Αρ. 90076461

Αντικείμενα που πωλήθηκαν
Ευρώπη - Αφρική, Μέση Ανατολή, Μεσόγειος Θάλασσα, Ρωμαϊκή Αυτοκρατορία; Giacomo Lauro - Romani Imperii Imago - 1621-1650
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€ 90
πριν 22 ώρες

Ευρώπη - Αφρική, Μέση Ανατολή, Μεσόγειος Θάλασσα, Ρωμαϊκή Αυτοκρατορία; Giacomo Lauro - Romani Imperii Imago - 1621-1650

Romani Imperii Imago (1624) Image 18x23cm, page 22x32cm Map of the Roman Empire with explanations in Latin on the front and in Italian, French and German on the back. The map covers Europe, parts of Africa, and the Near East, from Britain in the northwest to Parthia in the east and from the Sahara Desert to the southern Mediterranean coast. Prominent geographic regions and ancient cities, such as Rome, Carthage, and Alexandria, are labeled, providing a comprehensive view of the Roman Empire at its height. At the bottom of the map, two medallion portraits anchor the work. The medallion on the left features a profile of Romulus, the legendary founder of Rome, symbolizing the city’s origin and the mythic past from which the empire emerged. Opposite Romulus is a medallion depicting the personification of Roma, an allegorical figure representing the eternal city itself, adorned with a helmet and classical features. The engraving is taken from ´Splendore dell antica e moderna Roma ...´, published in Rome in 1624 (first edition started being published in parts from 1612 onwards). The views were explained in four languages The translations into Italian, German and French of the Latin legends below the engraving are printed on the back of the plates. Giacomo Lauro (or Jacobus Laurus) was an engraver, printer and print publisher. Active in Rome from 1583, when described as 'intagliatori di rame' (Ashby p.362). 17 March 1598 he applied for and was granted a 10-year papal privilege for an unspecified number of unnamed religious prints (Leuschner). Giacomo Lauro’s place and date of birth are unknown, although his signature “Jacobus Laurus Romanus” seems to indicate that the artist was proudly born Roman. Lauro's earliest dated prints are of 1582 (Martyrdom of St Catherine), and carry the address of C. Duchetti (Ashby, 1926-27, p.362). He also worked for Panzera, c.1589 (Bertolotti). From 1590 he tried to establish himself as a publisher of his own work . He acquired and restored old plates, published copies of classic prints as Marcantonio's St Paul preaching (B.XIV.50.44). He accepted commissions, as the map of Rocca Contrada, 1594 (Anselmi). He probably acquired plates from Jacob Matham which he published in 1598 (Widerkehr). His 'Antiquae Urbis Splendor' was published in parts from 1612. In the volumes issued in 1614 and 1615 Lauro refers to having worked on the study of antiquity for 28 years which would mean that he began this work about 1586 (see Ashby, 1926-27, p.362). Excellent condition. Some minimal stains and age browning. Never folded. Strong paper. Ample margins.

Αρ. 90076461

Αντικείμενα που πωλήθηκαν
Ευρώπη - Αφρική, Μέση Ανατολή, Μεσόγειος Θάλασσα, Ρωμαϊκή Αυτοκρατορία; Giacomo Lauro - Romani Imperii Imago - 1621-1650

Ευρώπη - Αφρική, Μέση Ανατολή, Μεσόγειος Θάλασσα, Ρωμαϊκή Αυτοκρατορία; Giacomo Lauro - Romani Imperii Imago - 1621-1650

Romani Imperii Imago (1624)

Image 18x23cm, page 22x32cm

Map of the Roman Empire with explanations in Latin on the front and in Italian, French and German on the back. The map covers Europe, parts of Africa, and the Near East, from Britain in the northwest to Parthia in the east and from the Sahara Desert to the southern Mediterranean coast. Prominent geographic regions and ancient cities, such as Rome, Carthage, and Alexandria, are labeled, providing a comprehensive view of the Roman Empire at its height.

At the bottom of the map, two medallion portraits anchor the work. The medallion on the left features a profile of Romulus, the legendary founder of Rome, symbolizing the city’s origin and the mythic past from which the empire emerged. Opposite Romulus is a medallion depicting the personification of Roma, an allegorical figure representing the eternal city itself, adorned with a helmet and classical features.

The engraving is taken from ´Splendore dell antica e moderna Roma ...´, published in Rome in 1624 (first edition started being published in parts from 1612 onwards). The views were explained in four languages The translations into Italian, German and French of the Latin legends below the engraving are printed on the back of the plates.

Giacomo Lauro (or Jacobus Laurus) was an engraver, printer and print publisher. Active in Rome from 1583, when described as 'intagliatori di rame' (Ashby p.362). 17 March 1598 he applied for and was granted a 10-year papal privilege for an unspecified number of unnamed religious prints (Leuschner). Giacomo Lauro’s place and date of birth are unknown, although his signature “Jacobus Laurus Romanus” seems to indicate that the artist was proudly born Roman.

Lauro's earliest dated prints are of 1582 (Martyrdom of St Catherine), and carry the address of C. Duchetti (Ashby, 1926-27, p.362). He also worked for Panzera, c.1589 (Bertolotti). From 1590 he tried to establish himself as a publisher of his own work . He acquired and restored old plates, published copies of classic prints as Marcantonio's St Paul preaching (B.XIV.50.44). He accepted commissions, as the map of Rocca Contrada, 1594 (Anselmi). He probably acquired plates from Jacob Matham which he published in 1598 (Widerkehr). His 'Antiquae Urbis Splendor' was published in parts from 1612. In the volumes issued in 1614 and 1615 Lauro refers to having worked on the study of antiquity for 28 years which would mean that he began this work about 1586 (see Ashby, 1926-27, p.362).

Excellent condition. Some minimal stains and age browning. Never folded. Strong paper. Ample margins.


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