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József Fogas (?) - School education or work safety poster - cold war, nuclear attack, atomic bomb, apocalypse, defense, - Δεκαετία του 1960
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József Fogas (?) - School education or work safety poster - cold war, nuclear attack, atomic bomb, apocalypse, defense, - Δεκαετία του 1960

Very well preserved 100% original poster from the emblematic Kőbánya industrial district Official stamp of author author is there rare, no other item/copy is available worldwide Litography on thick paper - USSR This poster is a Hungarian civil defense educational material, from the Cold War era. It illustrates the structure and layout of a building with an underground shelter. Translation: Title: "Épület Alatti Óvóhely" (Underground Shelter in a Building) Visual Description: The poster shows a cutaway view of a building with detailed illustrations of different floors and an underground shelter. Here's a breakdown of the components: Földszint: Ground Floor Feltöltés Felbeton B-140: Filling Reinforced Concrete B-140 Óvóhely: Shelter The ground floor of the building is shown with typical living spaces such as living rooms, furnished with everyday items like sofas, tables, and decorations. Below the ground level, the poster depicts an underground shelter designed for protection during emergencies, such as nuclear, biological, or chemical attacks. Historical Context: During the Cold War, countries within the Eastern Bloc, including Hungary, developed extensive civil defense programs to protect their populations from potential nuclear threats. These programs included building underground shelters and educating the public on how to use them effectively. This poster would have been part of that educational effort, showing citizens how these shelters were integrated into residential buildings. Publisher: The logo and text "A PVOP Kiadványa" indicate that this is a publication of the PVOP, which stands for Polgári Védelem Országos Parancsnoksága (National Command of Civil Defense). Purpose: The poster serves to inform and instruct the public on the existence and layout of underground shelters within residential buildings. It emphasizes the importance of being prepared and knowing where to go in case of an emergency. Designer: As with the other posters, the specific designer is not identified. These educational materials were typically created by government-employed graphic artists or designers commissioned by civil defense organizations. More detailed information about the designer would require accessing Hungarian civil defense archives or related publications from that time. - No other item of this available worldwide! Fogas József, the late father of the person mentioned, was an outstanding boxer in the 1920s and 30s. A few years after graduating, he successfully applied to the Applied Graphics Department of the Hungarian College of Applied Arts, specializing in typography and graphic design. He graduated as a designer artist in 1974. In 1970, he won a political poster competition, and his winning artwork could be seen on the streets. From 1970, he participated every two years in the Warsaw Biennale. As a result, Andy Warhol noticed his work in 1974 and invited him to an American exhibition. However, he couldn't attend because, according to the regulations at the time, he would have needed permission from the Hungarian National Bank to send his works, which he didn't receive. He regularly designed book covers (for Magvető and Örkény series), film posters (Partisans, Love in the War), company logos, emblems (Bútorért), and took part in designing graphics for almost all Hungarian and foreign exhibitions organized by HUNGEXPO. He was a member of the Hungarian Days in Hamburg held in 1982, for which the emblem was a cube in the shape of a hay bale (one of his professors at the college was Ernő Rubik). He was also part of the award-winning design collective for the OMÉK Exhibition and Fair. The emblem he designed for OMÉK served as the logo for the fair for many years. He worked in Plovdiv (hunting fair), Paris, Nitra, České Budějovice, London, Copenhagen, Kiel, Moscow, Klagenfurt, and Odessa. His last foreign assignment was in Salzburg in November 1985 - About Hungarian Poster Art Hungarian poster art has long been celebrated for its unique and captivating style, making it a significant cultural and artistic movement in the world. From the late 19th century to the present day, Hungarian poster art has left an indelible mark on the global art scene, with its innovative techniques, bold designs, and powerful messages. One of the highlights of Hungarian poster art is its ability to seamlessly blend various artistic styles and influences. The movement drew inspiration from a wide range of sources, including Art Nouveau, Constructivism, and Surrealism, resulting in a diverse and eclectic body of work. Artists such as Mihály Bíró, József Bottlik, and István Irsai pushed the boundaries of traditional poster design, experimenting with typography, color, and composition to create visually striking and thought-provoking pieces. Another notable aspect of Hungarian poster art is its emphasis on storytelling and narrative. Unlike many other countries' posters, which primarily served as advertising tools, Hungarian posters often conveyed a deeper meaning or social commentary. They were not just meant to sell