88322259

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Damien Hirst (1965) - Taytu Betul - The Empresses Series, 2022
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Damien Hirst (1965) - Taytu Betul - The Empresses Series, 2022

Damien Hirst Taytu Betul - The Empresses Series, 2022 Laminated Giclée print on aluminium composite, screen printed with glitter 39 2/5 × 39 2/5 in | 100 × 100 cm Edition of 2841 Part of a limited edition set Includes a Certificate of Authenticity Damien Hirst’s ‘The Empresses’ series includes five mesmerizing laminated giclée prints on aluminum composite panel with glittering diamond dust, named after iconic Empresses in world history-- Empress of the Mughal Empire 'Nūr Jahān', Empress of Ethiopia Taytu Betul, Chinese Empress Wu Zetian, Japanese Empress Suiko, and the great Byzantine empress Theodora. 'The Empresses' (H-10, 2022) marks a new iteration in Damien Hirst's exploration of the butterfly as a symbol for freedom, religion, life and death. The carefully positioned wings appear mobile and their patterns transform, each print seeming to capture the butterflies in moments of variously directional flight. Damien Hirst, a poster boy for the Young British Artists who rose to prominence in late 1980s London, is one of the most notorious artists of his generation. He has pushed the limits of fine art and good taste with sculptures that comprise dead animals submerged in formaldehyde; innumerable spot paintings that appear mass-produced and can sell for millions of dollars; and the exuberantly tacky For the Love of God (2007), a human skull studded with 8,601 diamonds. Through his installations, sculptures, drawings, and paintings, Hirst explores themes including religion, mortality, and desire. Since 1988, when the artist developed and curated “Freeze,” a groundbreaking exhibition of his work and that of his Goldsmiths College peers, he has been the subject of major shows at Tate Modern in London, the National Gallery of Art in Washington, D.C., and the Rijksmuseum in Amsterdam. In 2008, Hirst controversially staged “Beautiful Inside my Head Forever,” an auction in which he sold his work directly to the public and raked in around $200 million for himself. His individual works have sold for more than $10 million at auction.

88322259

Vendu
Damien Hirst (1965) - Taytu Betul - The Empresses Series, 2022

Damien Hirst (1965) - Taytu Betul - The Empresses Series, 2022

Damien Hirst
Taytu Betul - The Empresses Series, 2022
Laminated Giclée print on aluminium composite, screen printed with glitter
39 2/5 × 39 2/5 in | 100 × 100 cm
Edition of 2841
Part of a limited edition set
Includes a Certificate of Authenticity

Damien Hirst’s ‘The Empresses’ series includes five mesmerizing laminated giclée prints on aluminum composite panel with glittering diamond dust, named after iconic Empresses in world history-- Empress of the Mughal Empire 'Nūr Jahān', Empress of Ethiopia Taytu Betul, Chinese Empress Wu Zetian, Japanese Empress Suiko, and the great Byzantine empress Theodora.

'The Empresses' (H-10, 2022) marks a new iteration in Damien Hirst's exploration of the butterfly as a symbol for freedom, religion, life and death. The carefully positioned wings appear mobile and their patterns transform, each print seeming to capture the butterflies in moments of variously directional flight.

Damien Hirst, a poster boy for the Young British Artists who rose to prominence in late 1980s London, is one of the most notorious artists of his generation. He has pushed the limits of fine art and good taste with sculptures that comprise dead animals submerged in formaldehyde; innumerable spot paintings that appear mass-produced and can sell for millions of dollars; and the exuberantly tacky For the Love of God (2007), a human skull studded with 8,601 diamonds. Through his installations, sculptures, drawings, and paintings, Hirst explores themes including religion, mortality, and desire. Since 1988, when the artist developed and curated “Freeze,” a groundbreaking exhibition of his work and that of his Goldsmiths College peers, he has been the subject of major shows at Tate Modern in London, the National Gallery of Art in Washington, D.C., and the Rijksmuseum in Amsterdam. In 2008, Hirst controversially staged “Beautiful Inside my Head Forever,” an auction in which he sold his work directly to the public and raked in around $200 million for himself. His individual works have sold for more than $10 million at auction.



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