Alessi - Massimo Giacon - Marcello Jori - Estatueta - ''Pisoletti'' (4) - Estatueta em porcelana. Decorado à mão.

These 4 ‘’Pisoletti’’ porcelain figures, are captivating creations born from the collaborative brilliance of Massimo Giacon and Marcello Jori, stands as a mesmerizing testament to their combined artistic prowess within the distinguished project, "Happy Eternity Baby." Crafted for Alessi, these exquisite figures captures a moment of serene tranquility as the flock rests in quiet bliss—a poignant reflection of the timeless ritual of counting sheep before falling into a peaceful slumber.

With delicate precision and artistic finesse, Giacon and Jori have breathed life into this ‘’Pisoletti’’ figures, infusing them with a sense of ethereal beauty. The sculpted porcelain forms not only showcases the artists' mastery but also serves as a visual embodiment of the soothing calmness that precedes the realm of dreams.

The collaboration between these acclaimed artists has resulted in pieces that transcends the boundaries of traditional design, inviting viewers to immerse themselves in the evocative narrative of the 'Happy Eternity Baby' collection. This ‘’Pisoletti’’ porcelain figures, with its intricate details and harmonious composition, stands as a testament to the enduring creativity and imaginative spirit of Massimo Giacon and Marcello Jori.

Marcello Jori stated about the project:
"Happy Eternity Baby” expresses the concept of the birth of eternity, of the eternal birthday, it is divine best wishes...”

These ‘’Pisoletti’’ figures are in new condition and have never been used before. Delivered in original packaging.

Dimensions per piece:
Height (cm): 4.00
Length (cm): 5.50
Width (cm): 5.50


About Alessi:
Alessi, a renowned Italian design brand founded in 1921, has become a symbol of cutting-edge design and innovative craftsmanship, especially in Postmodernism and Contemporary design as well as some Bauhaus objects. Over the decades, it has collaborated with iconic designers such as Alessandro Mendini, Aldo Rossi, Achille Castiglioni, Ettore Sottsass (a founder of the Memphis group), Michael Graves, Marcel Wanders, Richard Sapper, Zaha Hadid, the Bouroullec brothers, Tom Kovac, Toyo Ito, Jean Nouvel, Ron Arad, and Gio Ponti. These collaborations have cemented Alessi's reputation for creating timeless, functional pieces that double as works of art. This marks Alessi’s spot in the design industry with brands like Vitra, Cassina, Artemide/Danese Milano, Kartell, Knoll and Flos which underlined the brands innovation, credibility and quality. The most celebrated design is Philippe Starck's Juicy Salif citrus squeezer, which almost became Alessi’s brand symbol in the minds of design lovers. Alessi's ability to work with groundbreaking figures in the design world echoes the timeless impact of designers like Arne Jacobsen, Eames, Verner Panton and Alvar Aalto whose minimalist approach shares a kinship with Alessi’s sleek designs. Similarly, Pierre Jeanneret, Le Corbusier and Jean Prouvé's dedication to functionalism aligns with Alessi's ethos of merging beauty and utility. This makes Alessi a brand with high impact and rich marriage with fundamental design DNA.
More recently, a collaboration with Virgil Abloh's creative agency (famous for their Nike, Ikea art and Louis Vuitton design) infused a fresh, modern sensibility into Alessi’s offerings.

About the designers:
Massimo Giacon was born in Padua, Italy, in 1961, comic-strip artist and illustrator, a leading light in the renewal of Italian comic, he divides his time as a graphic artist, designer, musician and artist.

Marcello Jori was born in 1951. He currently lives and works in Bologna. Having obtained his degree from DAMS (Drama, Art and Music Studies, Bologna), in 1977 Jori embarked on his career as an artist, exhibiting in national and foreign galleries and museums. In 1979, Jori painted himself on top of a ladder painting the fall of the angel, which marked a turning point in his artistic career. During this phase painting became central to his creative evolution. These were the years of the Scritture (Inscriptions), fluctuating words which were then caged in multicoloured Teatrini (Theatres), Cristalli (Crystals) and Gioie (Jewels) series, enchanted and kaleidoscopic geometric patterns.