—>
It is worthwhile and recommended to read through the entire description below.
—>

Bought in the 80s has been behind a glass since then
-

### About the Poster and Its Designer

This poster was designed by Lester Beall for the Rural Electrification Administration (REA) during the 1930s, a period when the United States was deeply impacted by the Great Depression. The REA was a New Deal agency created in 1935 to bring electricity to rural areas of the country, which were largely underserved by private power companies. Beall's work for the REA was part of a broader government effort to use modern graphic design to communicate public programs effectively.

The poster features a simple yet powerful design: a large light bulb with the word "LIGHT" prominently displayed, symbolizing the introduction of electricity to rural homes. The stark contrast of the bulb's white against the bold red and blue background emphasizes the transformative impact of electric power. The minimalist approach, characterized by bold colors and strong geometric shapes, is typical of Beall's work, reflecting the influence of European modernist movements, such as Constructivism and the Bauhaus.

-

Lester Beall was an influential American graphic designer, born in 1903 in Kansas City, Missouri, and raised in Chicago. He is often credited with bringing European avant-garde design principles to American graphic design during the mid-20th century. Beall studied at the University of Chicago and the Art Institute of Chicago, where he was exposed to the emerging trends of modern art and design.

In the 1930s, Beall moved to New York, where he quickly gained recognition for his innovative use of typography, photomontage, and bold color schemes. His work was marked by a clear, direct style that aimed to communicate messages in an accessible and visually striking manner. This was particularly evident in his posters for the Rural Electrification Administration, which are now considered iconic examples of American modernist design.

Beall's design philosophy was rooted in the idea that graphic design should serve the public by making information clear and understandable. His work for various government agencies during the New Deal era, as well as his later corporate projects, helped to shape the visual language of American advertising and public communication.


-

American poster art USA
## The Evolution and Impact of Poster Art in the USA

Poster art in the United States has a rich and dynamic history, evolving from simple advertisements to powerful tools of communication, propaganda, and cultural expression. From the late 19th century to the present day, poster art has reflected and influenced American society in profound ways.

### Early Beginnings

The origins of American poster art can be traced back to the late 1800s, coinciding with the rise of lithography, which made mass production of colorful posters feasible. Early American posters were primarily commercial, advertising products, events, and entertainment such as circuses and vaudeville shows. Artists like Jules Chéret and Henri de Toulouse-Lautrec in Europe heavily influenced American poster design, which embraced vibrant colors and dynamic compositions.

### The Golden Age of Posters

The early 20th century saw the emergence of what is often referred to as the Golden Age of American posters. This period was marked by an explosion of creativity and diversity in poster art, driven by advancements in printing technology and a growing consumer culture. Advertising posters became more sophisticated, utilizing bold graphics and captivating slogans to attract attention. Prominent artists like Edward Penfield and Maxfield Parrish set the standards for commercial art with their innovative designs.

### Posters in War and Politics

During both World Wars, posters played a crucial role in the American propaganda efforts. The government commissioned artists to create posters that encouraged enlistment, promoted war bonds, and boosted morale on the home front. Iconic images such as James Montgomery Flagg’s "Uncle Sam Wants You" and J. Howard Miller’s "We Can Do It!" featuring Rosie the Riveter became indelible symbols of American patriotism and unity.

Posters continued to serve political purposes beyond the world wars, notably during the Great Depression and the subsequent New Deal era. The Works Progress Administration (WPA) funded thousands of posters to promote public programs and cultural projects, employing a distinctive style that combined modernist influences with practical messaging.

### The Counterculture and Beyond

The 1960s and 70s witnessed a radical shift in poster art as it became a medium for countercultural movements. Psychedelic posters, characterized by their swirling patterns and vibrant colors, advertised rock concerts and festivals, capturing the spirit of the era. Artists like Wes Wilson and Victor Moscoso became synonymous with this style, which visually represented the music and ethos of the counterculture.

During the same period, political posters became prominent tools for activism, addressing issues such as civil rights, women's liberation, and opposition to the Vietnam War. These posters often featured bold, provocative imagery and slogans designed to inspire action and solidarity.