products but also to engage viewers intellectually and emotionally. This storytelling approach allowed Hungarian poster art to transcend its commercial purpose and become a powerful medium for social and political expression. The importance of Hungarian poster art in the world cannot be overstated. During the early 20th century, Hungary was at the forefront of graphic design, and its posters gained international recognition and acclaim. The Budapest School, a group of Hungarian artists, revolutionized the field with their avant-garde approach, influencing poster art movements across Europe and beyond. Their innovative techniques and artistic vision set new standards for poster design, inspiring generations of artists worldwide. Furthermore, Hungarian poster art played a crucial role in shaping public opinion and mobilizing society. In times of political turmoil and social change, posters became a powerful tool for propaganda and activism. During World War II and the Hungarian Revolution of 1956, posters were used to rally support, convey messages of resistance, and document historical events. The ability of Hungarian artists to capture the spirit of the times and communicate complex ideas through visual imagery made their posters an integral part of the nation's cultural and political identity. Today, Hungarian poster art continues to thrive, with contemporary artists carrying on the legacy of their predecessors. The Hungarian Poster Museum in Budapest showcases the rich history and evolution of this art form, attracting visitors from around the world. The enduring appeal and influence of Hungarian poster art can be seen in the works of renowned artists like Tibor Helényi and István Orosz, who have successfully merged traditional techniques with modern aesthetics. In conclusion, Hungarian poster art stands as a testament to the country's artistic prowess and cultural heritage. Its unique style, emphasis on storytelling, and ability to provoke thought and emotion have made it an important and influential movement in the world. From its early beginnings to the present day, Hungarian poster art continues to captivate audiences and inspire artists, leaving an indelible mark on the global art scene. — Investment! Investing in original Cold War-era civil defense posters can be a good investment for several reasons: Historical Significance Historical Value: These posters are tangible pieces of history from a critical period. They provide insight into the mindset, concerns, and educational methods of the time. Cold War Memorabilia: Items from the Cold War are sought after by collectors due to their historical significance and the period's influence on global politics. Cultural and Artistic Value Unique Art Style: These posters often feature unique graphic design and artwork reflective of the era and region, making them interesting from an artistic perspective. Cultural Artifacts: They are cultural artifacts that represent the social and political climate of the time, offering a window into the past. Rarity and Collectibility Limited Availability: As original posters from this era are no longer produced, their rarity increases over time. This limited supply can drive up their value. Collector's Items: There is a niche market of collectors who specialize in Cold War memorabilia, civil defense items, and vintage posters, ensuring demand. Educational and Decorative Use Educational Tool: They can be used in educational settings, such as museums, schools, and universities, to teach about the Cold War and civil defense practices. Decorative Appeal: Their vintage aesthetic can appeal to individuals looking to decorate homes, offices, or businesses with unique and historically significant items. Investment Potential Appreciation Over Time: As historical artifacts become older and more scarce, their value tends to appreciate. Early investment can yield significant returns in the future. Market Growth: The market for historical and vintage posters has been growing, driven by increasing interest in historical artifacts and retro designs. Preservation of History Preserving History: By purchasing and maintaining these posters, you contribute to the preservation of historical artifacts, ensuring they remain available for future generations to learn from and appreciate. Specific Context for Hungarian Posters Eastern Bloc Collectibles: Items from Eastern Bloc countries during the Cold War are particularly interesting due to the unique political and social contexts they represent. Insight into Civil Defense: These posters specifically offer insight into how Hungary, as part of the Eastern Bloc, prepared its citizens for potential nuclear threats, providing a unique perspective on global history. Conclusion Investing in original Cold War-era civil defense posters can be rewarding both financially and intellectually. Their historical, cultural, and artistic value, combined with their rarity and the growing market for such items, makes them a compelling investment for collectors and history enthusiasts alike. — Please note that our company was founded in 1994 and it is internationally trackable. Invoice is available upon request. Our team consists of members with university degree of art, painting valuation experts and experienced art&antique dealers Feel free to ask as much as you want. Lifetime warranty is available for all items originality. Shipping is with insurance and in tube, rolled.

