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De bästa objekten från {name}

Leo Setz

CARLO MARATTA [Followers]  
(Camerano, 1625 – Rome, 1713)
Madonna and Child (Madonna della Mela)
Oil on canvas, cm 35 x 25.
Carved golden Baroque frame, size: 62 x 52 x 5 approx.
.

Notes: Unsigned work. Certificate of lawful origin. Carved golden Baroque frame (with flaws), size:

" ...Antique painting – intended perhaps for private devotion or for an amateur, given the small size – depicting an iconographic subject that takes up a very popular and often-used scheme in the seventeenth/eighteenth century. The painting is in good visual condition and sees the Virgin and Child at the centre of the composition: in the case in question, it refers to a legendary stop of the Holy Family, which took place, according to Christian tradition, during the return journey after the flight into Egypt. The image also takes up the iconography of the Madonna della Mela: a terracotta work attributed to Donatello or Luca della Robbia and preserved in the Bardini Museum in Florence, datable to the first quarter of the fifteenth century.
With regard to the stylistic features of this canvas, probably destined to adorn the altar of a noble chapel, this image was created by an artist of the southern school, closely influenced by Maratta, endowed with good technical and stylistic skills. The stylistic features that emerge from this image, are in fact, those typical of an artist probably active in Rome during the second half of the seventeenth century and the beginning of the eighteenth century, trained at the end of the seventeenth century: among the main references of his updated figurative culture w can in fact find links with the works in which the Maratta-like component is evident. 
The canvas focused on the contrasted lighting effects, on the modelled balance of the figures, on the virtuous drapery, on the flaming palette, but also on the rapid and vibrant brushstrokes, from which our canvas clearly draws inspiration: in fact, the outdated visual training of the artist of this Madonna and Child highlights the descriptive manner of a painter who oriented himself towards the most dazzling inventions of the painting of the Roman masters of the seventeenth and eighteenth century, reworking them with originality and grace. It is these considerations, which cannot be avoided, that lead – with caution – to reconnect the work in question, to an artist of Roman training in the circle or follower of Carlo Maratta (Camerano, 1625 – Rome, 1713). 
Carlo Maratti, Prince of the Accademia di San Luca was undoubtedly one of the most celebrated artists of his time and all the sources confirm it between the second half of the seventeenth and the first of the eighteenth century (Bellori, Pio, Baldinucci, Pascoli). His creations constituted an absolute reference model, paradigm of a pictorial style masterfully resolved and balanced in all its components (design, colour, composition, iconography), making him the arbiter of the Roman art scene, as well as a source of normative inspiration for European classicism. The canvas in question finds illustrative similarities with other compositions of the same subject, kept in different museums. However, as we know, this kind of compositions were also widely popular among collectors and were repeated several times by his workshop of followers. 
Artwork in fair condition of preservation. The paint layer seems - in some places - peeled with various touch-ups. There are also small colour losses, especially in the hand of the Virgin. From a first impression, it is evident that this painting has been retouched and repainted in various occasions of restoration. All this does not allow for a careful attributive evaluation and this work may require further intervention for an in-depth study of its attribution Canvas size: cm 35 x 25 cm. The painting is sold with a beautiful carved golden baroque frame (size: cm 62 x 52 x 5 approx.

Origin: private collection. 

Publication: 
	Unpublished;
	I Miti e il Territorio nella Sicilia dalle mille culture. INEDITA QUADRERIA general catalogue of the paintings in the collection of the cycle ‘I Miti e il territorio’, Editore Lab_04, Marsala, (now printing, 2021).

The painting is complete with the aforementioned frame of fairly good workmanship (commercial value about €200), offered as a gift. 
We also guarantee an accurate packaging with outer wooden crate and inner bubble wrap / cardboard / polystyrene (packaging cost: approximately €100.00) and trackable shipping (€100.00 Italy). For export, the work is subject to a request for Certificate of Free Circulation (European Community) or Export Certificate (Extra-EU Transport) at the export office (Territorial Superintendency) with additional times and costs (€300/€500, all inclusive: shipping, packaging, and export documents).

Olja på duk, olja på duk, cm. 35 x 25 - Inte signerad - XVII-XVIII secolo

Carlo Maratta (1625-1713), follower of - Madonna col Bambino (Madonna della Mela)

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Det här objektet är inte längre tillgängligt, men det finns fortfarande mycket att utforska

Carlo Maratta (1625-1713), follower of - Madonna col Bambino (Madonna della Mela)

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Det här objektet är inte längre tillgängligt, men det finns fortfarande mycket att utforska

Carlo Maratta (1625-1713), follower of - Madonna col Bambino (Madonna della Mela)

Populär i [missing %{kategorinamn} value]

1456 objekt

Relaterade samlingar