Roger Muhl (1929-2008) - Route de Provence
No. 94463778



Roger MUHL: Route de Provence
Original lithograph on vellum paper measuring 74 x 56 cm.
Signed and numbered in pencil by the artist.
Edition of 175 copies.
Work in good condition, never having been framed.
We provide meticulous packaging, international tracking, insurance, and express shipping for all our deliveries.
Roger Mühl, born December 20, 1929 in Strasbourg, died April 4, 2008 in Mougins, is a French painter, designer and sculptor.
He entered the École nationale supérieure des arts décoratifs in Strasbourg, from where he left in 1948 to go to the Belfort region. He settled in Montreux-Château in 1954 and had his first Parisian exhibition at the Galerie de Paris in 1960. Then in Geneva, London, Milan, Dallas, Cologne, Stuttgart, Tokyo, Kyoto, Belfort and New York. He worked mainly on the Côte d'Azur. He was considered a figurative painter, a painter of Provence and its landscapes, above all a painter of light and atmosphere, impasto served his technique to establish the perspectives suggested by color alone.
Seller's Story
Roger MUHL: Route de Provence
Original lithograph on vellum paper measuring 74 x 56 cm.
Signed and numbered in pencil by the artist.
Edition of 175 copies.
Work in good condition, never having been framed.
We provide meticulous packaging, international tracking, insurance, and express shipping for all our deliveries.
Roger Mühl, born December 20, 1929 in Strasbourg, died April 4, 2008 in Mougins, is a French painter, designer and sculptor.
He entered the École nationale supérieure des arts décoratifs in Strasbourg, from where he left in 1948 to go to the Belfort region. He settled in Montreux-Château in 1954 and had his first Parisian exhibition at the Galerie de Paris in 1960. Then in Geneva, London, Milan, Dallas, Cologne, Stuttgart, Tokyo, Kyoto, Belfort and New York. He worked mainly on the Côte d'Azur. He was considered a figurative painter, a painter of Provence and its landscapes, above all a painter of light and atmosphere, impasto served his technique to establish the perspectives suggested by color alone.