Priapus sculpture.

- Important! -

- Unique! -

Greek Hellenistic, 2nd - 1st century BC

Marble

24 cm Height (without stand)

PROVENANCE: Private collection, London, acquired 1960s - 1980s.

CONDITION: Unrestored, as found. Untouched natural patina.

DESCRIPTION:

Depicted standing, resting on a pillar, in the act of lifting the robe, discovering the genitals; the head is wrapped in a drape and a flap-like extensions beneath the chin representing a cock’s wattle. This rather unique figure of Priapus finds some paralels on groups such as the statue in Berlin which shows the head of the maenad, found before 1872 on the Quirinal near the Piazza Barberini, and a second in the National Museum at Athens where the head of Priapus is preserved. Cf. M. B. Comstock and C. C. Vermeule, Sculpture in Stone, The Greek, Roman and Etruscan collections of the Museum of Fine Arts Boston, Boston, 1976, p. 127, no. 196, for a similar Graeco-Roman group.

We did not found direct paralels for this sculpture since it was never copied in mass scale in roman times, that fact makes this sculpture very unique and unparalllel and a new form of the known corpus of images of Priapus.

Priapus was described in varying sources as the son of Aphrodite by Dionysus; as the son of Dionysus and Chione; as perhaps the father or son of Hermes; or as the son of Zeus or Pan. According to legend, Hera cursed him with inconvenient impotence (he could not sustain an erection when the time came for sexual intercourse), ugliness and foul-mindedness while he was still in Aphrodite's womb, in revenge for the hero Paris having the temerity to judge Aphrodite more beautiful than Hera. The other gods refused to allow him to live on Mount Olympus and threw him down to Earth, leaving him on a hillside. He was eventually found by shepherds and was brought up by them.

Priapus joined Pan and the satyrs as a spirit of fertility and growth, though he was perennially frustrated by his impotence. In a ribald anecdote told by Ovid, he attempted to rape the goddess Hestia but was thwarted by an ass, whose braying caused him to lose his erection at the critical moment and woke Hestia. The episode gave him a lasting hatred of asses and a willingness to see them killed in his honour. The emblem of his lustful nature was his permanent erection and his large penis.

The first extant mention of Priapus is in the eponymous comedy Priapus, written in the 4th century BC by Xenarchus. Originally worshipped by Greek colonists in Lampsacus in Asia Minor, the cult of Priapus spread to mainland Greece and eventually to Italy during the 3rd century BC. Lucian (De saltatione) tells that in Bithynia Priapus was accounted as a warlike god, a rustic tutor to the infant Ares, "who taught him dancing first and war only afterwards," Karl Kerenyi observed. Arnobius is aware of the importance accorded Priapus in this region near the Hellespont. Also, Pausanias notes:

This god is worshipped where goats and sheep pasture or there are swarms of bees; but by the people of Lampsacus he is more revered than any other god, being called by them a son of Dionysus and Aphrodite.

In later antiquity, his worship meant little more than a cult of sophisticated pornography.

Outside his "home" region in Asia Minor, Priapus was regarded as something of a joke by urban dwellers. However, he played a more important role in the countryside, where he was seen as a guardian deity. He was regarded as the patron god of sailors and fishermen and others in need of luck, and his presence was believed to avert the evil eye.

Priapus does not appear to have had an organized cult and was mostly worshiped in gardens or homes, though there are attestations of temples dedicated to the god. His sacrificial animal was the ass, but agricultural offerings (such as fruit, flowers, vegetables and fish) were also very common.


Notes:
The Seller can prove that the lot was obtained legally , provenance statement seen by Catawiki.
Important information. The seller guarantees that he is entitled to ship this lot.
The piece includes authenticity certificate.
The piece includes Spanish Export License (Passport for European Union) - If the piece is destined outside the European Union a substitution of the export permit should be requested.
#MasterpiecesW39


Historie sprzedawców

Galeria Sztuki Antycznej - Archeologia z siedzibą w Barcelonie z ponad piętnastoletnim doświadczeniem. Specjalizował się w sztuce klasycznej, egipskiej, azjatyckiej i prekolumbijskiej. Gwarantuje autentyczność wszystkich elementów. Uczestniczy w najważniejszych targach sztuki w Hiszpanii, takich jak Feriarte, a także w targach zagranicznych, BRAFA, Parcours des Mondes, Cultures Brussels. Wszystkie prace wysyłane są z pozwoleniem na eksport wydanym przez hiszpańskie Ministerstwo Kultury. Szybko wysyłamy za pośrednictwem DHL Express lub Direct Art Transport.
Przetłumaczone przez Tłumacz Google

Priapus sculpture.

