SIGNED; Tacita Dean - Floh ('Flea'; VINTAGE SIGNATURE) - 2001

IMPORTANT PHOTOBOOK:
- Martin Parr, The Photobook, vol 2, page 231.
- 802 photo books of the M.+M. Auer collection, page 769.

Limited, numbered and signed edition.
Signed and dated by the artist in the year the publication came out (2001), so VINTAGE SIGNATURE.

I GUARANTEE THE AUTHENTICITY OF THE SIGNATURE.

Complete with book and slipcase.
NEW AND UNREAD CONDITION.
Still originally shrink-wrapped in publisher's plastic foil.
COLLECTOR'S COPY.

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Steidl. Göttingen. 2001. First edition, first printing.

Hardback with full khaki cloth and buff card slipcase with label mounted on back. 242 x 296 mm. 82 pages. 96 black and white. 53 colour and 20 sepia photographs. Edited in collaboration with Martyn Ridgewell. Text in English.

Condition:
Book inside and outside new, mint, unread. Slipcase very fresh and complete with no tears and with no missing parts, light yellowing at the edges; still originally shrink-wrapped in publisher's plastic foil. Overall near mint, near perfect condition.

Wonderful artist and photobook in wonderful fresh condition - signed by the artist.

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"Tacita Dean is a British European artist, born in 1965 in Canterbury. She lives and works in Berlin and Los Angeles, where she was the Artist in Residence at the Getty Research Institute in 2014-2015.
Adrian Searle qualified Dean’s work as carried by a sense of history, time, and place, light quality, and the essence of film itself. The focus of her subtle but ambitious work is the truth of the moment, the film as a medium, and the sensibilities of the individual.
Dean has been the recipient of numerous prizes including the Kurt Schwitters Prize in 2009,the Hugo Boss Prize at the Solomon R. Guggenheim Museum, New York, in 2006, and the Sixth Benesse Prize at the 51st Venice Biennale in 2005.
Solo exhibitions were recently held in 2022 at MUDAM, Luxembourg, The J. Paul Getty Museum, Los Angeles; in 2021 at Kunstmuseum Basel; in 2020 at EMMA - Espoo Museum of Modern Art, Espoo; in 2019 at the NY Carlsberg Glyptotek, Copenhagen and at the Serralves Museum, Porto; in 2018 at the Kunsthaus Bregenz, The Fruitmarket Gallery, Edinburgh, as well as The Royal Academy of Arts, London, as part of a trilogy of exhibitions held in conjunction with the city’s National Gallery and National Portrait Gallery."
(Mariaan Goodman Gallery)