### Contemporary Poster Art

In the digital age, poster art has continued to thrive and adapt. While traditional printing methods are still cherished, digital tools have expanded the possibilities for design and distribution. Modern posters encompass a wide range of themes, from political activism and social justice to commercial advertising and entertainment. Street art and guerrilla marketing have further blurred the lines between posters as art and posters as messaging tools.

### Conclusion

Poster art in the United States is more than just a means of advertisement; it is a reflection of the nation's cultural, social, and political landscapes. From its commercial origins to its role in wartime propaganda, countercultural expression, and modern digital creativity, poster art has continually evolved, capturing the essence of each era. Its enduring impact lies in its ability to communicate powerful messages through visual simplicity and artistic innovation, making it a vital and vibrant aspect of American art and culture.

-

Please note that our company was founded in 1994 and it is internationally trackable. Invoice is available upon request.

Our team consists of members with university degree of art, painting valuation experts and experienced art&antique dealers

Invest in valuable works of art and objects at prices much lower than those of galleries. The offerings of IKEA, KIKA, etc. are similar in price for prints, so it is worth purchasing something Vintage.


Shipping is with insurance.

Also please note that all our packages prepared separately and are custom made/wrapped.

Shipping Insurance and Protection:
Comprehensive Insurance Coverage: Each version of our shipping services includes full insurance coverage Up to €400 in basic cases. This means that in the unlikely event of damage, loss, or theft during transit, the full value of your product is covered. You will be reimbursed or a replacement (if possible) will be provided without additional cost to you.

Protection Measures: Beyond insurance, our shipping policies ensure that your product is well-protected throughout its journey.

Sustainable Packaging:
Environmentally Friendly Materials: Our packaging methods prioritize sustainability. We use materials that are either reusable or made from recycled content. This approach not only reduces waste but also minimizes our environmental footprint.

99% Reusability and Recyclability: We aim for 99% of our packaging materials to be either reusable or recyclable. This means that after you receive your product, you can either reuse the packaging for other purposes or easily recycle it, contributing to environmental conservation.

Commitment to Sustainability: Our commitment to using sustainable packaging materials reflects our broader dedication to environmental responsibility. We continuously seek innovative ways to reduce waste and promote recycling in our packaging processes.

By integrating these policies, we ensure that your products are not only secure and fully insured during shipping but also that our packaging methods align with sustainable practices, reducing environmental impact and promoting a greener future.

—>
It is worthwhile and recommended to read through the entire description below.
—>

Bought in the 80s has been behind a glass since then
-

### About the Poster and Its Designer

This poster was designed by Lester Beall for the Rural Electrification Administration (REA) during the 1930s, a period when the United States was deeply impacted by the Great Depression. The REA was a New Deal agency created in 1935 to bring electricity to rural areas of the country, which were largely underserved by private power companies. Beall's work for the REA was part of a broader government effort to use modern graphic design to communicate public programs effectively.

The poster features a simple yet powerful design: a large light bulb with the word "LIGHT" prominently displayed, symbolizing the introduction of electricity to rural homes. The stark contrast of the bulb's white against the bold red and blue background emphasizes the transformative impact of electric power. The minimalist approach, characterized by bold colors and strong geometric shapes, is typical of Beall's work, reflecting the influence of European modernist movements, such as Constructivism and the Bauhaus.

-

Lester Beall was an influential American graphic designer, born in 1903 in Kansas City, Missouri, and raised in Chicago. He is often credited with bringing European avant-garde design principles to American graphic design during the mid-20th century. Beall studied at the University of Chicago and the Art Institute of Chicago, where he was exposed to the emerging trends of modern art and design.

In the 1930s, Beall moved to New York, where he quickly gained recognition for his innovative use of typography, photomontage, and bold color schemes. His work was marked by a clear, direct style that aimed to communicate messages in an accessible and visually striking manner. This was particularly evident in his posters for the Rural Electrification Administration, which are now considered iconic examples of American modernist design.

