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Maurizio Buquicchio

Ennio Finzi 
35 x 50 cm
Master’s authentication on photograph.
From a private collection
Mixed media and collage on white cardboard.
 
High-quality work. 

Ennio Finzi is unofficially considered the last living spatialist painter and, as he himself remembers, in 1951 he was only 16 years old and could not be enrolled in the pictorial movement of Spatialism like Tancredi Parmeggiani (1931 - 1964), who at the time was twenty years old [3].

The friendship and artistic sharing with the great painter Tancredi, who was also celebrated by important critical writings and exhibitions [4], undoubtedly led him to enter into the circle of some of the greatest exponents of painting and culture of the fifties and sixties like Giuseppe Capogrossi, Ettore Sottsass, Umbro Apollonio and to work in close conjunction with the main Venetian masters of that movement, as for example Virgilio Guidi, Riccardo Licata or Emilio Vedova; it was always Tancredi who presented him to the great American collector Peggy Guggenheim [5]. Throughout the fifties, Finzi pursued a spatialist research focused on the use of colour and dystonic and atonal effects [6], also interpreting the new musical styles of those years from the Schoenbergian atonalism to the “be bop” of African-American jazz [7]. In fact, for Finzi, music has a fundamental value because he reminds himself that for him the perception of colour is only 50% through sight and for the other 50% through hearing because colour has not only an image but also a sound. [8]

From 1960 to 1978, also because of problems linked to the difficulty of selling spatialist works at a time in history that favoured other types of research [9] he decided to completely embrace the most contemporary principles of scientific and technological analysis typical of those years, not like the artists of Group N who actually used electronics and lighting [10], but trying to create the same conditions with an analytic black and white Non-Painting that moved away from the previous strong chromatism, focusing on automatism and the combination of rhythms [11] getting closer to Kinetic art [12].

Since 1978 Finzi has rediscovered the colour, opening a season that somehow follows the bewildering circus of images that became predominant in the early eighties, so much so that from the mid eighties, tired of that intensity, he sought a sort of return to meditative interiority by combining the black field with the use of colour for re-emergence, for appearance, see the cycle of “Nero-Acromatico” then “Neroiride” strongly inspired by Luigi Nono’s music [13] that led him in the nineties to the series of “Grammaticando” and then “Flipper” in which he tried to organise a pictorial language encoded for contrasting signs and operations. [14] Ennio Finzi has, however, in all these years continuously looked for a way to express the very essence of the “idea”, of the sensation, using the pictorial medium as a tool and not wanting to build a priori a style recognisable as painting for painting. [15] To understand Finzi you should not read every single pictorial moment as a stand-alone but consider the entire development of his work over the years, with its inconsistencies and contradictions by glimpsing a hidden theme. [16]

He started exhibiting in 1949 at the Bevilacqua La Masa Foundation in Venice [17], where in 1956 he held his first solo exhibition. This foundation dedicated a retrospective to him in 1980.

In 1959 and 1999 he participated in the VIII and XIII Quadrennial of Rome and in 1986 at the XLII Art Biennale of Venice.

He taught at the Academy of Venice.

It is important to mention, in addition to the 1980 anthological exhibition at Bevilacqua La Masa (Venice), the exhibition at the Galleria d'Arte Moderna e Contemporanea of Palazzo Forti (Verona) and the one at the Galleria d'Arte Moderna Palazzo dei Diamanti (Ferrara). In 2002 a major retrospective was held in Rome and Spoleto, with the title: ‘Ennio Finzi, Venezia e le avanguardie nel dopoguerra’. It is important to mention the exhibition in 2005 in Urbino in the halls of the Palazzo Ducale and the anthological exhibition in Villa Contarini in Piazzola sul Brenta in 2011 [20].


One of his works is exhibited in the ‘Collezione civica d'arte contemporanea/ Museo Sella’ in Sella di lodrignano in the province of Parma [21]; his works are part of the Ghiotto Collection recently donated to the civic art gallery of Palazzo Chiericati in Vicenza [22], one of his works is kept at the Museo Arte Contemporanea Umbro Apollonio in San Martino di Lupari [23].


^ Interview of Carlo Vanoni with Ennio Finzi of 2008 for the galleries Orler. Video on You Tube.
^ [Dino Marangon in Dino Marangon, Marco Beraldo, Ennio Finzi. Catalogo delle Opere su carta vol. 1, page 14]
^ Interview of Carlo Vanoni with Ennio Finzi of 2008 for the galleries Orler. Video on You Tube.
^ Catalogue of the exhibition ‘Spazialismi a confronto: Tancredi ed Ennio Finzi’, edited by Elsa Dezuanni, Giovanni Granzotto, Ennio Pouchard, publisher GMV libri, Treviso 2007. Catalogue presented on the occasion of the exhibition at the Civic Museum of Santa Caterina, Treviso, 14 October 2007 - 13 January 2008.
^ Interview of Carlo Vanoni with Ennio Finzi of 2008 for the galleries Orler. Video on You Tube.
^ [Dino Marangon in Dino Marangon, Marco Beraldo, Ennio Finzi. Catalogo delle Opere su carta vol. 1, page 6.
^ [Dino Marangon in Dino Marangon, Marco Beraldo, Ennio Finzi. Catalogo delle Opere su carta vol. 1, page 6.
^ Interview of Carlo Vanoni with Ennio Finzi of 2008 for the galleries Orler. Video on You Tube.
^ Interview of Carlo Vanoni with Ennio Finzi of 2008 for the galleries Orler. Video on You Tube.
^ www.fondazione-vaf.it/gruppo-n/
^ [Dino Marangon in Dino Marangon, Marco Beraldo, Ennio Finzi. Catalogo delle Opere su carta vol. 1, page 11.
^ Interview of Carlo Vanoni with Ennio Finzi of 2008 for the galleries Orler. Video on You Tube.
^ [Dino Marangon in Dino Marangon, Marco Beraldo, Ennio Finzi. Catalogo delle Opere su carta vol. 1, page 9 et seq.
^ Interview of Carlo Vanoni with Ennio Finzi of 2008 for the galleries Orler. Video on You Tube.
^ Interview of Carlo Vanoni with Ennio Finzi of 2008 for the galleries Orler. Video on You Tube.
^ Dino Marangon, ‘Note Irrituali’, in the catalogue of the exhibition ‘Ennio Finzi e gli Spazialisti’ edited by G. Granzotto, Urbino, Palazzo Ducale, 2008.
From Wikipedia.

Mixed media and collage on cardboard

Ennio Finzi with authentication

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Ennio Finzi with authentication

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Moderne en hedendaagse kunst

Dit object is niet meer beschikbaar, maar er valt nog veel meer te ontdekken

Ennio Finzi with authentication

7052 objecten

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