Roger Ballen - Roger the Rat & The Theatre of Apparitions - 2016-2020

Roger the Rat (2020)
Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching. In his hands, the documentary power of the camera merges with the ingenious power of his imagination to look into a person’s soul and get under the viewer’s skin. Elaborately produced between 2015 and 2020, his new project is called Roger the Rat. In oppressively sharp black-and-white shots, he follows the life of a creature whose body appears human, but who has the head of a rat. Picture after picture, we witness scenes that-deconstructed and wrested from everyday gestures-reveal the suppressed aspects of human existence. The catalogue presents the cycle of paintings as an impressive show that keeps the reader reflecting long after the last page.

The Theatre of Apparitions (2016)
The Theatre of Apparitions is a highly anticipated body of work by one of the most original image-makers of our times, whose remarkable artistic trajectory spans the past 40 years. This book is the culmination of his ongoing study of the connections between photography, drawing, the mind and the body. Created between the years 2004 and 2008, these 90-odd black-and-white images encourage viewers to delve deep into the darkest part of their psyches. The images in this new monograph were inspired by the simple act of drawing on windows – a practice that Ballen observed first-hand in many communities. From there, he started to experiment using different spray paints on glass and then ‘drawing on’ or removing the paint with a sharp object to let natural light through. Finally, he photographed the results with a macro lens using black-and-white film. These black, dimensionless spaces effectively operate as canvases onto which Ballen projects pictorially his thoughts and emotions, creating, in effect, a theatre of the mind. The plates are separated into seven chapters or ‘acts’, with each one introduced by a text written by Ballen himself. Carving out a realm that is both earthly and otherworldly, physical and spiritual, his work transcends all traditional concepts of photography.