"Tessile" - Takehisa Yumeji (1884-1934) - Japan
Nr. 85658701
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“Senbon Kui Ryogoku-bashi” — 千ほんくい両国橋 (One Thousand Poles at Ryogoku Bridge) - Kobayashi Kiyochika 小林 清親 (1847–1915) - Japan
Titel houtsnede: “Senbon Kui Ryogoku-bashi” — 千ほんくい両国橋 (One Thousand Poles at Ryogoku Bridge).
Uit de serie: "Tokyo meisho" (Famous Views of Tokyo).
Kunstenaar: Kobayashi Kiyochika 小林 清親 (1847–1915).
Uitgever: Maria Shobo マリア書房, Kyoto.
(De enkelvoudige katakana karakter van de uitgever, マ (Ma), is te zien onder de cartouche aan de rechterzijde.)
Jaar van uitgave: jaren 50, met opnieuw gesneden houtblokken naar de eerste uitgave uit 1880 (Meiji 13).
Formaat: 23,3 x 35,4 cm (horizontale oban).
Conditie: zeer goed.
Kavel wordt met zorg verpakt en verzekerd met een track & trace code verstuurd.
'Kiyochika has been described as "the last important ukiyo-e master and the first noteworthy print artist of modern Japan." He is said to be the last ukiyo-e artist to lyrically depict Tokyo during the Meiji cultural enlightenment.
In 1876, working with the publisher Matsuki Heikichi [who also published many of Yoshitoshi Tsukioka's (1839-1892) prints], the print View of Rainfall on Shin-ou-hashi in To-kei was published. It was to be the first of 93 prints in the series Famous Views of Tokyo (Tokyo Meisho-zu.) This, and subsequent, prints in the series employed Western style perspective and realistically portrayed the effects of light and shadows in a style called kosenga (luminous images).' (The Lavenberg Collection)
Nr. 85658701
Solgt
“Senbon Kui Ryogoku-bashi” — 千ほんくい両国橋 (One Thousand Poles at Ryogoku Bridge) - Kobayashi Kiyochika 小林 清親 (1847–1915) - Japan
Titel houtsnede: “Senbon Kui Ryogoku-bashi” — 千ほんくい両国橋 (One Thousand Poles at Ryogoku Bridge).
Uit de serie: "Tokyo meisho" (Famous Views of Tokyo).
Kunstenaar: Kobayashi Kiyochika 小林 清親 (1847–1915).
Uitgever: Maria Shobo マリア書房, Kyoto.
(De enkelvoudige katakana karakter van de uitgever, マ (Ma), is te zien onder de cartouche aan de rechterzijde.)
Jaar van uitgave: jaren 50, met opnieuw gesneden houtblokken naar de eerste uitgave uit 1880 (Meiji 13).
Formaat: 23,3 x 35,4 cm (horizontale oban).
Conditie: zeer goed.
Kavel wordt met zorg verpakt en verzekerd met een track & trace code verstuurd.
'Kiyochika has been described as "the last important ukiyo-e master and the first noteworthy print artist of modern Japan." He is said to be the last ukiyo-e artist to lyrically depict Tokyo during the Meiji cultural enlightenment.
In 1876, working with the publisher Matsuki Heikichi [who also published many of Yoshitoshi Tsukioka's (1839-1892) prints], the print View of Rainfall on Shin-ou-hashi in To-kei was published. It was to be the first of 93 prints in the series Famous Views of Tokyo (Tokyo Meisho-zu.) This, and subsequent, prints in the series employed Western style perspective and realistically portrayed the effects of light and shadows in a style called kosenga (luminous images).' (The Lavenberg Collection)
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