Carved in two layers, white on black, with the head of Gorgo Medusa framed by thick curly hair, wings visible, the face well defined with articulated eyes; mounted as gold earrings

Note
The head of Medusa, also known as the gorgoneion, was perhaps "the most ubiquitous subject employed for cameos" during the Roman Period (p. 183 in M. Henig and H. Molesworth, The Complete Content Cameos). When used in jewelry it was thought to have amuletic or apotropaic properties, conferring protection to the wearer, including from the Evil Eye. During the Roman period, the type is typically shown either frontally or slightly turned, with wings in her hair, the face framed by serpents. The most common materials were sardonyx, chalcedony, carnelian or glass imitating them. It is mounted as earrings in their original Roman gold frame.

Provenance
Frank Sternberg, 14 December 1983
Ars Antiqua SA, acquired from the above
Private collection, Switzerland, by descent

Condition
The arched earwire of one earring modern, otherwise in good state of preservation as shown

Shipping terms
Worldwide shipping. No export permit needed to ship from Switzerland.Buyers have to cover transport costs and any additional import costs (e.g. VAT, import levies). You also acknowledge and accept that you are responsible for checking if there is any specific rule or restriction applicable to the import of an object into your country.

卖家故事

Plektron Fine Arts成立于2016年,在瑞士苏黎世中心的Paradeplatz附近成立。 Ludovic Marock在文化界和国际艺术界拥有近二十年的经验,开始了自己的职业生涯。在苏富比和佳士得拍卖行他代表科视在苏黎世的主要办事处担任古物专家,负责欧洲大陆在全球范围内的所有托运货物。 Plectrum Fine Arts提出了地中海地区的考古艺术品,并特别强调了希腊和罗马时期。
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Carved in two layers, white on black, with the head of Gorgo Medusa framed by thick curly hair, wings visible, the face well defined with articulated eyes; mounted as gold earrings

Note
The head of Medusa, also known as the gorgoneion, was perhaps "the most ubiquitous subject employed for cameos" during the Roman Period (p. 183 in M. Henig and H. Molesworth, The Complete Content Cameos). When used in jewelry it was thought to have amuletic or apotropaic properties, conferring protection to the wearer, including from the Evil Eye. During the Roman period, the type is typically shown either frontally or slightly turned, with wings in her hair, the face framed by serpents. The most common materials were sardonyx, chalcedony, carnelian or glass imitating them. It is mounted as earrings in their original Roman gold frame.

Provenance
Frank Sternberg, 14 December 1983
Ars Antiqua SA, acquired from the above
Private collection, Switzerland, by descent

Condition
The arched earwire of one earring modern, otherwise in good state of preservation as shown

Shipping terms
Worldwide shipping. No export permit needed to ship from Switzerland.Buyers have to cover transport costs and any additional import costs (e.g. VAT, import levies). You also acknowledge and accept that you are responsible for checking if there is any specific rule or restriction applicable to the import of an object into your country.

卖家故事

Plektron Fine Arts成立于2016年,在瑞士苏黎世中心的Paradeplatz附近成立。 Ludovic Marock在文化界和国际艺术界拥有近二十年的经验,开始了自己的职业生涯。在苏富比和佳士得拍卖行他代表科视在苏黎世的主要办事处担任古物专家,负责欧洲大陆在全球范围内的所有托运货物。 Plectrum Fine Arts提出了地中海地区的考古艺术品,并特别强调了希腊和罗马时期。
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文化
古罗马
Name of object
一对黄金和玛瑙浮雕耳环
世纪/时段
Roman period, 2nd-3rd century A.D.
起源
私人收藏
国家
未知
状态
Height
1,32 cm

免责声明

卖家保证并能证明该物品是合法获取的。 Catawiki 通知卖家,他们必须提供其居住国法律法规所要求的文件。 卖家保证并有权出售/出口此物品。 卖家将向买家提供有关该物品的所有已知的原产地信息。 卖家确保已经/将安排任何必要的许可。 卖家将立即通知买家有关获得此类许可可能产生的任何延误。

卖家保证并能证明该物品是合法获取的。 Catawiki 通知卖家,他们必须提供其居住国法律法规所要求的文件。 卖家保证并有权出售/出口此物品。 卖家将向买家提供有关该物品的所有已知的原产地信息。 卖家确保已经/将安排任何必要的许可。 卖家将立即通知买家有关获得此类许可可能产生的任何延误。