Paul Clemen - Belgische Kunstdenkmäler - 1923

Clemen, Paul. Belgische Kunstdenkmäler Band I und II. Band I: Vom 9. bis zum Ende des 15. Jahrhunderts / Band II: Vom Anfang des 16. bis zum Ende des 18. Jahrhunderts. München: F. Bruckmann, 1923. 658 pages. XI+320 / 327. 1 Volume. [?First Edition]. 28,5 cm. x 20,5 cm. Hardcover. Sewn binding. Illustrations: With (a total of) 83 plates in mezzotint engraving and 569 illustrations in the text. Condition: Mint.

Belgische Kunstdenkmäler by Paul Clemen is an exhaustive study of Belgian artistic monuments, published in two volumes by F. Bruckmann in Munich in 1923. The first volume covers the period from the 9th century to the end of the 15th century, and the second volume spans from the beginning of the 16th century to the end of the 18th century. Together, these volumes total 658 pages, with page numbers XI+320 for the first volume and 327 for the second volume. Measuring 28.5 cm by 20.5 cm, they are hardcover with sewn binding.

The work is richly illustrated with a total of 83 plates in mezzotint engraving and 569 illustrations in the text. These illustrations provide a detailed visual representation of Belgian artistic monuments, highlighting their beauty and historical significance. The mezzotint engravings add depth and texture to the depictions of artworks and monuments, making the volumes not only informative but also visually impressive.

Paul Clemen, the author, was a renowned German art historian known for his work on medieval architecture and art. Born on October 31, 1866, in Leipzig, Clemen studied art history in Bonn, Berlin, and Strasbourg. He held various academic positions throughout his career, including professor at the University of Bonn. His research focused on the conservation and study of artistic monuments, and he was one of the first to adopt a rigorous scientific approach to the study and preservation of cultural heritage.

In Belgische Kunstdenkmäler, Clemen examines in detail the artworks and monuments of Belgium, offering in-depth analyses and detailed descriptions of each period. He covers not only religious and civil architecture but also sculptures, paintings, and decorative art objects that have marked the history of Belgian art. Each volume is organized chronologically, allowing readers to follow the evolution of art and architecture in Belgium over several centuries.

Clemen's methodical approach and attention to detail make Belgische Kunstdenkmäler an essential reference for students and researchers in art history. The abundant illustrations and high-quality engravings enrich the text and provide a visual understanding of the subjects discussed. The "mint" condition of the volumes suggests they have been preserved in exceptional condition, which is an additional asset for collectors and enthusiasts of rare books.

In summary, Belgische Kunstdenkmäler by Paul Clemen is a monumental work that documents and analyzes the artistic treasures of Belgium with remarkable academic rigor and aesthetic sensitivity. It is a valuable resource for anyone interested in European art history and the preservation of cultural heritage.