’18. Matsukaze’ From: ’Lady Murasaki's Genji Cards’ 紫式部源氏かるた 十八 松風 - Kunisada II Utagawa (1786-1865) - Giappone - Periodo Edo (1600-1868)
N. 85487735
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Kodomo wo daku bijo 子供を抱く美女 (Beautiful woman holding a child) - Keisai Eisen (1790-1848) - Giappone - Tardo periodo Edo
Original woodblock print vertical diptych - Paper - Woman - Keisai Eisen (1790-1848) - Kodomo wo daku bijo 子供を抱く美女 (Beautiful woman holding a child) - Japan - ca 1843-47 (Tenpō 14–Kōka 4)
Keisai Eisen is famous for bijin-ga, This ukiyo-e is a work depicting an oiran that was in the heyday of Shin-Yoshiwara.
Publisher:Maruya Jinpachi 丸屋甚八
Keisai Eisen(渓斎 英泉) was a Japanese ukiyo-e artist who specialised in bijin-ga (pictures of beautiful women). His best works, including his ōkubi-e(“large head pictures”), are considered to be masterpieces of the “decadent” Bunsei Era(1818–1830).
Eisen’s area of expertise was said to be prints of beautiful women (bijin).
In fact, however, like all three artists, he produced a number of prints in a variety of ukiyo-e genres. Like these artists too, he is said to have suffered from the overproduction of ukiyo-e in the nineteenth century, with pressures to produce new works quickly leading to a large but uneven oeuvre.
N. 85487735
Non più disponibile
Kodomo wo daku bijo 子供を抱く美女 (Beautiful woman holding a child) - Keisai Eisen (1790-1848) - Giappone - Tardo periodo Edo
Original woodblock print vertical diptych - Paper - Woman - Keisai Eisen (1790-1848) - Kodomo wo daku bijo 子供を抱く美女 (Beautiful woman holding a child) - Japan - ca 1843-47 (Tenpō 14–Kōka 4)
Keisai Eisen is famous for bijin-ga, This ukiyo-e is a work depicting an oiran that was in the heyday of Shin-Yoshiwara.
Publisher:Maruya Jinpachi 丸屋甚八
Keisai Eisen(渓斎 英泉) was a Japanese ukiyo-e artist who specialised in bijin-ga (pictures of beautiful women). His best works, including his ōkubi-e(“large head pictures”), are considered to be masterpieces of the “decadent” Bunsei Era(1818–1830).
Eisen’s area of expertise was said to be prints of beautiful women (bijin).
In fact, however, like all three artists, he produced a number of prints in a variety of ukiyo-e genres. Like these artists too, he is said to have suffered from the overproduction of ukiyo-e in the nineteenth century, with pressures to produce new works quickly leading to a large but uneven oeuvre.
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