For over half a century, and with great consistency, Aarnio has designed brightly coloured furniture and objects with rounded, geometric shapes that allude to a kind of “children’s code.” His works, almost all made in plastic, are short, visual tales that combine features both humorous and playful with precise and explicit functional meanings. The “Diva” Watering can has a comma-like shape thrusting upwards towards the top of the spout, almost an expression of movement even when the object is not in use. The effect is reinforced by the shape of the handle that seems to extend through the body up to the spout. Like many objects by the same designer, “Diva” is also made of polypropylene with the technique of blow moulding. This technology requires the elimination of harsh edges and sharp corners thus leading soft and sinuous shapes that Aarnio has incorporated as part of his aesthetic language.

“Diva” has a capacity of 1,5 litres and has been designed to fit a standard-sized sink for ease of filling.

This ''Diva'' watering can is in a new condition and has never been used. Delivered with original packaging.

Alberto Alessi about the ‘’Diva’’ project:
''Known for such iconic designs as his “Ball Chair” (1966), “Pastil Chair” (1967) and “Bubble Chair” (1968), Finland’s Eero Aarnio is one of the leading innovators in contemporary Scandinavian design. He interests me because I see in him a sort of childlike elder, an eternal boy, always ready to grasp the playful and paradoxical aspects of the design world. In short, a sort of “Scandinavian ludicism” far from the austere professionalism prevalent in Northern Europe design.''

Eero Arnio about the design of de ‘’Diva’’ can:
‘’I believe that above all, utilitarian products should be functional, pleasing to the eye, pleasing to touch, and if they happen to bring a smile to your face all the better. That’s a big plus and sometimes it’s reason enough to buy the product. I remember the smile on Alberto Alessi’s face when I presented my first drawings to him at the beginning of our collaboration. They were designs for the “Diva” Watering can and the little “Mouse” Bottle opener. I think both of them are very functional objects, a little humourous and they turned out to be the first objects selected for production. I approach product design from two different angles: firstly, from a study of the possibilities that new materials bring to the design process and secondly, through creativity based solely on feelings, which in turn brings you closer to art and endless possibilities. When these two approaches are combined, new and surprising products can emerge.’’

About Alessi:
Alessi, a renowned Italian design brand founded in 1921, has become a symbol of cutting-edge design and innovative craftsmanship, especially in Postmodernism and Contemporary design as well as some Bauhaus objects. Over the decades, it has collaborated with iconic designers such as Alessandro Mendini, Aldo Rossi, Achille Castiglioni, Ettore Sottsass (a founder of the Memphis group), Michael Graves, Marcel Wanders, Richard Sapper, Zaha Hadid, the Bouroullec brothers, Tom Kovac, Toyo Ito, Jean Nouvel, Ron Arad, and Gio Ponti. These collaborations have cemented Alessi's reputation for creating timeless, functional pieces that double as works of art. This marks Alessi’s spot in the design industry with brands like Vitra, Cassina, Artemide/Danese Milano, Kartell, Knoll and Flos which underlined the brands innovation, credibility and quality. The most celebrated design is Philippe Starck's Juicy Salif citrus squeezer, which almost became Alessi’s brand symbol in the minds of design lovers. Alessi's ability to work with groundbreaking figures in the design world echoes the timeless impact of designers like Arne Jacobsen, Eames, Verner Panton and Alvar Aalto whose minimalist approach shares a kinship with Alessi’s sleek designs. Similarly, Pierre Jeanneret, Le Corbusier and Jean Prouvé's dedication to functionalism aligns with Alessi's ethos of merging beauty and utility. This makes Alessi a brand with high impact and rich marriage with fundamental design DNA.
More recently, a collaboration with Virgil Abloh's creative agency (famous for their Nike, Ikea art and Louis Vuitton design) infused a fresh, modern sensibility into Alessi’s offerings.

About Eero Aarnio (b.1932):
The Finnish designer Eero Aarnio (b.1932) is one of the great innovators of modern furniture design. In the 1960s, Eero Aarnio began experimenting with plastics, vivid colors and organic forms, breaking away from traditional design conventions. His now iconic creations echo the pop culture and spirit of their time. Many of Aarnio's works are included in the world's most prestigious museums, including Victoria and Albert Museum in London, MoMA in New York and Vitra Design Museum in Weil am Rhein.

For over half a century, and with great consistency, Aarnio has designed brightly coloured furniture and objects with rounded, geometric shapes that allude to a kind of “children’s code.” His works, almost all made in plastic, are short, visual tales that combine features both humorous and playful with precise and explicit functional meanings. The “Diva” Watering can has a comma-like shape thrusting upwards towards the top of the spout, almost an expression of movement even when the object is not in use. The effect is reinforced by the shape of the handle that seems to extend through the body up to the spout. Like many objects by the same designer, “Diva” is also made of polypropylene with the technique of blow moulding. This technology requires the elimination of harsh edges and sharp corners thus leading soft and sinuous shapes that Aarnio has incorporated as part of his aesthetic language.

“Diva” has a capacity of 1,5 litres and has been designed to fit a standard-sized sink for ease of filling.

This ''Diva'' watering can is in a new condition and has never been used. Delivered with original packaging.