Αρ. 85637995

Δεν είναι πλέον διαθέσιμο
József Fogas (?) - School education or work safety poster - cold war, nuclear attack, atomic bomb, apocalypse, defense, - Δεκαετία του 1960

József Fogas (?) - School education or work safety poster - cold war, nuclear attack, atomic bomb, apocalypse, defense, - Δεκαετία του 1960

Very well preserved 100% original poster from the emblematic Kőbánya industrial district

Official stamp of author author is there
rare, no other item/copy is available worldwide

Litography on thick paper - USSR

This poster is a Hungarian civil defense educational material, from the Cold War era. It illustrates the structure and layout of a building with an underground shelter.

Translation:
Title:
"Épület Alatti Óvóhely"
(Underground Shelter in a Building)

Visual Description:
The poster shows a cutaway view of a building with detailed illustrations of different floors and an underground shelter. Here's a breakdown of the components:

Földszint: Ground Floor
Feltöltés Felbeton B-140: Filling Reinforced Concrete B-140
Óvóhely: Shelter
The ground floor of the building is shown with typical living spaces such as living rooms, furnished with everyday items like sofas, tables, and decorations. Below the ground level, the poster depicts an underground shelter designed for protection during emergencies, such as nuclear, biological, or chemical attacks.

Historical Context:
During the Cold War, countries within the Eastern Bloc, including Hungary, developed extensive civil defense programs to protect their populations from potential nuclear threats. These programs included building underground shelters and educating the public on how to use them effectively. This poster would have been part of that educational effort, showing citizens how these shelters were integrated into residential buildings.

Publisher:
The logo and text "A PVOP Kiadványa" indicate that this is a publication of the PVOP, which stands for Polgári Védelem Országos Parancsnoksága (National Command of Civil Defense).

Purpose:
The poster serves to inform and instruct the public on the existence and layout of underground shelters within residential buildings. It emphasizes the importance of being prepared and knowing where to go in case of an emergency.

Designer:
As with the other posters, the specific designer is not identified. These educational materials were typically created by government-employed graphic artists or designers commissioned by civil defense organizations. More detailed information about the designer would require accessing Hungarian civil defense archives or related publications from that time.

-

No other item of this available worldwide!

Fogas József, the late father of the person mentioned, was an outstanding boxer in the 1920s and 30s.

A few years after graduating, he successfully applied to the Applied Graphics Department of the Hungarian College of Applied Arts, specializing in typography and graphic design. He graduated as a designer artist in 1974. In 1970, he won a political poster competition, and his winning artwork could be seen on the streets. From 1970, he participated every two years in the Warsaw Biennale. As a result, Andy Warhol noticed his work in 1974 and invited him to an American exhibition. However, he couldn't attend because, according to the regulations at the time, he would have needed permission from the Hungarian National Bank to send his works, which he didn't receive.

He regularly designed book covers (for Magvető and Örkény series), film posters (Partisans, Love in the War), company logos, emblems (Bútorért), and took part in designing graphics for almost all Hungarian and foreign exhibitions organized by HUNGEXPO.

He was a member of the Hungarian Days in Hamburg held in 1982, for which the emblem was a cube in the shape of a hay bale (one of his professors at the college was Ernő Rubik). He was also part of the award-winning design collective for the OMÉK Exhibition and Fair. The emblem he designed for OMÉK served as the logo for the fair for many years. He worked in Plovdiv (hunting fair), Paris, Nitra, České Budějovice, London, Copenhagen, Kiel, Moscow, Klagenfurt, and Odessa. His last foreign assignment was in Salzburg in November 1985

-


About Hungarian Poster Art

Hungarian poster art has long been celebrated for its unique and captivating style, making it a significant cultural and artistic movement in the world. From the late 19th century to the present day, Hungarian poster art has left an indelible mark on the global art scene, with its innovative techniques, bold designs, and powerful messages.

One of the highlights of Hungarian poster art is its ability to seamlessly blend various artistic styles and influences. The movement drew inspiration from a wide range of sources, including Art Nouveau, Constructivism, and Surrealism, resulting in a diverse and eclectic body of work. Artists such as Mihály Bíró, József Bottlik, and István Irsai pushed the boundaries of traditional poster design, experimenting with typography, color, and composition to create visually striking and thought-provoking pieces.

