“Komaki yama ni Yasumasa Hideyoshi wo ou” 小牧山ニ康政秀吉ヲ追フ (Yasumasa Chases Hideyoshi on Mt. Komaki) - Toyohara Yoshu Chikanobu (1838-1912) - Japonia - Meiji period (1868-1912)
Nr 87683125
Sprzedane
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"Shin kōkyo Futaebashi goshutsumon no zu" 新皇居三重橋御出門之図 - 1894 - Toyohara Yoshu Chikanobu (1838-1912) - Japonia - Meiji period (1868-1912)
Original woodblock print triptych - Paper - Toyohara Yoshu Chikanobu (1838-1912) - "Shinkoukyo sanjuubashi gosyutsumon no zu" 新皇居三重橋御出門之図 (new Imperial Palace Mie Bridge entrance gate) - Japan - 1894 (Meiji 27)
Reasonable condition, backing, stains
Toyohara Chikanobu (豊原周延), better known to his contemporaries as Yōshū Chikanobu (楊洲周延), was a prolific woodblock artist of Japan's Meiji period.
Chikanobu signed his artwork "Yōshū Chikanobu"(楊洲周延). This was his "art name". The artist's "real name" was Hashimoto Naoyoshi (橋本直義); and it was published in his obituary.
Many of his earliest works were signed "studio of Yōshū Chikanobu" (楊洲齋周延) Yōshū-sai Chikanobu; a small number of his early creations were simply signed "Yōshū" (楊洲). At least one triptych from 1879 exists signed "Yōshū Naoyoshi" (楊洲直義).
No works have surfaced that are signed either "Toyohara Chikanobu" or "Hashimoto Chikanobu".
When it comes to works around this time, he has established his own style of painting, and you can see how it looks in women's kimonos and how to draw the contours of their faces.
It is also the subject of paintings that Chikanobu is good at.
This ukiyo-e has some stains.
Nr 87683125
Sprzedane
"Shin kōkyo Futaebashi goshutsumon no zu" 新皇居三重橋御出門之図 - 1894 - Toyohara Yoshu Chikanobu (1838-1912) - Japonia - Meiji period (1868-1912)
Original woodblock print triptych - Paper - Toyohara Yoshu Chikanobu (1838-1912) - "Shinkoukyo sanjuubashi gosyutsumon no zu" 新皇居三重橋御出門之図 (new Imperial Palace Mie Bridge entrance gate) - Japan - 1894 (Meiji 27)
Reasonable condition, backing, stains
Toyohara Chikanobu (豊原周延), better known to his contemporaries as Yōshū Chikanobu (楊洲周延), was a prolific woodblock artist of Japan's Meiji period.
Chikanobu signed his artwork "Yōshū Chikanobu"(楊洲周延). This was his "art name". The artist's "real name" was Hashimoto Naoyoshi (橋本直義); and it was published in his obituary.
Many of his earliest works were signed "studio of Yōshū Chikanobu" (楊洲齋周延) Yōshū-sai Chikanobu; a small number of his early creations were simply signed "Yōshū" (楊洲). At least one triptych from 1879 exists signed "Yōshū Naoyoshi" (楊洲直義).
No works have surfaced that are signed either "Toyohara Chikanobu" or "Hashimoto Chikanobu".
When it comes to works around this time, he has established his own style of painting, and you can see how it looks in women's kimonos and how to draw the contours of their faces.
It is also the subject of paintings that Chikanobu is good at.
This ukiyo-e has some stains.
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