Alberto Alessi about the ‘’Diva’’ project:
''Known for such iconic designs as his “Ball Chair” (1966), “Pastil Chair” (1967) and “Bubble Chair” (1968), Finland’s Eero Aarnio is one of the leading innovators in contemporary Scandinavian design. He interests me because I see in him a sort of childlike elder, an eternal boy, always ready to grasp the playful and paradoxical aspects of the design world. In short, a sort of “Scandinavian ludicism” far from the austere professionalism prevalent in Northern Europe design.''

Eero Arnio about the design of de ‘’Diva’’ can:
‘’I believe that above all, utilitarian products should be functional, pleasing to the eye, pleasing to touch, and if they happen to bring a smile to your face all the better. That’s a big plus and sometimes it’s reason enough to buy the product. I remember the smile on Alberto Alessi’s face when I presented my first drawings to him at the beginning of our collaboration. They were designs for the “Diva” Watering can and the little “Mouse” Bottle opener. I think both of them are very functional objects, a little humourous and they turned out to be the first objects selected for production. I approach product design from two different angles: firstly, from a study of the possibilities that new materials bring to the design process and secondly, through creativity based solely on feelings, which in turn brings you closer to art and endless possibilities. When these two approaches are combined, new and surprising products can emerge.’’

About Alessi:
Alessi, a renowned Italian design brand founded in 1921, has become a symbol of cutting-edge design and innovative craftsmanship, especially in Postmodernism and Contemporary design as well as some Bauhaus objects. Over the decades, it has collaborated with iconic designers such as Alessandro Mendini, Aldo Rossi, Achille Castiglioni, Ettore Sottsass (a founder of the Memphis group), Michael Graves, Marcel Wanders, Richard Sapper, Zaha Hadid, the Bouroullec brothers, Tom Kovac, Toyo Ito, Jean Nouvel, Ron Arad, and Gio Ponti. These collaborations have cemented Alessi's reputation for creating timeless, functional pieces that double as works of art. This marks Alessi’s spot in the design industry with brands like Vitra, Cassina, Artemide/Danese Milano, Kartell, Knoll and Flos which underlined the brands innovation, credibility and quality. The most celebrated design is Philippe Starck's Juicy Salif citrus squeezer, which almost became Alessi’s brand symbol in the minds of design lovers. Alessi's ability to work with groundbreaking figures in the design world echoes the timeless impact of designers like Arne Jacobsen, Eames, Verner Panton and Alvar Aalto whose minimalist approach shares a kinship with Alessi’s sleek designs. Similarly, Pierre Jeanneret, Le Corbusier and Jean Prouvé's dedication to functionalism aligns with Alessi's ethos of merging beauty and utility. This makes Alessi a brand with high impact and rich marriage with fundamental design DNA.
More recently, a collaboration with Virgil Abloh's creative agency (famous for their Nike, Ikea art and Louis Vuitton design) infused a fresh, modern sensibility into Alessi’s offerings.

About Eero Aarnio (b.1932):
The Finnish designer Eero Aarnio (b.1932) is one of the great innovators of modern furniture design. In the 1960s, Eero Aarnio began experimenting with plastics, vivid colors and organic forms, breaking away from traditional design conventions. His now iconic creations echo the pop culture and spirit of their time. Many of Aarnio's works are included in the world's most prestigious museums, including Victoria and Albert Museum in London, MoMA in New York and Vitra Design Museum in Weil am Rhein.

Εποχή
Μετά το 2000
Alessi -
Χώρα
Ιταλία
Σχεδιαστής/Καλλιτέχνης/Δημιουργός
Eero Aarnio
Υλικό
Ποτιστήρι σε θερμοπλαστική ρητίνη, λευκό.
Μοντέλο
''Πρώτη αοιδός μελοδράματος''
Κατάσταση
Σαν καινούργιο - αχρησιμοποίητο
Height
31 cm
Width
10.8 cm
Depth
28 cm
Μετά το 2000

868 αξιολογήσεις (411 τους τελευταίους 12 μήνες)
  1. 402
  2. 9
  3. 0

Great. Perfect, thanks. The box had a nice transportación external impact, but inside the item was in perfect shape, brand new. Happy, thanks.

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user-88be8d19a48e

Envoi rapide et soigné, tous les verres sont arrivés entiers. Service client sympathique. Ravie.

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user-306a54a4a419

Ik heb het gekocht omdat ik weet dat mijn vrouw het heel mooi en goed vindt en ik weet dat ik daarmee punten heb gekregen maar stiekem vind ik het zelf ook wel heel mooi en het is kwaliteit!

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user-f7b27a0d8bf9

Everything was fine. The delay was because of the Italian mail service but otherwise é the shipment would have been quicker. Thank you

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user-ea9259a2d1c1

Very beautiful necklace, I am happy with my purchase 😍 Thank you for all the updates during delivery which was speedy enough.

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user-be07e51

Fantastisch! Precies geleverd wat verkoper aangeboden had. En snel geleverd ! Heel mooi! Ik ben super super blij mee! Hartelijk dank ervoor!

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mpoulo
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868 αξιολογήσεις (411 τους τελευταίους 12 μήνες)
  1. 402
  2. 9
  3. 0