Another notable aspect of Hungarian poster art is its emphasis on storytelling and narrative. Unlike many other countries' posters, which primarily served as advertising tools, Hungarian posters often conveyed a deeper meaning or social commentary. They were not just meant to sell products but also to engage viewers intellectually and emotionally. This storytelling approach allowed Hungarian poster art to transcend its commercial purpose and become a powerful medium for social and political expression.

The importance of Hungarian poster art in the world cannot be overstated. During the early 20th century, Hungary was at the forefront of graphic design, and its posters gained international recognition and acclaim. The Budapest School, a group of Hungarian artists, revolutionized the field with their avant-garde approach, influencing poster art movements across Europe and beyond. Their innovative techniques and artistic vision set new standards for poster design, inspiring generations of artists worldwide.

Furthermore, Hungarian poster art played a crucial role in shaping public opinion and mobilizing society. In times of political turmoil and social change, posters became a powerful tool for propaganda and activism. During World War II and the Hungarian Revolution of 1956, posters were used to rally support, convey messages of resistance, and document historical events. The ability of Hungarian artists to capture the spirit of the times and communicate complex ideas through visual imagery made their posters an integral part of the nation's cultural and political identity.

Today, Hungarian poster art continues to thrive, with contemporary artists carrying on the legacy of their predecessors. The Hungarian Poster Museum in Budapest showcases the rich history and evolution of this art form, attracting visitors from around the world. The enduring appeal and influence of Hungarian poster art can be seen in the works of renowned artists like Tibor Helényi and István Orosz, who have successfully merged traditional techniques with modern aesthetics.

In conclusion, Hungarian poster art stands as a testament to the country's artistic prowess and cultural heritage. Its unique style, emphasis on storytelling, and ability to provoke thought and emotion have made it an important and influential movement in the world. From its early beginnings to the present day, Hungarian poster art continues to captivate audiences and inspire artists, leaving an indelible mark on the global art scene.



Investment!

Investing in original Cold War-era civil defense posters can be a good investment for several reasons:

Historical Significance
Historical Value: These posters are tangible pieces of history from a critical period. They provide insight into the mindset, concerns, and educational methods of the time.
Cold War Memorabilia: Items from the Cold War are sought after by collectors due to their historical significance and the period's influence on global politics.
Cultural and Artistic Value
Unique Art Style: These posters often feature unique graphic design and artwork reflective of the era and region, making them interesting from an artistic perspective.
Cultural Artifacts: They are cultural artifacts that represent the social and political climate of the time, offering a window into the past.
Rarity and Collectibility
Limited Availability: As original posters from this era are no longer produced, their rarity increases over time. This limited supply can drive up their value.
Collector's Items: There is a niche market of collectors who specialize in Cold War memorabilia, civil defense items, and vintage posters, ensuring demand.
Educational and Decorative Use
Educational Tool: They can be used in educational settings, such as museums, schools, and universities, to teach about the Cold War and civil defense practices.
Decorative Appeal: Their vintage aesthetic can appeal to individuals looking to decorate homes, offices, or businesses with unique and historically significant items.
Investment Potential
Appreciation Over Time: As historical artifacts become older and more scarce, their value tends to appreciate. Early investment can yield significant returns in the future.
Market Growth: The market for historical and vintage posters has been growing, driven by increasing interest in historical artifacts and retro designs.
Preservation of History
Preserving History: By purchasing and maintaining these posters, you contribute to the preservation of historical artifacts, ensuring they remain available for future generations to learn from and appreciate.
Specific Context for Hungarian Posters
Eastern Bloc Collectibles: Items from Eastern Bloc countries during the Cold War are particularly interesting due to the unique political and social contexts they represent.
Insight into Civil Defense: These posters specifically offer insight into how Hungary, as part of the Eastern Bloc, prepared its citizens for potential nuclear threats, providing a unique perspective on global history.
Conclusion
Investing in original Cold War-era civil defense posters can be rewarding both financially and intellectually. Their historical, cultural, and artistic value, combined with their rarity and the growing market for such items, makes them a compelling investment for collectors and history enthusiasts alike.



Please note that our company was founded in 1994 and it is internationally trackable. Invoice is available upon request.

Our team consists of members with university degree of art, painting valuation experts and experienced art&antique dealers

Feel free to ask as much as you want. Lifetime warranty is available for all items originality.

Shipping is with insurance and in tube, rolled.

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