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The Tubes - Alive in America + The Completion Backward Principle - LP - 2017
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The Tubes - Alive in America + The Completion Backward Principle - LP - 2017

Two fantastic albums by The Tubes, you will receive both albums, one is new and sealed, other is a used record. The Tubes are a San Francisco-based rock band.[1] Their self-titled 1975 debut album included the single "White Punks on Dope", while their 1983 single "She's a Beauty" was a top-10 U.S. hit and its music video was frequently played in the early days of MTV. The band also performed in the 1980 film Xanadu, singing the rock portion of the cross-genre song "Dancin'" opposite a big band. The Tubes' first album, The Tubes (1975), was produced by Al Kooper. The track "White Punks on Dope" was an "absurd anthem of wretched excess" and ridiculed the Hollywood kids of the rich and famous. Since then the song has been covered by Mötley Crüe, P.O.L. (Parade of Losers) and the German rock musician Nina Hagen took the tune and set new lyrics to it (not a translation of the original lyrics), titled her work "TV-Glotzer" ("Couch Potato"), using this song as the opening track of her own debut album Nina Hagen Band (1978). The album track "What Do You Want from Life?," which became another of the Tubes' signature songs, satirizes consumerism and celebrity culture and climaxes in a monolog by Waybill who, in a rapid game show announcer's patter, name-checks celebrities such as Bob Dylan, Paul Williams and Randolph Mantooth, as well as well-known products of the period, including the Dynagym exercise machine and a host of American vehicles such as "a herd of Winnebagos" and a "Mercury Montclair..." as part of a list of things that, "if you're an American citizen, you are entitled to" culminating in "a baby's arm holding an apple." By late 1975, the band created a stage show unlike any other after hiring Kenny Ortega to direct and choreograph, comedian Jane Dornacker and her band "Leila and the Snakes," and event support/video pioneer T.J. McHose to run a live video feed with films for each song. The show was critically acclaimed and broke them into show business in Los Angeles during sold-out runs at the Roxy Theater, David Allen's Boarding House and Bimbo's in San Francisco, as well as The Bottom Line in New York City. Compared at the time to The Rocky Horror Picture Show, the Tubes' stage show was closer to Saturday Night Live with its mix of topical satire and subversive postmodern Andy Kaufman-like routines such as Waybill beating up a couple in the front row (who were planted) during the "Crime Medley," then taking off his disguise as the band launched into "Mondo Bondage" and a huge stack of "Kill Amplifiers" (cardboard) falling on Quay Lewd during the finale of "White Punks on Dope." The band was part of the mid-'70s underground comedy scene which included The Credibility Gap, Firesign Theatre, Ace Trucking Company, Kentucky Fried Theater, Groundlings, Ken Shapiro's Channel One Video Theatre and National Lampoon. The L.A. Connection Comedy Theatre performed during the Tubes show intermission many times. In 1975, the Tubes were offered a spot on Saturday Night Live with Howard Cosell and NBC's Saturday Night, but manager Mort Moriarty wanted the band to be able to play several songs in a row to show off how tight their transitions were; both shows declined, and without major network TV appearances, the Tubes missed out on huge TV exposure, cementing their "cult" status until the early 1980s. The band's touring crew was up to 24 people at this point, making it hard to tour for the standard weeks on end most bands of the era were committing to build a fan base. 1. The Tubes – Alive in America NEW ALBUM AND SEALED Label: Concerts On Vinyl – COVLP 87000 Format: Vinyl, LP, Reissue, Stereo Country: Europe Released: 2017 A1 Young And Rich - Grandiose Instrumental Overture A2 What Do You Want From Life A3 Tubes World Tour A4 Love Will Keep Us Together B1 Pimp B2 Mondo Bondage B3 Don't Touch Me There B4 Boy Crazy B5 Stand Up And Shout Bass – Rick Anderson Drums – Prairie Prince Guitar [Guitars] – Bill Spooner, Roger Steen Keyboards – Michael Cotten, Vince Welnick Lead Vocals – Fee Waybill Vocals – Re Styles Recorded live in Los Angeles, 1976. 2. Tubes – The Completion Backward Principle THIS IS A USED RECORD, LP and cover are both in EX condition Label: Capitol Records – E-ST 26285, Capitol Records – OC 062-400 009 Format: Vinyl, LP, Album Country: UK Released: Apr 21, 1981 A1 Talk To Ya Later 4:29 A2 Let's Make Some Noise 3:24 A3 A Matter Of Pride 3:14 A4 Mr. Hate 3:41 A5 Attack Of The Fifty Foot Woman 4:29 B1 Think About Me 3:16 B2 Sushi Girl 3:26 B3 Don't Want To Wait Anymore 4:16 B4 Power Tools 4:03 B5 Amnesia 4:26 Bass – Rick Anderson Drums – Prairie Prince Guitar, Vocals – Bill Spooner, Roger Steen Keyboards – Vince Welnick Lead Vocals – Fee Waybill Synthesizer – Mike Cotten Albums will be sent by registrated mail

Nr 87458139

Såld
The Tubes - Alive in America + The Completion Backward Principle - LP - 2017

The Tubes - Alive in America + The Completion Backward Principle - LP - 2017

Two fantastic albums by The Tubes, you will receive both albums, one is new and sealed, other is a used record.