Beall's design philosophy was rooted in the idea that graphic design should serve the public by making information clear and understandable. His work for various government agencies during the New Deal era, as well as his later corporate projects, helped to shape the visual language of American advertising and public communication.


-

American poster art USA
## The Evolution and Impact of Poster Art in the USA

Poster art in the United States has a rich and dynamic history, evolving from simple advertisements to powerful tools of communication, propaganda, and cultural expression. From the late 19th century to the present day, poster art has reflected and influenced American society in profound ways.

### Early Beginnings

The origins of American poster art can be traced back to the late 1800s, coinciding with the rise of lithography, which made mass production of colorful posters feasible. Early American posters were primarily commercial, advertising products, events, and entertainment such as circuses and vaudeville shows. Artists like Jules Chéret and Henri de Toulouse-Lautrec in Europe heavily influenced American poster design, which embraced vibrant colors and dynamic compositions.

### The Golden Age of Posters

The early 20th century saw the emergence of what is often referred to as the Golden Age of American posters. This period was marked by an explosion of creativity and diversity in poster art, driven by advancements in printing technology and a growing consumer culture. Advertising posters became more sophisticated, utilizing bold graphics and captivating slogans to attract attention. Prominent artists like Edward Penfield and Maxfield Parrish set the standards for commercial art with their innovative designs.

### Posters in War and Politics

During both World Wars, posters played a crucial role in the American propaganda efforts. The government commissioned artists to create posters that encouraged enlistment, promoted war bonds, and boosted morale on the home front. Iconic images such as James Montgomery Flagg’s "Uncle Sam Wants You" and J. Howard Miller’s "We Can Do It!" featuring Rosie the Riveter became indelible symbols of American patriotism and unity.

Posters continued to serve political purposes beyond the world wars, notably during the Great Depression and the subsequent New Deal era. The Works Progress Administration (WPA) funded thousands of posters to promote public programs and cultural projects, employing a distinctive style that combined modernist influences with practical messaging.

### The Counterculture and Beyond

The 1960s and 70s witnessed a radical shift in poster art as it became a medium for countercultural movements. Psychedelic posters, characterized by their swirling patterns and vibrant colors, advertised rock concerts and festivals, capturing the spirit of the era. Artists like Wes Wilson and Victor Moscoso became synonymous with this style, which visually represented the music and ethos of the counterculture.

During the same period, political posters became prominent tools for activism, addressing issues such as civil rights, women's liberation, and opposition to the Vietnam War. These posters often featured bold, provocative imagery and slogans designed to inspire action and solidarity.

### Contemporary Poster Art

In the digital age, poster art has continued to thrive and adapt. While traditional printing methods are still cherished, digital tools have expanded the possibilities for design and distribution. Modern posters encompass a wide range of themes, from political activism and social justice to commercial advertising and entertainment. Street art and guerrilla marketing have further blurred the lines between posters as art and posters as messaging tools.

### Conclusion

Poster art in the United States is more than just a means of advertisement; it is a reflection of the nation's cultural, social, and political landscapes. From its commercial origins to its role in wartime propaganda, countercultural expression, and modern digital creativity, poster art has continually evolved, capturing the essence of each era. Its enduring impact lies in its ability to communicate powerful messages through visual simplicity and artistic innovation, making it a vital and vibrant aspect of American art and culture.

-

Please note that our company was founded in 1994 and it is internationally trackable. Invoice is available upon request.

Our team consists of members with university degree of art, painting valuation experts and experienced art&antique dealers

Invest in valuable works of art and objects at prices much lower than those of galleries. The offerings of IKEA, KIKA, etc. are similar in price for prints, so it is worth purchasing something Vintage.


Shipping is with insurance.

Also please note that all our packages prepared separately and are custom made/wrapped.

Shipping Insurance and Protection:
Comprehensive Insurance Coverage: Each version of our shipping services includes full insurance coverage Up to €400 in basic cases. This means that in the unlikely event of damage, loss, or theft during transit, the full value of your product is covered. You will be reimbursed or a replacement (if possible) will be provided without additional cost to you.

