No. 93968317

No longer available
Hervé Di Rosa (1959) - Don Quichotte contre tous
Bidding closed
2 weeks ago

Hervé Di Rosa (1959) - Don Quichotte contre tous

Nouvelles éditions. Tirage à encres pigmentaires (digigraphies) sur papier d’art Canson Etching Rag 310g. 100 exemplaires numérotés et signés par l’artiste. Impression pigmentaire tirée de l'œuvre originale. Hervé Di Rosa s’affranchit des hiérarchies, passant du dessin d’enfant à l’art primitif, de la bande dessinée au graff. L’artiste libère son art de ses influences et de ses références, sans frontière de genre culturel ou d’origine géographique. En 2005, il s’empare accompagné de 20 autres artistes, de la réinterprétation d’un sujet classique avec passion, espoir, colère et peint Don Quichotte contre tous. Et il disait « Don Quichotte c’est moi, cerné par la méchanceté et la bêtise, l’incompréhension et la jalousie, et croyant pourtant toujours en la bonté des hommes et en leur génie créatif. » Faisant appel à l’imaginaire collectif, cette oeuvre est résolument intemporelle et à jamais contemporaine, moderne. En 2023, finalement rien a changé : nous continuons de nous battre contre des monstres humanoïdes, ordinaires, des moulins de notre époque, avec énergie et surtout espoir, devant le regard hautain et lasse d’une dulcinée, qu’il s’agisse de convictions personnelles ou romantiques. Cette collection fût montrée à de nombreuses occasions dans plusieurs musées en France (Lyon, Nice, Perpignan) et en Espagne pour les 400 ans de Don Quichotte, à Madrid et à Grenade pendant un an.

No. 93968317

No longer available
Hervé Di Rosa (1959) - Don Quichotte contre tous

Hervé Di Rosa (1959) - Don Quichotte contre tous

New editions.
Pigment ink print (digigraphs) on Canson Etching Rag 310g art paper.
100 copies numbered and signed by the artist.

Pigment print taken from the original work.

Hervé Di Rosa frees himself from hierarchies, moving from children's drawing to primitive art, from comics to graffiti. The artist frees his art from his influences and references, without boundaries of cultural genre or geographical origin.
In 2005, he took up, along with 20 other artists, the reinterpretation of a classic subject with passion, hope, anger and painted Don Quixote against all. And he said "Don Quixote is me, surrounded by wickedness and stupidity, incomprehension and jealousy, and yet still believing in the goodness of men and their creative genius."
Appealing to the collective imagination, this work is resolutely timeless and forever contemporary, modern. In 2023, ultimately nothing has changed: we continue to fight against humanoid monsters, ordinary, mills of our time, with energy and above all hope, before the haughty and weary gaze of a sweetheart, whether it is personal or romantic convictions.
This collection was shown on numerous occasions in several museums.
in France (Lyon, Nice, Perpignan) and in Spain for the 400th anniversary of Don Quixote,
Madrid and Granada for a year.

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