William Klein, Simone + Nina, Piazza di Spagna, Rome (Vogue), 1960.

In making this photograph, one of his best-known images, William Klein instructed the models to walk back and forth on the crosswalk, the further one turning back to take note of their similarity of dress. Klein also made sure to include down-to-earth elements of everyday life such as pedestrians and a motorcyclist.

'Copyright 2006 William Klein' in the upper left corner of the image.

Artist's dry stamp in the lower right corner of the image.

Total dimensions: 41,5 x 31,5 cm on semi-gloss paper..

Fine condition (with small imperfections).

“Klein is one of those legendary photographers who made his own rules, like Man Ray,” said Alain Genestar, head of the French photography magazine Polka.

Klein photography of the 1950s was unusual for its time: grainy, blurry, high-contrast photographs--qualities generally considered defects in the popular photographic community. Klein not only accepted but cultivated these qualities by using a 35-millimeter camera, slow film, and a wide-angle lens, for both his fashion photography and his personal work. His approach set a precedent for many street photographers of the 1960s, whose work draws upon many of his innovations.

Considered one of the fathers of street photography, Klein achieved widespread fame in the 1960s for his bold fashion shoots at Vogue and for wildly inventive photo essays on cities including New York, Paris, Tokyo, Moscow and Rome.

One of the most influential photographers of the 20th century along with other photographers of his time such as: Man Ray, Ansel Adams, Henri Cartier-Bresson, Edward Steichen, Werner Bischof, Robert Capa, Elliott Erwitt, Walter Evans, Eugene Smith, Philippe Halsman, Diane Arbus, Eve Arnold, Robert Doisneau, among many others.


William Klein, Simone + Nina, Piazza di Spagna, Rome (Vogue), 1960.

In making this photograph, one of his best-known images, William Klein instructed the models to walk back and forth on the crosswalk, the further one turning back to take note of their similarity of dress. Klein also made sure to include down-to-earth elements of everyday life such as pedestrians and a motorcyclist.

'Copyright 2006 William Klein' in the upper left corner of the image.

Artist's dry stamp in the lower right corner of the image.

Total dimensions: 41,5 x 31,5 cm on semi-gloss paper..

Fine condition (with small imperfections).

“Klein is one of those legendary photographers who made his own rules, like Man Ray,” said Alain Genestar, head of the French photography magazine Polka.

Klein photography of the 1950s was unusual for its time: grainy, blurry, high-contrast photographs--qualities generally considered defects in the popular photographic community. Klein not only accepted but cultivated these qualities by using a 35-millimeter camera, slow film, and a wide-angle lens, for both his fashion photography and his personal work. His approach set a precedent for many street photographers of the 1960s, whose work draws upon many of his innovations.

Considered one of the fathers of street photography, Klein achieved widespread fame in the 1960s for his bold fashion shoots at Vogue and for wildly inventive photo essays on cities including New York, Paris, Tokyo, Moscow and Rome.

One of the most influential photographers of the 20th century along with other photographers of his time such as: Man Ray, Ansel Adams, Henri Cartier-Bresson, Edward Steichen, Werner Bischof, Robert Capa, Elliott Erwitt, Walter Evans, Eugene Smith, Philippe Halsman, Diane Arbus, Eve Arnold, Robert Doisneau, among many others.


Eră
După 2000
Artist
William Klein
Titlu operei de artă
Simone + Nina, Piazza di Spagna, Rome (Vogue), 1960
Tehnică
Fotolitografie
Stare
Bună
Ediție
© 2006 William Klein
Înălțime
415 mm
Imprimare veche
Imprimată mai târziu
Lățime
315 mm
Stil
Fotografii Modă
Semnatură
Ștampila artistului

82 de review-uri (46 în ultimele 12 luni)
  1. 42
  2. 2
  3. 2

It's no fotoprint but cheap copyprint made with ordinary printer on paper not to be used for decent fotoprint. Not worth more than 50cents

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user-8dce638
Răspunsul Vânzătorului

Good morning. The paper type is the one Taschen decided to use for this edition. If you do not like it, we can arrange to return the item. Best regards.

Todo correcto, objeto acorde a la descripcion y envio con embalaje perfecto

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user-a9070e3

Livraison rapide, emballage soigné, je recommande ce vendeur.

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user-ff2c6ad6a521

Fast delivery, good packaging. And most importantly the artwork was in great quality. I would buy again! ⭐️⭐️⭐️⭐️⭐️

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ASchout

Muchas gracias, en perfecto estado, buen embalaje. Rapidez en la entrega.

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user-6d3d5982aafd

Livraison un peu longue mais l'emballage est parfait , très soigné et je suis ravie de mon achat !

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user-f221ff1

Très mauvais tirage

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user-4091ce42bb63
Răspunsul Vânzătorului

We are sorry to hear that you do not like the print. But this is a subjective opinion. These prints are almost 20 years old, and no specific paper weight or type is specified in the description (because I don't know), and you have quite a few detailed photographs of the item. You have received the same item as shown in the photographs.

Snelle verzending, zeer goed verpakt! Blij met mijn aankoop!! 👍🏼

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Ilanitroeterd

veel aandacht besteed aan de verpakking uitstekende verkoper topper

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user-2e3a32306fe2

Absolut perfekt verpackt! Besser geht es nicht. Walter Rehfuss

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user-fcfaf82b26b6

Rare photo in excellent state. Packed safely in cardboard and plastic

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egbertwolf
Vizualizați toate review-uri

82 de review-uri (46 în ultimele 12 luni)
  1. 42
  2. 2
  3. 2

It's no fotoprint but cheap copyprint made with ordinary printer on paper not to be used for decent fotoprint. Not worth more than 50cents

Vizualizați traducerea
user-8dce638
Răspunsul Vânzătorului

Good morning. The paper type is the one Taschen decided to use for this edition. If you do not like it, we can arrange to return the item. Best regards.