bought this beautiful artifact together with artifact from Mr. Bagot but although it is clearly stated on his shipping page that when purchasing multiple artifacts i paid the double package costs

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robarbouw

I bought this beautiful artifact together with artifact from Mr. Bagot but although it is clearly stated on his shipping page that when purchasing multiple artifacts i paid the double package costs

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robarbouw

Bel objet, bien emballé. Parfait.

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lotus1509

wonderful faiece and very fast shipping.thanks a lot

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user-90218523fc43

J Bagot es un profesional excelente. Sus artículos son de gran calidad, se incluye la documentación necesaria y el embalaje se realiza con esmero. Le recomiendo encarecidamente.

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user-3268607d7894
查看所有条评论

2340 条评价 (829 过去的12个月)
  1. 818
  2. 10
  3. 1

Magnífica la entrega y el objeto. Perfecta la sonido del sibato

查看翻译
jlpp

免责声明

卖家保证并能证明该物品是合法获取的。 Catawiki 通知卖家,他们必须提供其居住国法律法规所要求的文件。 卖家保证并有权出售/出口此物品。 卖家将向买家提供有关该物品的所有已知的原产地信息。 卖家确保已经/将安排任何必要的许可。 卖家将立即通知买家有关获得此类许可可能产生的任何延误。

卖家保证并能证明该物品是合法获取的。 Catawiki 通知卖家,他们必须提供其居住国法律法规所要求的文件。 卖家保证并有权出售/出口此物品。 卖家将向买家提供有关该物品的所有已知的原产地信息。 卖家确保已经/将安排任何必要的许可。 卖家将立即通知买家有关获得此类许可可能产生的任何延误。