Perfect
查看翻译古罗马 玻璃 碗。公元 1 至 3 世纪。直径 6.3 厘米。
编号 88050461
Bowl.
Ancient Roman, 1st-3rd century AD.
Glass
6.3 cm diameter and 3 cm height.
PROVENANCE: Private collection, France. From the judicial liquidation of the Pierre Bergé & Associés warehouses in 2024.
CONDITION: Good condition.
DESCRIPTION:
Big and small sized bottles of various shapes (more or less globular body, tall or low flared neck, ribbed or plain handles, etc.) and blown in different colors (aubergine, blue, yellow, transparent, green, etc.) were very popular from the 1st to the 4th century A.D.: they were part of the most frequently used toiletry tools. Their success certainly encouraged glassworkers to be highly inventive in order to create new versions, even more attractive to the public.
Towards the end of the Hellenistic period, glass definitely supplanted terracotta as a raw material for the manufacture of containers in all areas of daily life: this event, which occurred gradually, shall be regarded as a major technical revolution in antiquity, made easier, in early Roman times, by the invention and quick spread of the blowpipe, and by the conception of furnaces resisting to higher and higher temperatures.
With a versatility like no other known material in Roman times, abundant availability, lightness and ease of use, glass enabled the imitation of a wide range of other materials (especially precious metals), whether in the form, the design or the color. Furthermore, the ancients certainly knew that glass is a chemically neutral substance, what makes it particularly suitable for the storage of cosmetics or pharmaceutical products, as well as food and liquids.
Just about all Roman burials contain clear or greenish glass vessels covered with an iridescent patina due to the action of humidity and air. These flasks, when made in narrow forms, are often called unguentaria or lacrimaria by collectors, but were only used to contain oils and perfumes in the tombs, not to be containers for tears.
The Romans also perfected the art of working figures in relief on the glass vessels with the addition of another layer of glass of a different colour, or one of enamel, along with moulding, cutting or engraving of the glass, with the result that the surfaces of the containers looked like worked cameos.
BIBLIOGRAPHY:
- ARVEILLER-DULONG, Véronique. NENNA, Marie-Dominique. Les verres antiques au museé du Louvre. Tomo II. Museé du Louvre. 2006.
- FLEMING, Stuart J. Roman Glass: Reflections on Cultural Change. University of Pennsylvania Museum of Archaeology and Anthropology. 1999.
Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License (Passport for European Union) - If the piece is destined outside the European Union a substitution of the export permit should be requested, can take between 1-2 weeks maximum.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
卖家故事
Bowl.
Ancient Roman, 1st-3rd century AD.
Glass
6.3 cm diameter and 3 cm height.
PROVENANCE: Private collection, France. From the judicial liquidation of the Pierre Bergé & Associés warehouses in 2024.
CONDITION: Good condition.
DESCRIPTION:
Big and small sized bottles of various shapes (more or less globular body, tall or low flared neck, ribbed or plain handles, etc.) and blown in different colors (aubergine, blue, yellow, transparent, green, etc.) were very popular from the 1st to the 4th century A.D.: they were part of the most frequently used toiletry tools. Their success certainly encouraged glassworkers to be highly inventive in order to create new versions, even more attractive to the public.
Towards the end of the Hellenistic period, glass definitely supplanted terracotta as a raw material for the manufacture of containers in all areas of daily life: this event, which occurred gradually, shall be regarded as a major technical revolution in antiquity, made easier, in early Roman times, by the invention and quick spread of the blowpipe, and by the conception of furnaces resisting to higher and higher temperatures.
With a versatility like no other known material in Roman times, abundant availability, lightness and ease of use, glass enabled the imitation of a wide range of other materials (especially precious metals), whether in the form, the design or the color. Furthermore, the ancients certainly knew that glass is a chemically neutral substance, what makes it particularly suitable for the storage of cosmetics or pharmaceutical products, as well as food and liquids.
Just about all Roman burials contain clear or greenish glass vessels covered with an iridescent patina due to the action of humidity and air. These flasks, when made in narrow forms, are often called unguentaria or lacrimaria by collectors, but were only used to contain oils and perfumes in the tombs, not to be containers for tears.
The Romans also perfected the art of working figures in relief on the glass vessels with the addition of another layer of glass of a different colour, or one of enamel, along with moulding, cutting or engraving of the glass, with the result that the surfaces of the containers looked like worked cameos.
BIBLIOGRAPHY:
- ARVEILLER-DULONG, Véronique. NENNA, Marie-Dominique. Les verres antiques au museé du Louvre. Tomo II. Museé du Louvre. 2006.
- FLEMING, Stuart J. Roman Glass: Reflections on Cultural Change. University of Pennsylvania Museum of Archaeology and Anthropology. 1999.
Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License (Passport for European Union) - If the piece is destined outside the European Union a substitution of the export permit should be requested, can take between 1-2 weeks maximum.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
卖家故事
- 829
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- 2
Thank you, everything was perfect!
查看翻译piezas muy interesantes. Todo muy correcto, como siempre.
查看翻译estoy muy agradecida por como han tenido tanto tacto y cuidado en enviar la figura protegida, su certificado de autenticidad es muy profesional, al igual que su atención y trato con el cliente
查看翻译El vendedor cumple lo prometido, el objeto es de alta calidad, entonces estoy muy satisfecho con mi compra, muchas gracias.
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查看翻译All good, thank you !
查看翻译All good, thank you !
查看翻译One item was missing, one was damaged. Photos sent as requested. After that, no more communication even when asked. Too bad!
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查看翻译Todo bien. Vendedor muy amable y atento. Recomendado.
查看翻译Todo bien. Persona muy amable y atenta. Vendedor recomendado.
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查看翻译Beautiful objects! Extremely fast shipment! I can fully recommend this seller.
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查看翻译免责声明
卖家保证并能证明该物品是合法获取的。 Catawiki 通知卖家,他们必须提供其居住国法律法规所要求的文件。 卖家保证并有权出售/出口此物品。 卖家将向买家提供有关该物品的所有已知的原产地信息。 卖家确保已经/将安排任何必要的许可。 卖家将立即通知买家有关获得此类许可可能产生的任何延误。
卖家保证并能证明该物品是合法获取的。 Catawiki 通知卖家,他们必须提供其居住国法律法规所要求的文件。 卖家保证并有权出售/出口此物品。 卖家将向买家提供有关该物品的所有已知的原产地信息。 卖家确保已经/将安排任何必要的许可。 卖家将立即通知买家有关获得此类许可可能产生的任何延误。