Material Japanese pigments on silk Size Overall: vertical 178.5× width 56.1cm＊width does not include roller ends. (the work: vertical 104.5× width 50.2cm) Condition ・There are burns, stains, wrinkles, peeling off on the Japanese paper on the back of the cover. ・There are burns, stains, wrinkles on the image. ・There are burns, stains, wrinkles, warp, peeling off in the mounting. Remarks ・Roller ends is Bone. ・There is no signature on the box. Materials for mounting All of them are made of silk. Other There is a note about shipping restrictions and VAT. Please check before purchase. *There may be a slight difference in color between the photo and the actual product. Notes on shipping Generally, we will ship by EMS. Recently, there have been an increasing number of cases in which packages destined for the Netherlands, Italy, and Belgium are having difficulty reaching customers. Therefore, we apologize for the inconvenience, but could you please enter the tracking number (and postal code) into your home country's postal service from time to time to monitor the status of your package (and make inquiries in some cases)? Also, if you are a new customer in Italy, please let us know your codice fiscale via chat after bidding. We appreciate your cooperation. Biography Shima Kinryou (?-1782-1862) A painter from the late Edo period associated with the Nagasaki school. His name is Hou. Originally a samurai of the Nanbu clan, he fled to Nagasaki after an incident in Edo, where he studied painting. He was later invited to Himeji by the chief retainer of the Himeji clan. Taking the name Kinryou, he served as a guest master at Kameyama Hontoku Temple in Himeji. His works, mainly of birds and flowers, are primarily found in Himeji and its vicinity, though he seldom painted figures.