- Important! -

- Unique! -

Greek Hellenistic, 2nd - 1st century BC

Marble

24 cm Height (without stand)

PROVENANCE: Private collection, London, acquired 1960s - 1980s.

CONDITION: Unrestored, as found. Untouched natural patina.

DESCRIPTION:

Depicted standing, resting on a pillar, in the act of lifting the robe, discovering the genitals; the head is wrapped in a drape and a flap-like extensions beneath the chin representing a cock’s wattle. This rather unique figure of Priapus finds some paralels on groups such as the statue in Berlin which shows the head of the maenad, found before 1872 on the Quirinal near the Piazza Barberini, and a second in the National Museum at Athens where the head of Priapus is preserved. Cf. M. B. Comstock and C. C. Vermeule, Sculpture in Stone, The Greek, Roman and Etruscan collections of the Museum of Fine Arts Boston, Boston, 1976, p. 127, no. 196, for a similar Graeco-Roman group.

We did not found direct paralels for this sculpture since it was never copied in mass scale in roman times, that fact makes this sculpture very unique and unparalllel and a new form of the known corpus of images of Priapus.

Priapus was described in varying sources as the son of Aphrodite by Dionysus; as the son of Dionysus and Chione; as perhaps the father or son of Hermes; or as the son of Zeus or Pan. According to legend, Hera cursed him with inconvenient impotence (he could not sustain an erection when the time came for sexual intercourse), ugliness and foul-mindedness while he was still in Aphrodite's womb, in revenge for the hero Paris having the temerity to judge Aphrodite more beautiful than Hera. The other gods refused to allow him to live on Mount Olympus and threw him down to Earth, leaving him on a hillside. He was eventually found by shepherds and was brought up by them.

Priapus joined Pan and the satyrs as a spirit of fertility and growth, though he was perennially frustrated by his impotence. In a ribald anecdote told by Ovid, he attempted to rape the goddess Hestia but was thwarted by an ass, whose braying caused him to lose his erection at the critical moment and woke Hestia. The episode gave him a lasting hatred of asses and a willingness to see them killed in his honour. The emblem of his lustful nature was his permanent erection and his large penis.

The first extant mention of Priapus is in the eponymous comedy Priapus, written in the 4th century BC by Xenarchus. Originally worshipped by Greek colonists in Lampsacus in Asia Minor, the cult of Priapus spread to mainland Greece and eventually to Italy during the 3rd century BC. Lucian (De saltatione) tells that in Bithynia Priapus was accounted as a warlike god, a rustic tutor to the infant Ares, "who taught him dancing first and war only afterwards," Karl Kerenyi observed. Arnobius is aware of the importance accorded Priapus in this region near the Hellespont. Also, Pausanias notes:

This god is worshipped where goats and sheep pasture or there are swarms of bees; but by the people of Lampsacus he is more revered than any other god, being called by them a son of Dionysus and Aphrodite.

In later antiquity, his worship meant little more than a cult of sophisticated pornography.

Outside his "home" region in Asia Minor, Priapus was regarded as something of a joke by urban dwellers. However, he played a more important role in the countryside, where he was seen as a guardian deity. He was regarded as the patron god of sailors and fishermen and others in need of luck, and his presence was believed to avert the evil eye.

Priapus does not appear to have had an organized cult and was mostly worshiped in gardens or homes, though there are attestations of temples dedicated to the god. His sacrificial animal was the ass, but agricultural offerings (such as fruit, flowers, vegetables and fish) were also very common.


