Beautiful. Thank you
Zobacz tłumaczenieGan - Burkina Faso (Bez ceny minimalnej )
Nr 92806923
A Gan brass pendant of two chameleons, traces of age an riutual use.
Gan brass pendants are significant examples of traditional metalwork and art created by the Gan people, who reside in West Africa, particularly in Ivory Coast (Côte d'Ivoire) and parts of Liberia. The Gan are part of the larger Kwa language group, which includes several other ethnic groups in the region. These brass pendants are an important aspect of Gan material culture and are tied to both spiritual and social functions.
Gan brass pendants are primarily used in the context of rituals, ceremonies, and social status within Gan communities. Some of the primary functions of these pendants include:
Religious and Spiritual Significance: The pendants are often used in religious and ritual contexts. They are linked to the worship of spirits, ancestors, and deities, and are believed to possess protective powers. Pendants may be worn during initiation ceremonies, healing rituals, or funeral rites to invoke blessings or to protect the wearer from evil forces or misfortune.
Social and Cultural Identity: These pendants are also symbols of social status and are worn by individuals in leadership positions, such as chiefs, priests, or other prominent community members. The pendants signify the wearer's connection to spiritual authority and their role within the community's hierarchy.
Personal Protection: Brass pendants are often used for protection against negative forces, illness, or harm. They might be worn as amulets or charms to ward off danger or evil spirits.
Adornment and Ritual Object: In some cases, the pendants are purely decorative and are worn as part of ceremonial attire during community celebrations or festivals. They are aesthetically valued as works of art, with intricate designs and craftsmanship.
Gan brass pendants are known for their intricate designs, which reflect the artistic and symbolic traditions of the Gan people. The designs often have deep cultural and spiritual meanings.
Materials: As the name suggests, brass is the primary material used in the creation of these pendants. Brass is a durable metal and is highly prized for its shiny appearance and resilience, making it suitable for crafting jewelry, amulets, and ceremonial objects.
Shape and Style: Gan brass pendants come in a variety of shapes and sizes, but they are typically small and flat, often with geometric or organic patterns. Common shapes include:
Circular or semi-circular forms
Rectangular shapes
Abstract animal figures, such as birds or snakes
Human faces or figures, representing deities, ancestors, or spirits
The designs are often stylized rather than naturalistic, reflecting the symbolic nature of the pendants. For example, faces or eyes might be exaggerated, or figures might be depicted in abstract or geometric forms, with a focus on conveying symbolic meanings rather than lifelike representation.
Symbolism: The patterns and motifs on the pendants carry important symbolic meanings. For example:
Eyes or faces often represent spiritual vision or the ability to see the unseen.
Geometric patterns such as circles, triangles, or spirals may symbolize continuity, balance, or the interconnection of the physical and spiritual worlds.
Animal figures, especially birds or serpents, may represent specific spiritual guides, ancestors, or totems that the wearer is associated with or protected by.
The craftsmanship of Gan brass pendants is an important part of their cultural value. Making these pendants involves a detailed and skillful process:
Casting Process: The most common method of making Gan brass pendants is through the lost-wax casting technique. This method involves creating a model of the pendant out of wax, covering it in clay to form a mold, and then heating the mold to melt away the wax. Once the wax is removed, molten brass is poured into the mold to create the final piece. This technique allows for fine detail and complex designs to be rendered in the brass.
Finishing and Decoration: After casting, the pendants are often finished by polishing, engraving, or carving additional details onto the surface. The level of decoration on each pendant can vary, depending on the intended purpose and the status of the wearer.
Skilled Metalworkers: The artisans who craft Gan brass pendants are highly skilled metalworkers who often come from family traditions of craftsmanship. They may work in small workshops, passing down their techniques through generations. These artisans are respected for their ability to create pieces that are not only functional but also deeply symbolic.
The use of brass pendants within the Gan culture goes beyond their material value. They are imbued with deep spiritual and cultural meaning, representing the connection between the material world and the spiritual realm.
Connection to the Spirit World: Brass pendants often represent the intermediaries between the physical world and the world of spirits. They are believed to carry spiritual power and act as conduits through which the wearer can communicate with the divine or ancestral spirits. Pendants with faces or figures might symbolize ancestral spirits or gods and are worn to invoke their protection or blessings.
Role in Rites of Passage: In many African cultures, including the Gan, personal adornments such as pendants are closely tied to rites of passage, particularly initiation rituals. These rituals mark the transition from one stage of life to another, such as from childhood to adulthood, and the pendants may serve as a marker of the individual's status within the community.
Healing and Protection: Brass pendants are often worn as amulets or charms that are thought to have protective powers. They are believed to shield the wearer from harm, illness, or misfortune. In some contexts, they might be used during healing rituals to invoke divine protection or spiritual healing.
