Konst

Interiör och dekoration

Smycken och ädelstenar

Klockor, pennor och tändare

Mode

Mynt och frimärken

Tecknade serier och animation

Klassiska bilar, motorcyklar och automobilia

Vin och whisky

Asiatisk konst och stamkonst

Samlarkort

Leksaker och modeller

Arkeologi och naturhistoria

Sport

Musik, filmer och kameror

Böcker och historiska memorabilia

De bästa objekten från {name}

Marleen Deiters

Beautiful Art Deco ceramic figure Keramos Wien, dancer
Marked with the logo of the Wiener kunstkeramischen Werkstätten M and made in Germany
Beautiful used condition, a small chip at the front of the bow and at the base at the rear
Information according to specialist literature (Keramos by Uta M. Matschiner):
Year: approx. 1934
Size approx. width: 18 x height: 30 
Model no. 840
Model labelling: Old Vienna
Design by: Rudolf Podany
Company information:
 The origins of the company Keramos are in two companies of the same name. The company Keramos – Invalidengesellschaft für Wiener Kunstkeramik was founded at the end of 1919 on the initiative of the three ceramicists Rudolf Wolf, Heinrich Wolf and Ludwig Rys, who had become invalids during WWI. Production began in September 1920. Art-ceramic lamps, figures, vases and cans were produced.
The company Keramos - Wiener Kunstkeramik und Porzellanmanufaktur was founded in 1920. Josef Hoffmann was for a long time a partner of Keramos, as was the sculptor Rudolf Podany, who was engaged from the beginning and created a large number of designs. From 1921 Anton Klieber was hired, who was also responsible for most of the models.
Around 1924, both companies were merged and converted into an AG (corporation), Otto Köller became commercial director, and the technical directors were the brothers Rudolf and Heinrich Wolf.
   The company's headquarters were in the Hofburg, Schwarze-Adler-stiege, the factory in the 10th district of Vienna, Schleiergasse 17. Artistic collaborators at the time were Eduard Klablena, Otto Prutscher, Karl Perl, Karin Jarl-Sakellarios, Ida Schwetz-Lehmann and Grete Fucik-Fischmeister. On 23 February 1928, the triangular mark was registered in the register of trademarks. Production was now also carried out for the Wiener Werkstätte.
Difficulties for the company arose as a result of the Great Depression. Around 1932, 50 employees were employed and a larger number of models were taken over by Eduard Klabena and the disbanded Wiener Werkstätte. The works now being produced at Keramos were designated by their company brands until after 1941. From 1939, the economic situation of the company was again better managed by taking over the production of the keramische Winterhilfswerk-Abzeichen, the so-called WHW-Abzeichen (badges).
 Before 1941, the company was converted into a KG (limited partnership) called Keramos, Wiener Kunstkeramik und Porzellanmanufaktur Brüder Wolf KG. Otto Köller was no longer active from that point on.
After the end of WWII Robert Obsieger recommended Robert Mathis as the new head of Keramos, who took over the leadership of the ceramics factory as early as 1945. In 1949, Mathis introduced a new company logo, which was used next to the existing triangular mark, the so-called coat of arms stamp.
Anton Klieber and Rudolf Podany continued to work as ceramicists, and new artists such as Josef Lorenzl and Stephan Dakon were also engaged, both of whom had previously worked for Goldscheider, as well as Rudolf Chocholka, Karl Grössl and Ina Eisenbeisser. New models were created, such as dancers, children's figures, animals and nudes, and from the mid-1950s also the well-known wall masks, teenagers and poodles, which corresponded to the trend of the time. In addition, traditional designs such as Madonna statues and busts, saints and angels were still produced.   Utilitarian pottery also became an important branch of production like dishes, vases, lamp feet, candle holders and flower pots, and a collaboration with the German manufacturer Carstens at the beginning of the 60s was just as lucrative.
During the 1960s, the markets for figurative ceramics became increasingly difficult. Thus, until 1982, production was increasingly shifted to utilitarian pottery, because ceramic figures were no longer modern due to the changed taste and zeitgeist. In the end, the economic situation at Keramos became more and more difficult and Klaus Mathis, the son of Robert Mathis and then director, who succeeded his father at the head of the company in the early 1970s, initiated the liquidation of the company at the end of 1982.