Notes:
The Seller can prove that the lot was obtained legally , provenance statement seen by Catawiki.
Important information. The seller guarantees that he is entitled to ship this lot.
The piece includes authenticity certificate.
The piece includes Spanish Export License (Passport for European Union) - If the piece is destined outside the European Union a substitution of the export permit should be requested.
#MasterpiecesW39


Historie sprzedawców

Galeria Sztuki Antycznej - Archeologia z siedzibą w Barcelonie z ponad piętnastoletnim doświadczeniem. Specjalizował się w sztuce klasycznej, egipskiej, azjatyckiej i prekolumbijskiej. Gwarantuje autentyczność wszystkich elementów. Uczestniczy w najważniejszych targach sztuki w Hiszpanii, takich jak Feriarte, a także w targach zagranicznych, BRAFA, Parcours des Mondes, Cultures Brussels. Wszystkie prace wysyłane są z pozwoleniem na eksport wydanym przez hiszpańskie Ministerstwo Kultury. Szybko wysyłamy za pośrednictwem DHL Express lub Direct Art Transport.
Przetłumaczone przez Tłumacz Google
Kultura
Starożytna Grecja, Cywilizacja mykeńska
Name of object
Rzeźba Priapa. II-I wiek p.n.e. Wysokość 24 cm. Hiszpańska licencja eksportowa
Stulecie/ rama czasowa
2nd - 1st century BC
Pochodzenie
Prywatna kolekcja
Kraj pochodzenia
Nieznany
Materiał
Marmur
Stan
dobry

Liczba komentarzy: 2486 (817 w ciągu ostatnich 12 miesięcy)
  1. 805
  2. 9
  3. 3

Preciosa terracota y un molde de ojo udjat de una conocida colección. Como siempre mucha profesionalidad y garantía en el vendedor.

Zobacz tłumaczenie
LAKIA1

Alles bestens , vielen Dank !! Gracias por la transacción sin problemas.

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user-077b498

Extremly seroius and kind seller, strongly recommended. The item itself was carefully packed.

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user-3592c6a

A lovely piece. Very happy! Thank you very much.

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user-bdbdbeb

Great ostracon! A rare piece. Many thanks. Very fast shipment. You have great pieces on offer. Gracias.

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Baruch604

La descripción como :"Buen estado" es incorrecta ya que el silbato no funciona. Un engaño para el comprador. Jose Luis peña Pinto

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jlpp

Beautiful small bronze, in reality even better, first class seller, highly recommendable

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AchanJati

Venditore eccellente. Articolo ben descritto e ben confezionato.

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user-e505004

I'm absolutely happy with my purchase. The object is wonderful. Object as described, delivery was really fast

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user-86d0d91545e4

top 💯💯💯💯💯💯 come sempre :-)

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user-a1739a8e7293
Zobacz wszystkie opinii

Liczba komentarzy: 2486 (817 w ciągu ostatnich 12 miesięcy)
  1. 805
  2. 9
  3. 3

Preciosa terracota y un molde de ojo udjat de una conocida colección. Como siempre mucha profesionalidad y garantía en el vendedor.

Zobacz tłumaczenie
LAKIA1

Klauzula

Sprzedawca gwarantuje i może udowodnić, że przedmiot został nabyty legalnie. Sprzedawca został poinformowany przez firmę Catawiki, że musi dostarczyć dokumentację wymaganą przez przepisy ustawowe i wykonawcze obowiązujące w jego kraju zamieszkania. Sprzedawca gwarantuje i jest uprawniony do sprzedaży/eksportu tego przedmiotu. Sprzedawca przekaże nabywcy wszystkie znane informacje o pochodzeniu przedmiotu. Sprzedawca zapewnia, że wszelkie niezbędne pozwolenia są/zostaną załatwione. Sprzedawca niezwłocznie poinformuje nabywcę o wszelkich opóźnieniach w uzyskaniu takich zezwoleń.

Sprzedawca gwarantuje i może udowodnić, że przedmiot został nabyty legalnie. Sprzedawca został poinformowany przez firmę Catawiki, że musi dostarczyć dokumentację wymaganą przez przepisy ustawowe i wykonawcze obowiązujące w jego kraju zamieszkania. Sprzedawca gwarantuje i jest uprawniony do sprzedaży/eksportu tego przedmiotu. Sprzedawca przekaże nabywcy wszystkie znane informacje o pochodzeniu przedmiotu. Sprzedawca zapewnia, że wszelkie niezbędne pozwolenia są/zostaną załatwione. Sprzedawca niezwłocznie poinformuje nabywcę o wszelkich opóźnieniach w uzyskaniu takich zezwoleń.