Material Japanese pigments on silk Size Overall: vertical 199× width 40.5cm＊width does not include roller ends. (the work: vertical 128.5× width 28.2cm) Condition ・There are burns, stains, wrinkles on the Japanese paper on the back of the cover. ・There are some burns, stains, wrinkles on the image. ・There are burns, stains, wrinkles, warp in the mounting. Remarks ・Roller ends is Bone. ・Box inscription by the original owner of the work. Materials for mounting All of them are made of silk. Other There is a note about shipping restrictions and VAT. Please check before purchase. *There may be a slight difference in color between the photo and the actual product. Notes on shipping Generally, we will ship by EMS. Recently, there have been an increasing number of cases in which packages destined for the Netherlands, Italy, and Belgium are having difficulty reaching customers. Therefore, we apologize for the inconvenience, but could you please enter the tracking number (and postal code) into your home country's postal service from time to time to monitor the status of your package (and make inquiries in some cases)? Also, if you are a new customer in Italy, please let us know your codice fiscale via chat after bidding. We appreciate your cooperation. Biography Imao Keinen(1845-1924) 1845 (Koka 2) - 1924 (Taisho 13) Born in Kyoto, Japan. His childhood name was Isaburo, his first name was Eikan, and his last name was Shiyu. The pseudonym is Ryujiraku,Yoso-sai.Worked as a draftsman for his family's Yuzen dyeing business. Studied under ukiyoe artists Umekawa Tokyo and Suzuki Hyakunen. Became a commissioned professor at the Kyoto Prefectural School of Painting in 1888. He won the second prize at the National Industrial Exhibition in 1895, and was awarded the silver medal at the Paris International Exposition in 1900. In 1904, he became an Imperial Household Artist and a member of the Imperial Art Academy. He was awarded many prizes at domestic and international expositions for his outstanding talent in flower and bird painting. He was a major figure in the Kyoto art world, inheriting the tradition of the Shijo School, and devoted himself to the training of future generations. Died in 1924 at the age of 79.