 Private sale - the photos are part of the description!

Österrike - 1920-1949 - Keramik, Porslin

Rudolf Podany - Keramos, Wiener Keramik, Wiener Kunstkeramische Werkstätte - Keramiska objekt, Porslinstatyett (1)

Jugend och Art Déco

Reservationspris

Utan reservationspris

Köp nu

Slutdatum

söndag

fredag

lördag

torsdag

22 oktober

måndag

imorgon

idag

Budget

Till

Plats

Belgien

Nederländerna

Frankrike

Italien

Tyskland

Polen

Ungern

Spanien

Schweiz

Storbritannien

Portugal

Tjeckien

Österrike

Bulgarien

Danmark

Grekland

Hongkong

Luxemburg

Lettland

Rumänien

Märke

Val Saint Lambert

WMF / Geislingen

Legras & Cie.

Boch Frères

Keramis Boch

Moser & Söhne

Daum Frères

Keramis

Christofle

Goldscheider

Glasfabriek Leerdam

Plateelbakkerij Zuid-Holland

Daum

Emile Gallé

Herend

Muller Frères

Orivit

Royal Dux Porzellan-Manufaktur

De Porceleyne Fles, Delft

Rosenthal

Thonet

Lalique

Leerdam

Sevres

Objekt

Skulptur

Bokstöd

Lampa

Karaff

Jardinière

Staty

Figurin

Bordslampa

Mittdekoration

Champagnekylare

Book

Figur

Kaffe- och teservis

Dekorativ prydnad

Tårtstativ

Låda

Bordsduk

Ljusstake

Skål

Smörask

Bricka

Ursprungsland

Europa

Okänd

Slovakien

Slovenien

Sverige

Nordamerika

Material

Glas

Keramik

Trä

Silverpläterad

Kristall

Lergods

Porslin

Mässing

Marmor

Brons

Metall

Koppar

Plåt

Råzink

Silver

Gräddsnipa

Emalj

Järn

Patinerat brons

Gips

Aluminium

Bakelit

Bomull

Skick

Bra skick - använd med små tecken på åldrande och fläckar

Utmärkt skick - knappt använd med minimala tecken på åldrande och slitage

Bra skick – använd med små tecken på åldrande och fläckar

Som ny - oanvänd

Bra skick

Utmärkt skick

Rimligt - kraftigt använt och med eventuellt mindre delar som saknas

Mycket bra

Som ny

Fullgott

Godtagbart skick

Utmärkt skick -knappt använd med minimala tecken av användning

Varierande skick

Period

1920-1930

1930-1940

1900-1910

1910-1920

1940-1950

1850-1900

1950-1960

2020+

1920-1949

1960-1970

1890-1919

1990-2000

1970-1980

1980-1990

1400-1450

2010-2020

2000-2010

Ämne

Regionalt intresse

Skämtteckningar och tecknade serier

Kvinnliga figurer

Referens

Biografier och memoarer

Naken

Brukskonst (design)

Samlade verk

Illustrerad

Teknologi

Stil

Art Déco

Jugend

Jugendstil

Arts & Crafts

Antik

Bauhaus

Barock stil

Design

Wiener Sezession

Vintage

Samtida

Mid-century modern

Edvardiansk

Signatur

Handsignerad

Signatur på platta

Inte signerad

Tryckt signatur

Konstnärens stämpel

Initialer på baksidan

Utgåva nr.

Första utgåva

Jugend och Art Déco

Det här objektet är inte längre tillgängligt, men det finns fortfarande mycket att utforska

Rudolf Podany - Keramos, Wiener Keramik, Wiener Kunstkeramische Werkstätte - Keramiska objekt, Porslinstatyett (1)

741 objekt

Relaterade samlingar

Cookies

Jugend och Art Déco

Det här objektet är inte längre tillgängligt, men det finns fortfarande mycket att utforska

Rudolf Podany - Keramos, Wiener Keramik, Wiener Kunstkeramische Werkstätte - Keramiska objekt, Porslinstatyett (1)

741 objekt

Relaterade samlingar