Like many traditional African art forms, the craft of making Gan brass pendants is facing challenges in the modern world:
Cultural Shifts: With the spread of Islam, Christianity, and Westernization, some of the traditional practices related to brass pendants, particularly those tied to ancestral worship and indigenous spiritual beliefs, are declining. As younger generations become more influenced by global religions and modernity, traditional practices may be at risk of being forgotten or abandoned.
Artistic and Commercial Appeal: Despite these challenges, Gan brass pendants have gained international recognition and have become valued as artistic and cultural pieces. Many are now found in museums and private.
A Gan brass pendant of two chameleons, traces of age an riutual use.
Gan brass pendants are significant examples of traditional metalwork and art created by the Gan people, who reside in West Africa, particularly in Ivory Coast (Côte d'Ivoire) and parts of Liberia. The Gan are part of the larger Kwa language group, which includes several other ethnic groups in the region. These brass pendants are an important aspect of Gan material culture and are tied to both spiritual and social functions.
Gan brass pendants are primarily used in the context of rituals, ceremonies, and social status within Gan communities. Some of the primary functions of these pendants include:
Religious and Spiritual Significance: The pendants are often used in religious and ritual contexts. They are linked to the worship of spirits, ancestors, and deities, and are believed to possess protective powers. Pendants may be worn during initiation ceremonies, healing rituals, or funeral rites to invoke blessings or to protect the wearer from evil forces or misfortune.
Social and Cultural Identity: These pendants are also symbols of social status and are worn by individuals in leadership positions, such as chiefs, priests, or other prominent community members. The pendants signify the wearer's connection to spiritual authority and their role within the community's hierarchy.
Personal Protection: Brass pendants are often used for protection against negative forces, illness, or harm. They might be worn as amulets or charms to ward off danger or evil spirits.
Adornment and Ritual Object: In some cases, the pendants are purely decorative and are worn as part of ceremonial attire during community celebrations or festivals. They are aesthetically valued as works of art, with intricate designs and craftsmanship.
Gan brass pendants are known for their intricate designs, which reflect the artistic and symbolic traditions of the Gan people. The designs often have deep cultural and spiritual meanings.
Materials: As the name suggests, brass is the primary material used in the creation of these pendants. Brass is a durable metal and is highly prized for its shiny appearance and resilience, making it suitable for crafting jewelry, amulets, and ceremonial objects.
Shape and Style: Gan brass pendants come in a variety of shapes and sizes, but they are typically small and flat, often with geometric or organic patterns. Common shapes include:
Circular or semi-circular forms
Rectangular shapes
Abstract animal figures, such as birds or snakes
Human faces or figures, representing deities, ancestors, or spirits
The designs are often stylized rather than naturalistic, reflecting the symbolic nature of the pendants. For example, faces or eyes might be exaggerated, or figures might be depicted in abstract or geometric forms, with a focus on conveying symbolic meanings rather than lifelike representation.
Symbolism: The patterns and motifs on the pendants carry important symbolic meanings. For example:
Eyes or faces often represent spiritual vision or the ability to see the unseen.
Geometric patterns such as circles, triangles, or spirals may symbolize continuity, balance, or the interconnection of the physical and spiritual worlds.
Animal figures, especially birds or serpents, may represent specific spiritual guides, ancestors, or totems that the wearer is associated with or protected by.
The craftsmanship of Gan brass pendants is an important part of their cultural value. Making these pendants involves a detailed and skillful process:
Casting Process: The most common method of making Gan brass pendants is through the lost-wax casting technique. This method involves creating a model of the pendant out of wax, covering it in clay to form a mold, and then heating the mold to melt away the wax. Once the wax is removed, molten brass is poured into the mold to create the final piece. This technique allows for fine detail and complex designs to be rendered in the brass.
Finishing and Decoration: After casting, the pendants are often finished by polishing, engraving, or carving additional details onto the surface. The level of decoration on each pendant can vary, depending on the intended purpose and the status of the wearer.
Skilled Metalworkers: The artisans who craft Gan brass pendants are highly skilled metalworkers who often come from family traditions of craftsmanship. They may work in small workshops, passing down their techniques through generations. These artisans are respected for their ability to create pieces that are not only functional but also deeply symbolic.
The use of brass pendants within the Gan culture goes beyond their material value. They are imbued with deep spiritual and cultural meaning, representing the connection between the material world and the spiritual realm.
Connection to the Spirit World: Brass pendants often represent the intermediaries between the physical world and the world of spirits. They are believed to carry spiritual power and act as conduits through which the wearer can communicate with the divine or ancestral spirits. Pendants with faces or figures might symbolize ancestral spirits or gods and are worn to invoke their protection or blessings.
