“I love black, its authority, its depth, its clarity, its intransigence.” (Pierre Soulages)

Soulages’ crucial turn to the black colour happened in the 1950s, as he focussed systematically his canon of forms and colours on black. His works originate in an European sphere of redefinition and avantgarde, which is marked by influences from the American abstract expressionism, the informel up to Asian ink paintings.

The approach in the 1950s reveals Soulages’ intense confrontation with gesture and colour in a context of paradigmatic references to contemporary artists and friends including Hans Hartung, Sam Francis and Zao Wou-Ki.

“I love black, its authority, its depth, its clarity, its intransigence.” (Pierre Soulages)

Soulages’ crucial turn to the black colour happened in the 1950s, as he focussed systematically his canon of forms and colours on black. His works originate in an European sphere of redefinition and avantgarde, which is marked by influences from the American abstract expressionism, the informel up to Asian ink paintings.

The approach in the 1950s reveals Soulages’ intense confrontation with gesture and colour in a context of paradigmatic references to contemporary artists and friends including Hans Hartung, Sam Francis and Zao Wou-Ki.

Αριθμός Βιβλίων
1
Θέμα
Τέχνη
Τίτλος Βιβλίου
Noir Lumière. Farbe und Geste in den 1950er-Jahren | Colour and Gesture in the 1950s
Κατάσταση
Σαν καινούργιο
Καλλιτέχνης
Pierre Soulages (1919-2022)
Συγγραφέας/ εικονογράφος
Pierre Soulages
Έτος δημοσίευσης παλαιότερου αντικειμένου
2019
Έκδοση
1η Έκδοση
Γλώσσα
Αγγλικά, Γερμανικά
Original language
Ναι
Εκδότης
silvana
Βιβλιοδεσία
Μαλακό εξώφυλλο
Αριθμός σελίδων
157

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3283 αξιολογήσεις (867 τους τελευταίους 12 μήνες)
  1. 854
  2. 10
  3. 3