Tutto bene
View translationChancay, Perú Gold Plate of a Bird. 800-1000 AD. 5.5 cm. Spanish Import License.
No. 88482917
Plate of a bird
Chancay, Peru
800-1000 AD.
Gold
5.5 cm height.
PROVENANCE:
Two birds - Annie Trotter, London, 13 September 1996.
Romy Rey Collection, London, 1970 - 1980.
CONDITION: Good condition.
DESCRIPTION:
The Chancay culture inhabited the central coast region of Peru, centering its activities in the Chancay and Chillón valleys but also occupying the Rimac Valley and the Lurín area. This is a desert region, but its fertile valleys form resource-rich river oases.
It is believed that the Chancay comprised a significant kingdom that included the domains of a number of local chieftains in the valleys and coastal regions of central Peru. Their basic form of organization was based on the ayllu, a small kinship-based clan controlled by a kuraka or ethnic leader, who would oversee the work of skilled workers, craftspeople, farmers, and herders, as well as playing an official role in festivals. Chancay society was highly stratified, as the difference in grave goods accompanying different individuals shows.
Artistically, the Chancay culture is best known for its ceramics, textiles, and woodwork. The most common ceramic vessels they made are oblong jars with narrow necks and wide mouths, with modeled human faces and geometric designs painted in black on a cream-white background. Other commonly found Chancay vessels are shaped like animals such as birds or llamas. They also made female figurines with short arms and eyes accentuated with a line on each side. The range of techniques, colors and themes used to make their textiles is quite remarkable. The Chancay used llama wool, cotton, and feathers, weaving a variety of goods that includes garments, bags, and funeral masks. The techniques they used include decorated open weave, brocade, embroidery, and painting, with the most common designs being marine motifs and geometric patterns. Woodworking produced everyday implements, statues, and decorative items, some of which they painted, while their metalwork – mainly using silver – produced clothing adornments, decorative ornaments, and masks. Unlike many other Andean groups, the Chancay used a simple style that reflected their everyday lives and certain aspects of religious life.
The Chancay built large cemeteries to house their dead, although they buried them in different ways. The tombs of leaders and people of rank were rectangular or quadrangular chambers with roofs of sticks and mud, 2 to 3 meters (up to 10 feet) deep, and accessed by a ladder. These tombs brimmed with offerings of ceramics, textiles, and artifacts made of precious metals. The graves of ordinary people were much shallower and contained a bundle with undecorated fabric and just a few grave goods.
Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License (Passport for European Union).
- According to Spanish legislation, items sent outside the European Union are subject to export taxes and will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price and the tax rate is not applied directly on the total value of the item to be exported, but rather the different percentages by sections are applied to it:
- Up to 6,000 euros: 5%.
- From 6.001 to 60.000 euros: 10%.
This export permit application process can take between 1-2 months maximum.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
#laracroft
Seller's Story
Plate of a bird
Chancay, Peru
800-1000 AD.
Gold
5.5 cm height.
PROVENANCE:
Two birds - Annie Trotter, London, 13 September 1996.
Romy Rey Collection, London, 1970 - 1980.
CONDITION: Good condition.
DESCRIPTION:
The Chancay culture inhabited the central coast region of Peru, centering its activities in the Chancay and Chillón valleys but also occupying the Rimac Valley and the Lurín area. This is a desert region, but its fertile valleys form resource-rich river oases.
It is believed that the Chancay comprised a significant kingdom that included the domains of a number of local chieftains in the valleys and coastal regions of central Peru. Their basic form of organization was based on the ayllu, a small kinship-based clan controlled by a kuraka or ethnic leader, who would oversee the work of skilled workers, craftspeople, farmers, and herders, as well as playing an official role in festivals. Chancay society was highly stratified, as the difference in grave goods accompanying different individuals shows.
Artistically, the Chancay culture is best known for its ceramics, textiles, and woodwork. The most common ceramic vessels they made are oblong jars with narrow necks and wide mouths, with modeled human faces and geometric designs painted in black on a cream-white background. Other commonly found Chancay vessels are shaped like animals such as birds or llamas. They also made female figurines with short arms and eyes accentuated with a line on each side. The range of techniques, colors and themes used to make their textiles is quite remarkable. The Chancay used llama wool, cotton, and feathers, weaving a variety of goods that includes garments, bags, and funeral masks. The techniques they used include decorated open weave, brocade, embroidery, and painting, with the most common designs being marine motifs and geometric patterns. Woodworking produced everyday implements, statues, and decorative items, some of which they painted, while their metalwork – mainly using silver – produced clothing adornments, decorative ornaments, and masks. Unlike many other Andean groups, the Chancay used a simple style that reflected their everyday lives and certain aspects of religious life.
The Chancay built large cemeteries to house their dead, although they buried them in different ways. The tombs of leaders and people of rank were rectangular or quadrangular chambers with roofs of sticks and mud, 2 to 3 meters (up to 10 feet) deep, and accessed by a ladder. These tombs brimmed with offerings of ceramics, textiles, and artifacts made of precious metals. The graves of ordinary people were much shallower and contained a bundle with undecorated fabric and just a few grave goods.
Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License (Passport for European Union).
- According to Spanish legislation, items sent outside the European Union are subject to export taxes and will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price and the tax rate is not applied directly on the total value of the item to be exported, but rather the different percentages by sections are applied to it:
- Up to 6,000 euros: 5%.
- From 6.001 to 60.000 euros: 10%.
This export permit application process can take between 1-2 months maximum.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
#laracroft
Seller's Story
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It's always a pleasure. Until next time. Thank you.
View translationHappy with the purchase, the order arrived intact. Item is in good condition, and advertised, everything went great
View translationEverything was perfect! thank you regards
View translationExcelente vendedor. Todo muy bien. El envío muy rápido. Recomendable. Muchas gracias
View translationvery good as always
View translationTrès beaux objets de qualité avec certificats d'authenticité et explications.vendeur au Top. Merci
View translationbellissimoooooo grazie top 💯💯💯 come sempre
View translationGreat purchase! Very well packaged; arrived very fast with all the necessary paperwork. Thank you!
View translationTodo bien y rápido. Embalaje perfecto.
View translationVendeur réactif. Délai de livraison respecté . Merci! Monique
View translationTutto perfetto.
View translationThis is the second time I order with this seller and I am very positive. The terracotta item comes in a small box packed in bubble wrap. delivery is a bit expensive but safe and extremely fast.
View translationUna garantía total comprar en una tienda de objetos arqueológicos de prestigio en pleno centro de Barcelona, con toda la documentación perfectamente editada y con un trato personal muy bueno.
View translationVery swift handling and exactly as advertised
View translationVery nice statue in good conditions
View translationoggetto bellissimo corrispondente alla descrizione. Ottima confezione e dettaglio della certificazione
View translationMagnífica la entrega y el objeto. Perfecta la sonido del sibato
View translationvery well packed with all the documents included, thnks
View translationGreat object. Really beautiful. Quick delivery. Excellent.
View translationSuperbe objet, Service d'Arqueologia Ancient Art excellent et rapide. Jaume Bagot toujours parfait .
View translationTodo perfecto gracias
View translationNice item all ok A+++
View translationThank you for this Oinochoe, one question: did you as promised read my post!
View translationVery cooperative in every aspect of the transaction.
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