Role in Rites of Passage: In many African cultures, including the Gan, personal adornments such as pendants are closely tied to rites of passage, particularly initiation rituals. These rituals mark the transition from one stage of life to another, such as from childhood to adulthood, and the pendants may serve as a marker of the individual's status within the community.
Healing and Protection: Brass pendants are often worn as amulets or charms that are thought to have protective powers. They are believed to shield the wearer from harm, illness, or misfortune. In some contexts, they might be used during healing rituals to invoke divine protection or spiritual healing.
Like many traditional African art forms, the craft of making Gan brass pendants is facing challenges in the modern world:
Cultural Shifts: With the spread of Islam, Christianity, and Westernization, some of the traditional practices related to brass pendants, particularly those tied to ancestral worship and indigenous spiritual beliefs, are declining. As younger generations become more influenced by global religions and modernity, traditional practices may be at risk of being forgotten or abandoned.
Artistic and Commercial Appeal: Despite these challenges, Gan brass pendants have gained international recognition and have become valued as artistic and cultural pieces. Many are now found in museums and private.
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Oggetto bello e, come al solito, ben confezionato.
Zobacz tłumaczenieVery satisfied, the item is excellent, the seller is professional, well packaged, delivered quickly I recommend
Zobacz tłumaczeniePerfect
Zobacz tłumaczeniewhat a beauty! and as always: very well wrapped. thank you.
Zobacz tłumaczenieVery very very slow shipping. I accept it for Christmas dates, but it is frustrating (24 days). Otherwise, very good packaging, correct item as described. Does not include certificate (forgotten?)
Zobacz tłumaczenieEn envoi rapide, emballage, parfait.
Zobacz tłumaczenielivraison très longue 26 jours ! Après réception le Bec de l'oiseau arrive cassé malgré un emballage de qualité exceptionnelle ! Après observations je m'aperçois que la pièce est réparée a la colle !
Zobacz tłumaczenieFirst of all, thank you for the compliment that the mask was well packaged. We go to great lengths to pack our works of art safely. Nevertheless, damage can occur in transit if the courier handles the parcels improperly. In December and even up to the 6th of January there was a lot of chaos at DHL and many parcels arrived days and even weeks late. Some items were at some point repaired by their previous owners in Africa. Sometimes so well that even we cannot recognize the repair and therefore cannot describe it. Please accept our apologies that we did not discover the repair and that the glued-on beak has broken off. If you no longer wish to have the object for this reason, you are welcome to return it to us. Catawiki will then refund the purchase price and postage. Kind regards, Patricia Winheim
Bien reçu le colis ,trés bien préparé et protégeant abondamment la sculpture, mais long délai de livraison. La sculpture est authentique et de bon style du milieu 20e . C'est une chance!
Zobacz tłumaczenieWie immer gute Qualität zum fairen Preis. Hervorragend verpackt! Einziger kleiner Kritikpunkt: 5 Wochen Lieferzeit. Viel Zeit zur Vorfreude :-)
Zobacz tłumaczenieWie immer gute Qualität zum fairen Preis. Hervorragend verpackt! Einziger kleiner Kritikpunkt: 5 Wochen Lieferzeit. Viel Zeit zur Vorfreude :-)
Zobacz tłumaczenie… und ein riesiges Dankeschön an Patricia Winheim.
Zobacz tłumaczenie… ein riesiges Dankeschön an Patricia Winheim.
Zobacz tłumaczenieBestens — voll zufrieden 😊👍
Zobacz tłumaczenieTop wie immer,danke!
Zobacz tłumaczenieexcellent item, as described, fast shipping, thank you
Zobacz tłumaczenieWhat a beautiful mask, thank you so much (again) @Tribalartforum!!!
Zobacz tłumaczenieParfait...merçi .
Zobacz tłumaczenieVery professional packing and order follow up Thank you so much Tribalartforum
Zobacz tłumaczenieMolte grazie tutto altamente professionale AUGURI di un buon anno e di nuovo grazie
Zobacz tłumaczenieals ik volgens de regels meteen betaal verwacht ik ook van de professionele verkoper dat hij zich ook aan de afspraken houdt en niet pas verzendt nadat hij daar toe door Catawiki wordt gesommeerd.
Zobacz tłumaczenieIf you check your DHL tracking number, you can see that your package was on the road for 10 days. This is DHL's responsibility. We regret this, but unfortunately we have no control over it. And between the 24th and the 26th of December and on the 1st of January were official holidays. Kind regards, Patricia Winheim
Alles absolut ok - inkl. Verpackung und Versand… Gerne wieder….
Zobacz tłumaczenieWieder ist ein schönes kleines Objekt gut verpackt bei mir angekommen und erfreut mich!
Zobacz tłumaczenie- 521
- 11
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Beautiful. Thank you
Zobacz tłumaczenie