Votive Head of a Man.

Etruscan, 3rd-2nd century BC.

Terracotta.

Height 21.5 cm

PROVENANCE: Private collection, Miklos Bokor (Budapest, 1927 - Paris, 2019), Paris, France.

Miklos Bokor was a French-Hungarian painter and essayist born in Budapest on March 2, 1927 and died in Paris on March 18, 2019.

Miklos Bokor was deported to the Auschwitz extermination camp with his entire family in 1944. After the death of his mother, he was transferred to Buchenwald, Rhemsdorf, Tröglitz and Kleinau with his father, who disappeared in Bergen-Belsen. After being liberated in 1945, he was repatriated to Budapest by the International Red Cross and Red Crescent Movement.

After a first private exhibition in Budapest in 1953, Miklos Bokor remained in Paris and settled permanently in France in 1960. At the Janine Hoa gallery, which presented his paintings in 1962, he became friends with the poets Yves Bonnefoy and André du Bouchet, who would later regularly prologue his exhibitions. For more than 40 years he had a studio at La Ruche, the famous artists' residence in Paris.

Boklor's art was inspired by his experiences in the Holocaust and his work reflects the horror of extermination. He once described this impact on his work as: In Auschwitz something happened that lurks in society like a breach, a wound that does not heal. Returning from death, one who has lived in his flesh and spirit the experience of dehumanization begins to paint the unspeakable. Much of Boklor's work is in the collections of the Musée d'Art Moderne in Paris.

As an artist he was interested in other painters as well as in cultures prior to the civilization that triggered such a terrible situation. He formed a large collection of archaeological objects, focusing mainly on the Near East and the birth of civilization on the banks of the Euphrates.

CONDITION: Good condition.

DESCRIPTION:

The Etruscans produced heads, profiles of faces, hands, feet and other body parts as accompanying votive offerings in fired clay for votive use.

Etruscan art is often religious in nature and is therefore related to the demands of the Etruscan religion. The Etruscan afterlife was negative, unlike the positive point of view of ancient Egypt where it was a continuation of earthly life, or the relationships of trust with the gods typical of ancient Greece. The Etruscan gods were indifferent and tended to bring good luck, so Etruscan religion was centered on their veneration and the adoration of the dead. Most of the remains of Etruscan art are found in cemetery excavations (such as at Cerveteri, Tarquinia, Populonia, Orvieto, Vetulonia, Norchia), which means that we see Etruscan art dominated by representations of religion and in particular cult funeral.

In the clay urns in which the remains of the deceased were kept, sculptural elements appear representing anatomical elements of the deceased, for example, the head-shaped lid. In a later phase, life-size human figures appear reclining on the lid as if it were a bed. The faces denote the influence of archaic Greek sculpture. In opposition to Greek stone sculpture, Etruscan sculpture takes shape in softer materials that enable a more elastic, fluid and rounded modulation, imbuing the figures with a natural spontaneity.




Notes:

- The piece includes authenticity certificate.
- The piece includes Spanish Export License (Passport for European Union). NOT TAXES.
- According to Spanish legislation, items sent outside the European Union are subject to export taxes and will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price and the tax rate is not applied directly on the total value of the item to be exported, but rather the different percentages by sections are applied to it:
- Up to 6,000 euros: 5%.
- From 6.001 to 60.000 euros: 10%.
This export permit application process can take between 1-2 months maximum.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.

À propos du vendeur

Galerie d'Art Ancien - Archéologie basée à Barcelone avec plus de quinze ans d'expérience. Spécialisé dans l'art classique, l'art égyptien, l'art asiatique et l'art précolombien. Il garantit l'authenticité de toutes ses pièces. Elle participe aux plus importantes foires d'art en Espagne, telles que Feriarte, ainsi qu'à des foires à l'étranger, BRAFA, Parcours des Mondes, Cultures Bruxelles. Toutes les pièces sont envoyées avec un permis d'exportation délivré par le ministère espagnol de la Culture. Nous expédions rapidement via DHL Express ou Direct Art Transport.
Traduit par Google Traduction

Votive Head of a Man.