Protection Measures: Beyond insurance, our shipping policies ensure that your product is well-protected throughout its journey.

Sustainable Packaging:
Environmentally Friendly Materials: Our packaging methods prioritize sustainability. We use materials that are either reusable or made from recycled content. This approach not only reduces waste but also minimizes our environmental footprint.

99% Reusability and Recyclability: We aim for 99% of our packaging materials to be either reusable or recyclable. This means that after you receive your product, you can either reuse the packaging for other purposes or easily recycle it, contributing to environmental conservation.

Commitment to Sustainability: Our commitment to using sustainable packaging materials reflects our broader dedication to environmental responsibility. We continuously seek innovative ways to reduce waste and promote recycling in our packaging processes.

By integrating these policies, we ensure that your products are not only secure and fully insured during shipping but also that our packaging methods align with sustainable practices, reducing environmental impact and promoting a greener future.

Designer/Artist
Lester Beall
Korszak
1900-2000
Téma
History, Háborús történelem, Politika, Szállítás, Utazás / felfedezés
Plakát címe
USA - Rural Electrification Administration (REA) - country - Bauhaus - New Deal - Roosevelt
Ország
Egyesült Államok
Becsült időszak
1930s
Állapot
A- (nagyon jó - apró hibák)
1
Height
48 cm
Width
36 cm
Híres személy által aláírt
Igen

131 visszajelzés (97 az elmúlt 12 hónap során)
  1. 75
  2. 9
  3. 13

Listed as from 1970's - but recent laser repro. No mention of reproduction !

Fordítás megtekintése
user-8104947

Listed from 1940's (!) - but recent laser repro, can even smell. We are experts IVPDA. We want cancel purchase for full refund.

Fordítás megtekintése
user-8104947

Listed from 1960's - but recent laser repro, can even smell it. We want cancel purchase for full refund.

Fordítás megtekintése
user-8104947

Listed from 1960's - but recent laser repro. We want cancel purchase for full refund.

Fordítás megtekintése
user-8104947

Listed from 1980's - but recent repro. We want cancel purchase for full refund.

Fordítás megtekintése
user-8104947

Listed from 1970's - but recent repro. We want cancel purchase for full refund.

Fordítás megtekintése
user-8104947

Listed from 1960's - but recent repro. We want cancel purchase for full refund.

Fordítás megtekintése
user-8104947

Poster is recent laser print repro - not from 1960's, fakes as 16 other of our orders received from this seller ! Also, no combined shipping, we paid € 1035 shipping fees to this seller ! No refund !

Fordítás megtekintése
user-8104947

Recent laser repro, no poster from 1970's as listed. Shipped in mini enveloppe, shipping cost € 45 (!). We want to return for refund.

Fordítás megtekintése
user-8104947

Recent laser repro, no poster from 1960. Take 25 days to receive in large parcel of 17 posters, paid € 45 for each (!), no combined shipping ! We want to return for refund.

Fordítás megtekintése
user-8104947

Grosse arnaque. Délais de livraison très longs.Affirmation mensongère: affiche neuve sous cellophane: simple reproduction sur papier très bas de gamme, chère payée. Pour moi Catawiki c’est fini!

Fordítás megtekintése
user-e0fc18a

Colis bien reçu, emballage soigné et envoi rapide, pas d'erreur dans la description, tout est parfait, vendeur à recommander +++

Fordítás megtekintése
user-7ffd7ef6aaa9

Colis bien reçu, emballage soigné et envoi rapide, pas d'erreur dans la description, tout est parfait, vendeur à recommander +++

Fordítás megtekintése
user-7ffd7ef6aaa9
Az eladó válasza

Thanks a lot ☺️🤗🙏

Colis bien reçu, emballage soigné et envoi rapide, pas d'erreur dans la description, tout est parfait, vendeur à recommander +++

Fordítás megtekintése
user-7ffd7ef6aaa9
Az összes visszajelzés megjelenítése

131 visszajelzés (97 az elmúlt 12 hónap során)
  1. 75
  2. 9
  3. 13