Original woodblock print - Paper i - Utagawa Shigekiyo(?-?) -"Ryougoku meisho no uchi ryougoku bashi nokei" 東京名所之内両国橋之景(Tokyo famous scene series from Ryougoku bridge scene) - Japan - 1882 (Meiji 15 period)


Utagawa Shigekiyo is name 'Eisai shigekiyo e' 栄斎重清画" in his signature

Good condition, trimmed margins, centerfold, paper is pasted on the back of the woodblock print and there is a repair.
This ukiyo-e print has cardboard on the back.

(memo)
A disciple of Utagawa Hiroshige. His real surname is Nozawa and his given name is Sadakichi. He used artname Ichieisai(一栄斎), Eisai(栄斎), and Rakusai(楽斎). His painting period was from the Ansei to the Meiji era, and although there were few works in the end of the Edo period, he mainly painted flower and bird paintings and warrior paintings. Although he stopped drawing for a period of time, from 1882, under his real name Sadakichi NOZAWA, he began to draw enlightenment paintings influenced by Hiroshige III, and continued to work until around 1887. there is His Yokohama-e painting "Yokohama Orai" depicts the manners and customs of foreigners on a long, narrow screen consisting of two half-cut horizontal panels.

Original woodblock print - Paper i - Utagawa Shigekiyo(?-?) -"Ryougoku meisho no uchi ryougoku bashi nokei" 東京名所之内両国橋之景(Tokyo famous scene series from Ryougoku bridge scene) - Japan - 1882 (Meiji 15 period)


Utagawa Shigekiyo is name 'Eisai shigekiyo e' 栄斎重清画" in his signature

Good condition, trimmed margins, centerfold, paper is pasted on the back of the woodblock print and there is a repair.
This ukiyo-e print has cardboard on the back.

(memo)
A disciple of Utagawa Hiroshige. His real surname is Nozawa and his given name is Sadakichi. He used artname Ichieisai(一栄斎), Eisai(栄斎), and Rakusai(楽斎). His painting period was from the Ansei to the Meiji era, and although there were few works in the end of the Edo period, he mainly painted flower and bird paintings and warrior paintings. Although he stopped drawing for a period of time, from 1882, under his real name Sadakichi NOZAWA, he began to draw enlightenment paintings influenced by Hiroshige III, and continued to work until around 1887. there is His Yokohama-e painting "Yokohama Orai" depicts the manners and customs of foreigners on a long, narrow screen consisting of two half-cut horizontal panels.

Era
1400-1900
Utagawa Shigekiyo (act 1860-90)
Titel på konstverket
'Famous Places of Edo: View of Ryogoku Bridge' 東京名所之内両国橋之景 - 1882
Teknik
Signatur
Signatur på platta
År
1882
Skick
Bra skick
Höjd
240 mm
Bredd
360 mm
Djup
1 mm
Vikt
1 g
Ursprungsland
Japan
Stil
Ukiyo-e
Dynastisk stil/period
Meiji-perioden (1868-1912)
Tidsålder
1850-1900

1129 recensioner (215 de sidste 12 måneder)
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Thumbs up to Japan's postal system! Efficient and fast, the seller packs the items carefully and is very professional.

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user-3683dd834a6e

Perfect seller! Thank you very much from Germany!

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user-023023895e3f

Comme toujours, le bien vendu est tout à fait conforme au descriptif, de très bonne qualité et a été très bien emballé. Je recommande vivement ce vendeur.

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user-6ade4529cf4e

Perfect! Again thank you very much from Germany!

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user-023023895e3f

Top marchandise merci pour la rapide livraison

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user-50dff13eeab6

Bedankt voor deze oude prenten. Kan professioneler verpakt worden.

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user-25cd4f4

Fast shipment and carefully packed (as usual). Beautiful woodprint. Arigato gozaimasu.

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RichardZwama

Delivery a little long but well packaged and as described. Satisfactory

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user-0cc7c50

Anything is fine. Many thanks from Germany.

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user-023023895e3f

spedizione molto veloce e imballaggio molto accurato. Stampe molto belle e descrizione conforme. Soddisfatto pienamente.

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fcometa

Fast shipment, carefully packed and wonderful woodprints. Thank you!

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RichardZwama

Fast shipment, carefully packed and a very nice print.

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RichardZwama

Very Fine Japanese Triptych! Fast, Safe & Cheap Shipping!!!

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user-7988053

Fine wood print, fine packaging, quick delivery. Many thanks. CLaval, France (EU)

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user-c7a43b6
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1129 recensioner (215 de sidste 12 måneder)
  1. 209
  2. 4
  3. 2

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