Etruscan, 3rd-2nd century BC.

Terracotta.

Height 21.5 cm

PROVENANCE: Private collection, Miklos Bokor (Budapest, 1927 - Paris, 2019), Paris, France.

Miklos Bokor was a French-Hungarian painter and essayist born in Budapest on March 2, 1927 and died in Paris on March 18, 2019.

Miklos Bokor was deported to the Auschwitz extermination camp with his entire family in 1944. After the death of his mother, he was transferred to Buchenwald, Rhemsdorf, Tröglitz and Kleinau with his father, who disappeared in Bergen-Belsen. After being liberated in 1945, he was repatriated to Budapest by the International Red Cross and Red Crescent Movement.

After a first private exhibition in Budapest in 1953, Miklos Bokor remained in Paris and settled permanently in France in 1960. At the Janine Hoa gallery, which presented his paintings in 1962, he became friends with the poets Yves Bonnefoy and André du Bouchet, who would later regularly prologue his exhibitions. For more than 40 years he had a studio at La Ruche, the famous artists' residence in Paris.

Boklor's art was inspired by his experiences in the Holocaust and his work reflects the horror of extermination. He once described this impact on his work as: In Auschwitz something happened that lurks in society like a breach, a wound that does not heal. Returning from death, one who has lived in his flesh and spirit the experience of dehumanization begins to paint the unspeakable. Much of Boklor's work is in the collections of the Musée d'Art Moderne in Paris.

As an artist he was interested in other painters as well as in cultures prior to the civilization that triggered such a terrible situation. He formed a large collection of archaeological objects, focusing mainly on the Near East and the birth of civilization on the banks of the Euphrates.

CONDITION: Good condition.

DESCRIPTION:

The Etruscans produced heads, profiles of faces, hands, feet and other body parts as accompanying votive offerings in fired clay for votive use.

Etruscan art is often religious in nature and is therefore related to the demands of the Etruscan religion. The Etruscan afterlife was negative, unlike the positive point of view of ancient Egypt where it was a continuation of earthly life, or the relationships of trust with the gods typical of ancient Greece. The Etruscan gods were indifferent and tended to bring good luck, so Etruscan religion was centered on their veneration and the adoration of the dead. Most of the remains of Etruscan art are found in cemetery excavations (such as at Cerveteri, Tarquinia, Populonia, Orvieto, Vetulonia, Norchia), which means that we see Etruscan art dominated by representations of religion and in particular cult funeral.

In the clay urns in which the remains of the deceased were kept, sculptural elements appear representing anatomical elements of the deceased, for example, the head-shaped lid. In a later phase, life-size human figures appear reclining on the lid as if it were a bed. The faces denote the influence of archaic Greek sculpture. In opposition to Greek stone sculpture, Etruscan sculpture takes shape in softer materials that enable a more elastic, fluid and rounded modulation, imbuing the figures with a natural spontaneity.




Notes:

- The piece includes authenticity certificate.
- The piece includes Spanish Export License (Passport for European Union). NOT TAXES.
- According to Spanish legislation, items sent outside the European Union are subject to export taxes and will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price and the tax rate is not applied directly on the total value of the item to be exported, but rather the different percentages by sections are applied to it:
- Up to 6,000 euros: 5%.
- From 6.001 to 60.000 euros: 10%.
This export permit application process can take between 1-2 months maximum.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.

