Joan Miro - Derriere le Miroir no. 128 [with 7 original lithographs] - 1961
Nro. 92956433
Edition of Derriere le Miroir of Miro, no 128, published in 1961 by Maeght Paris, France.
This first edition is in good to very good condition, contains 7 lithographies in color, specifically published in this issue, with text in French by the French writters Jose Luis Sert, Joan Bross and Joan Prats.
(There are 1 triple page lithographs and 4 double page lithographs ).
Despite its age, over 60 years, there is no toning, no brown spots or discoloration of any importance.
Also the spine is in very good condition ( picture 6).
Text by José Luis Sert, Joan Brossa and Joan Prats.
Despite its age, over 60 years, there is no toning, no brown spots or discoloration of any importance.
The measurement of the edition are: 14” X 11” ( 38 cm x 28 cm) and there are 22 pages plus the cover.
Photo 17 shows you the information by Maeght, from a compendium about the 253 editions, specifically about this edition 128. A copy of this original information can be included with the purchase upon request.
Derrière le Miroir (DLM) was an art magazine published between 1946 and 1982 by the French publisher and gallery owner Aimé Maeght of Galerie Maeght, which for many years was the most important gallery in the world for contemporary art.
There were a total of 253 editions, as reported ranging from initally 1500 copies between 1946 and 1968, increasing to over 2500 after 1968 up to 15.000 from 1975 to 1982.
The edition of Derrière le Miroir , DLM, accompanied each exhibition of the Galerie Maeght in 1946 to 1982. DLM, as it is published for over thirty-five years, was born from the passion of Aimé and Marguerite Maeght Maeght and published by Mourlot, Paris.
Joan Miró, (born April 20, 1893, Barcelona Spain—died December 25, 1983, Palma, Majorca), Catalan painter who combined abstract art with Surrealism fantasy. His mature style evolved from the tension between his fanciful, poetic impulse and his vision of the harshness of modern life. He worked extensively in LITHOGRAPHY and produced numerous murals, tapestries, and sculptures for public spaces.
Edition of Derriere le Miroir of Miro, no 128, published in 1961 by Maeght Paris, France.
This first edition is in good to very good condition, contains 7 lithographies in color, specifically published in this issue, with text in French by the French writters Jose Luis Sert, Joan Bross and Joan Prats.
(There are 1 triple page lithographs and 4 double page lithographs ).
Despite its age, over 60 years, there is no toning, no brown spots or discoloration of any importance.
Also the spine is in very good condition ( picture 6).
Text by José Luis Sert, Joan Brossa and Joan Prats.
Despite its age, over 60 years, there is no toning, no brown spots or discoloration of any importance.
The measurement of the edition are: 14” X 11” ( 38 cm x 28 cm) and there are 22 pages plus the cover.
Photo 17 shows you the information by Maeght, from a compendium about the 253 editions, specifically about this edition 128. A copy of this original information can be included with the purchase upon request.
Derrière le Miroir (DLM) was an art magazine published between 1946 and 1982 by the French publisher and gallery owner Aimé Maeght of Galerie Maeght, which for many years was the most important gallery in the world for contemporary art.
There were a total of 253 editions, as reported ranging from initally 1500 copies between 1946 and 1968, increasing to over 2500 after 1968 up to 15.000 from 1975 to 1982.
The edition of Derrière le Miroir , DLM, accompanied each exhibition of the Galerie Maeght in 1946 to 1982. DLM, as it is published for over thirty-five years, was born from the passion of Aimé and Marguerite Maeght Maeght and published by Mourlot, Paris.
Joan Miró, (born April 20, 1893, Barcelona Spain—died December 25, 1983, Palma, Majorca), Catalan painter who combined abstract art with Surrealism fantasy. His mature style evolved from the tension between his fanciful, poetic impulse and his vision of the harshness of modern life. He worked extensively in LITHOGRAPHY and produced numerous murals, tapestries, and sculptures for public spaces.