The Tubes are a San Francisco-based rock band.[1] Their self-titled 1975 debut album included the single "White Punks on Dope", while their 1983 single "She's a Beauty" was a top-10 U.S. hit and its music video was frequently played in the early days of MTV. The band also performed in the 1980 film Xanadu, singing the rock portion of the cross-genre song "Dancin'" opposite a big band.

The Tubes' first album, The Tubes (1975), was produced by Al Kooper. The track "White Punks on Dope" was an "absurd anthem of wretched excess" and ridiculed the Hollywood kids of the rich and famous. Since then the song has been covered by Mötley Crüe, P.O.L. (Parade of Losers) and the German rock musician Nina Hagen took the tune and set new lyrics to it (not a translation of the original lyrics), titled her work "TV-Glotzer" ("Couch Potato"), using this song as the opening track of her own debut album Nina Hagen Band (1978). The album track "What Do You Want from Life?," which became another of the Tubes' signature songs, satirizes consumerism and celebrity culture and climaxes in a monolog by Waybill who, in a rapid game show announcer's patter, name-checks celebrities such as Bob Dylan, Paul Williams and Randolph Mantooth, as well as well-known products of the period, including the Dynagym exercise machine and a host of American vehicles such as "a herd of Winnebagos" and a "Mercury Montclair..." as part of a list of things that, "if you're an American citizen, you are entitled to" culminating in "a baby's arm holding an apple."

By late 1975, the band created a stage show unlike any other after hiring Kenny Ortega to direct and choreograph, comedian Jane Dornacker and her band "Leila and the Snakes," and event support/video pioneer T.J. McHose to run a live video feed with films for each song. The show was critically acclaimed and broke them into show business in Los Angeles during sold-out runs at the Roxy Theater, David Allen's Boarding House and Bimbo's in San Francisco, as well as The Bottom Line in New York City. Compared at the time to The Rocky Horror Picture Show, the Tubes' stage show was closer to Saturday Night Live with its mix of topical satire and subversive postmodern Andy Kaufman-like routines such as Waybill beating up a couple in the front row (who were planted) during the "Crime Medley," then taking off his disguise as the band launched into "Mondo Bondage" and a huge stack of "Kill Amplifiers" (cardboard) falling on Quay Lewd during the finale of "White Punks on Dope."

The band was part of the mid-'70s underground comedy scene which included The Credibility Gap, Firesign Theatre, Ace Trucking Company, Kentucky Fried Theater, Groundlings, Ken Shapiro's Channel One Video Theatre and National Lampoon. The L.A. Connection Comedy Theatre performed during the Tubes show intermission many times. In 1975, the Tubes were offered a spot on Saturday Night Live with Howard Cosell and NBC's Saturday Night, but manager Mort Moriarty wanted the band to be able to play several songs in a row to show off how tight their transitions were; both shows declined, and without major network TV appearances, the Tubes missed out on huge TV exposure, cementing their "cult" status until the early 1980s. The band's touring crew was up to 24 people at this point, making it hard to tour for the standard weeks on end most bands of the era were committing to build a fan base.

1. The Tubes – Alive in America
NEW ALBUM AND SEALED

Label: Concerts On Vinyl – COVLP 87000
Format: Vinyl, LP, Reissue, Stereo
Country: Europe
Released: 2017

A1 Young And Rich - Grandiose Instrumental Overture
A2 What Do You Want From Life
A3 Tubes World Tour
A4 Love Will Keep Us Together
B1 Pimp
B2 Mondo Bondage
B3 Don't Touch Me There
B4 Boy Crazy
B5 Stand Up And Shout

Bass – Rick Anderson
Drums – Prairie Prince
Guitar [Guitars] – Bill Spooner, Roger Steen
Keyboards – Michael Cotten, Vince Welnick
Lead Vocals – Fee Waybill
Vocals – Re Styles
Recorded live in Los Angeles, 1976.


2. Tubes – The Completion Backward Principle
THIS IS A USED RECORD,
LP and cover are both in EX condition

Label: Capitol Records – E-ST 26285, Capitol Records – OC 062-400 009
Format: Vinyl, LP, Album
Country: UK
Released: Apr 21, 1981

A1 Talk To Ya Later 4:29
A2 Let's Make Some Noise 3:24
A3 A Matter Of Pride 3:14
A4 Mr. Hate 3:41
A5 Attack Of The Fifty Foot Woman 4:29
B1 Think About Me 3:16
B2 Sushi Girl 3:26
B3 Don't Want To Wait Anymore 4:16
B4 Power Tools 4:03
B5 Amnesia 4:26
Bass – Rick Anderson
Drums – Prairie Prince
Guitar, Vocals – Bill Spooner, Roger Steen
Keyboards – Vince Welnick
Lead Vocals – Fee Waybill
Synthesizer – Mike Cotten

Albums will be sent by registrated mail






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