yakusha-e 役者絵 (actor picture) featuring the role Hayano Kanpei - 1859 - Utagawa Kunisada (1785-1865) - Japan - Late Edo period
No. 86466095
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Bidding closed
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'Visiting the Peony Garden' 富艸園遊覧 - 1847-52 - Utagawa Kunisada (1786-1865) - Japan - Late Edo period
Original woodblock print triptych - Paper - Utagawa Kunisada (1786-1865) - "Tomi Souen yuuran
"富艸園遊覧(wealth playing garden)-Japan - 1847-52
Reasonable condition, toning, spots, dirt, tape residue on verso
See Museum of Fine Arts, Boston: https://collections.mfa.org/objects/477512
Kunisada is named Kunisada aratname Kouchourou Toyokuni-e香蝶楼豊国画 in his signature.
This work is a collaboration between the first Kunisada and the second Kunisada. Kunisada draws the person, and Kunisada II the draws the background.
At this time, the Kunisada II had not yet called himself Kunisada, but the Kunimasa III.
memo
Utagawa Kunisada,also known as Utagawa Toyokuni III,was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan.In his own time,his reputation far exceeded that of his contemporaries,Hokusai,Hiroshige and Kuniyoshi.he took on Utagawa as a surname, and also used the surname Gototei 五渡亭( bunka 8 period to the end of Tenpo period),Kouchouou香蝶楼 ( Bunsei 10 period to the first Kaei),Nishikichorou錦朝楼,Yuusai雄斎 (bunka 9 period of), Kotoraisha 琴雷舎(bunka 10 period of), Kitaumedo北梅戸、Tomibozanjin富望山人,Tomoboan 富望庵, tōki-en桃樹園, Oukou応好, Gepparou 月波楼(bunka 8 period), Kioh喜翁 (Bunkyu 2period), Toyokuni豊国 Kunisadasha国貞, Hinashishi Toyokuni雛獅子豊国 , Ukiyo Matahira浮世又平
No. 86466095
No longer available
'Visiting the Peony Garden' 富艸園遊覧 - 1847-52 - Utagawa Kunisada (1786-1865) - Japan - Late Edo period
Original woodblock print triptych - Paper - Utagawa Kunisada (1786-1865) - "Tomi Souen yuuran
"富艸園遊覧(wealth playing garden)-Japan - 1847-52
Reasonable condition, toning, spots, dirt, tape residue on verso
See Museum of Fine Arts, Boston: https://collections.mfa.org/objects/477512
Kunisada is named Kunisada aratname Kouchourou Toyokuni-e香蝶楼豊国画 in his signature.
This work is a collaboration between the first Kunisada and the second Kunisada. Kunisada draws the person, and Kunisada II the draws the background.
At this time, the Kunisada II had not yet called himself Kunisada, but the Kunimasa III.
memo
Utagawa Kunisada,also known as Utagawa Toyokuni III,was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan.In his own time,his reputation far exceeded that of his contemporaries,Hokusai,Hiroshige and Kuniyoshi.he took on Utagawa as a surname, and also used the surname Gototei 五渡亭( bunka 8 period to the end of Tenpo period),Kouchouou香蝶楼 ( Bunsei 10 period to the first Kaei),Nishikichorou錦朝楼,Yuusai雄斎 (bunka 9 period of), Kotoraisha 琴雷舎(bunka 10 period of), Kitaumedo北梅戸、Tomibozanjin富望山人,Tomoboan 富望庵, tōki-en桃樹園, Oukou応好, Gepparou 月波楼(bunka 8 period), Kioh喜翁 (Bunkyu 2period), Toyokuni豊国 Kunisadasha国貞, Hinashishi Toyokuni雛獅子豊国 , Ukiyo Matahira浮世又平
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