À propos du vendeur

Galerie d'Art Ancien - Archéologie basée à Barcelone avec plus de quinze ans d'expérience. Spécialisé dans l'art classique, l'art égyptien, l'art asiatique et l'art précolombien. Il garantit l'authenticité de toutes ses pièces. Elle participe aux plus importantes foires d'art en Espagne, telles que Feriarte, ainsi qu'à des foires à l'étranger, BRAFA, Parcours des Mondes, Cultures Bruxelles. Toutes les pièces sont envoyées avec un permis d'exportation délivré par le ministère espagnol de la Culture. Nous expédions rapidement via DHL Express ou Direct Art Transport.
Traduit par Google Traduction
Culture
Etruscan
Name of object
Tête votive d'homme. IIIe-IIe siècle av. J.-C. 21,5 cm H.
Siècle/ Période
3rd-2nd century BC
Provenance
Collection privée
Pays d’origine
Inconnu
Matériau
Terre cuite
Condition
Bon

2385 évaluations (850 au cours des 12 derniers mois)
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Prompt shipping, great packaging. Thank you very much.

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user-3aa5dacff00b

Envio rápido y muy correcto, muy bien protegido. Con todos los certificados y documentación. Excelente servicio.

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user-0f17c1c7ed14

Très beaux objets archéologiques. Emballage parfait. Livraison express. Merci beaucoup. Gracias.

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user-05ea96351e66

No surpises. A great addition to my collection!

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user-e47f45b2cd10

Most satisfying as usual. Highly recommended. :)

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user-20acf7005331

Thank you very much Mr Bagot. The piece is excellent, very nice and arrived in perfect condition. Excellent packaging and only 36 hours to arrive home in Paris. All is perfect. Thks. Gilles Gamond.

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user-51ff767

Comme a son habitude,j. Bagot propose des artefacts de qualité 👍👍

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user-bd4a9aa1e2a7

top 💯💯💯💯💯💯💯💯💯💯💯💯💯💯 come sempre grazie :-)

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Wonderful, unique object, very nice and personal contact, super packed, fast shipping, simply everything perfect, thank you very much!

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todo bien, bien empacado y envío rápido.

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Grazie per la cura e il tempismo della spedizione, grazie per la vostra professionalità.

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757531

muy contento con la compra y el envío, rápido y seguro, como merecen las 4 piezas históricas que adquirí, con toda su documentación, vendedor muy muy recomendable, un placer

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user-b07f81bcb6a6

oggetto imballato perfettamente e con tutti i documenti legali necessari alla vendita. È monotono 😀 😃 ma acquistare dalle ditte che collaborano con catawiki è sempre una sicurezza ed un piacere

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It's always a pleasure. Until next time. Thank you.

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Happy with the purchase, the order arrived intact. Item is in good condition, and advertised, everything went great

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Everything was perfect! thank you regards

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Excelente vendedor. Todo muy bien. El envío muy rápido. Recomendable. Muchas gracias

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Voir les évaluations

2385 évaluations (850 au cours des 12 derniers mois)
  1. 840
  2. 9
  3. 1

Prompt shipping, great packaging. Thank you very much.

Voir la traduction
user-3aa5dacff00b

Mentions légales

Le vendeur garantit que l'objet a été obtenu légalement et est en mesure de le prouver. Le vendeur a été informé par Catawiki qu'il devait fournir les documents requis par les dispositions législatives et réglementaires de son pays de résidence. Le vendeur garantit qu’il est autorisé à vendre/exporter cet objet. Le vendeur fournira à l'acheteur toutes les informations connues sur la provenance de l'objet. Le vendeur veillera à ce que tous les permis nécessaires soient (déjà) obtenus. Le vendeur informera immédiatement l'acheteur en cas de retard dans l'obtention de ces permis.

Le vendeur garantit que l'objet a été obtenu légalement et est en mesure de le prouver. Le vendeur a été informé par Catawiki qu'il devait fournir les documents requis par les dispositions législatives et réglementaires de son pays de résidence. Le vendeur garantit qu’il est autorisé à vendre/exporter cet objet. Le vendeur fournira à l'acheteur toutes les informations connues sur la provenance de l'objet. Le vendeur veillera à ce que tous les permis nécessaires soient (déjà) obtenus. Le vendeur informera immédiatement l'acheteur en cas de retard dans l'obtention de ces permis.