N.º 84996407

Vendido
Máscara de baile - Songye - República Democrática del Congo  (Sin Precio de Reserva)
Puja final
55 €
Hace 3 días

Máscara de baile - Songye - República Democrática del Congo (Sin Precio de Reserva)

Songye power axe Songye peoples Democratic Republic of the Congo Wood, iron & copper Mid XX century H. 40 cm This axe was originally one of several chiefly accoutrements owned and displayed by a Songye ruler in what is today southeastern Democratic Republic of Congo. Its complex form and construction indicate that it was made by a master smith. The artisan worked with hot, malleable iron to create the axe head's overall form-its angular corners, curving blade, and twisting metal struts. Once it had cooled, he used a hammer and chisel to decorate the blade surface with incised lines and circles. Axes were employed as symbols of royal power throughout present-day southeastern Democratic Republic of Congo and northern Angola. Elaborate versions of this functional tool were created as royal scepters that were potent symbols of civilization and cultural achievement. They represented the body of esoteric skills and knowledge associated with ironworking, an activity rich in practical as well as supernatural significance. Indigenous rulers often traced their ancestry back to culture heroes credited with the discovery of ironworking, and these metal implements reinforced those dynastic connections and suggested the leaders' control over potent processes of creation and transformation. The wooden handles of royal axes were often highly decorated, covered with exquisitely carved motifs or encased in precious metals or animal hides.

N.º 84996407

Vendido
Máscara de baile - Songye - República Democrática del Congo  (Sin Precio de Reserva)

Máscara de baile - Songye - República Democrática del Congo (Sin Precio de Reserva)

Songye power axe
Songye peoples
Democratic Republic of the Congo
Wood, iron & copper
Mid XX century
H. 40 cm

This axe was originally one of several chiefly accoutrements owned and displayed by a Songye ruler in what is today southeastern Democratic Republic of Congo. Its complex form and construction indicate that it was made by a master smith. The artisan worked with hot, malleable iron to create the axe head's overall form-its angular corners, curving blade, and twisting metal struts. Once it had cooled, he used a hammer and chisel to decorate the blade surface with incised lines and circles.

Axes were employed as symbols of royal power throughout present-day southeastern Democratic Republic of Congo and northern Angola. Elaborate versions of this functional tool were created as royal scepters that were potent symbols of civilization and cultural achievement. They represented the body of esoteric skills and knowledge associated with ironworking, an activity rich in practical as well as supernatural significance. Indigenous rulers often traced their ancestry back to culture heroes credited with the discovery of ironworking, and these metal implements reinforced those dynastic connections and suggested the leaders' control over potent processes of creation and transformation. The wooden handles of royal axes were often highly decorated, covered with exquisitely carved motifs or encased in precious metals or animal hides.

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