"The Tale of Timmy Tiptoes" by Beatrix Potter - Frederick Warne, London - 1911 first UK edition, early issue - 14cmx12cm - condition: very good, ill. endpapers, all plates present, in mylar cover The Tale of Timmy Tiptoes is a children's book written and illustrated by Beatrix Potter, and published by Frederick Warne & Co. in October 1911. Timmy Tiptoes is a squirrel believed to be a nut-thief by his fellows, and imprisoned by them in a hollow tree with the expectation that he will confess under confinement. Timmy is tended by Chippy Hackee, a friendly, mischievous chipmunk who has run away from his wife and is camping-out in the tree. Chippy urges the prisoner to eat the nuts stored in the tree, and Timmy does so but grows so fat he cannot escape the tree. He regains his freedom when a storm topples part of the tree. The tale contrasts the harmonious marriage of its title character with the less than harmonious marriage of the chipmunk. The book sold well at release, but is now considered one of Potter's weakest productions. Potter never observed the tale's indigenous North American mammals in nature, and, as a result, her depictions are thought stiff and unnatural. Other elements in the story have come under fire: the rhymes, for example, reveal nothing about the characters nor do they provide an amusing game for the child reader in the manner of the rhymes in The Tale of Squirrel Nutkin. The storm in the finale is viewed as a weak plot device introduced solely to hurry the tale to its conclusion, and the marriage of the chipmunks has been described as "abrasive and shocking" and an impediment to the flow of the tale. The tale's disappointing qualities have been ascribed to Potter's growing lack of interest in writing for children, to pressure from her publisher for yet another book, and to Potter's desire to exploit the lucrative American market. Potter's artistically successful books were written for specific children; Timmy Tiptoes however was composed for Potter's amorphous, ill-defined American fanbase. By 1911, the demands of her aging parents and the business operations at her working farm, Hill Top, occupied much of Potter's time and attention to the exclusion of nearly everything else, and are accounted as some of the reasons for the author's declining artistry and her lack of interest in producing children's books.