Head of a Satyr

- refined style -

Roman Empire, 1st - 3rd century AD

MATERIAL: Marble.

DIMENSIONS: 30 cm height with stand, 17 cm height without stand.

PROVENANCE: Private collection, Berlin, Germany. Old collection before 2nd world war.

CONDITION: Good conditon, not restored.

DESCRIPTION:

Roman head made in marble representing a satyr, which can be deduced from the treatment of the hair, through the somewhat anarchic-looking curls (although, due to erosion, part of this disorderly representation of the locks has been lost) and, above all, the large mouth, insinuating a sardonic smile, which are common characteristics in the representation of this mythological character. The carver combines idealism and realism, a fact that was common in Roman statuary. The hair, the treatment of the eyes, and the strict symmetry bring us closer to this idealism that sought to represent harmony. However, the protruding lips and cheekbones show an almost animalistic expressiveness.

Related to the Maenads, the satyrs form the 'Dionysian retinue' that accompanies the god Dionysus. They are depicted in various forms; the most common (and basically Roman) is that of a half-man half-ram creature, with pointed ears and horns on the head, abundant hair, a flat nose, a goat's tail and a permanent priapism. One tradition considered the sons of Silenus, named Maron, Leneus and Astreo, to have been the fathers of the satyrs. All three were in the retinue of Dionysus when he travelled to India and, in fact, Astreo was the driver of his chariot. As we can see in this Roman sculpture, satyrs are cheerful and mischievous creatures, although their lighthearted and festive nature can turn dangerous and even violent (which explains why our sculpture has a frown on its face). As Dionysian creatures, they are lovers of wine and enjoy carnal pleasures.

Satyr and Silenus, in Greek mythology, creatures of the wild, part man and part beast, who in Classical times were closely associated with the god Dionysus. Their Italian counterparts were the Fauns (see Faunus). Satyrs and Sileni were at first represented as uncouth men, each with a horse’s tail and ears and an erect phallus. In the Hellenistic age they were represented as men having a goat’s legs and tail. The occurrence of two different names for the creatures has been explained by two rival theories: that Silenus was the Asian Greek and Satyr the mainland name for the same mythical being; or that the Sileni were part horse and the Satyrs part goat. Neither theory, however, fits all the examples in early art and literature. From the 5th century BC the name Silenus was applied to Dionysus’ foster father, which thus aided the gradual absorption of the Satyrs and Sileni into the Dionysiac cult. In the Great Dionysia festival at Athens three tragedies were followed by a Satyr play (e.g., Euripides’ Cyclops), in which the chorus was dressed to represent Satyrs. Silenus, although bibulous like the Satyrs in the Satyr plays, also appeared in legend as a dispenser of homely wisdom.

In art the Satyrs and Sileni were depicted in company with nymphs or Maenads whom they pursued. (Their amorous relations with nymphs are described as early as the Homeric Hymn to Aphrodite.) The Greek sculptor Praxiteles represented a new artistic type in which the Satyr was young and handsome, with only the smallest vestiges of animal parts. Hellenistic artists developed that concept into humorous or forceful representation of half-animal subjects as an escape from the merely human.


Notes:
The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
The seller will take care that any necessary permits, like an export license will be arranged, he will inform the buyer about the status of it if this takes more than a few days.
The piece includes authenticity certificate.
The piece includes Spanish Export License.
#historyroom

Der Verkäufer stellt sich vor

Galerie für antike Kunst - Archäologie in Barcelona mit mehr als fünfzehn Jahren Erfahrung. Spezialisiert auf klassische Kunst, ägyptische Kunst, asiatische Kunst und präkolumbianische Kunst. Es garantiert die Echtheit aller seiner Stücke. Es nimmt an den wichtigsten Kunstmessen in Spanien teil, wie Feriarte, sowie an Messen im Ausland, BRAFA, Parcours des Mondes, Cultures Brussels. Alle Stücke werden mit einer vom spanischen Kulturministerium ausgestellten Ausfuhrgenehmigung verschickt. Wir versenden schnell per DHL Express oder Direct Art Transport.
Übersetzt mit Google Übersetzer

Head of a Satyr

- refined style -

Roman Empire, 1st - 3rd century AD

MATERIAL: Marble.

DIMENSIONS: 30 cm height with stand, 17 cm height without stand.

PROVENANCE: Private collection, Berlin, Germany. Old collection before 2nd world war.

CONDITION: Good conditon, not restored.

DESCRIPTION:

Roman head made in marble representing a satyr, which can be deduced from the treatment of the hair, through the somewhat anarchic-looking curls (although, due to erosion, part of this disorderly representation of the locks has been lost) and, above all, the large mouth, insinuating a sardonic smile, which are common characteristics in the representation of this mythological character. The carver combines idealism and realism, a fact that was common in Roman statuary. The hair, the treatment of the eyes, and the strict symmetry bring us closer to this idealism that sought to represent harmony. However, the protruding lips and cheekbones show an almost animalistic expressiveness.

Related to the Maenads, the satyrs form the 'Dionysian retinue' that accompanies the god Dionysus. They are depicted in various forms; the most common (and basically Roman) is that of a half-man half-ram creature, with pointed ears and horns on the head, abundant hair, a flat nose, a goat's tail and a permanent priapism. One tradition considered the sons of Silenus, named Maron, Leneus and Astreo, to have been the fathers of the satyrs. All three were in the retinue of Dionysus when he travelled to India and, in fact, Astreo was the driver of his chariot. As we can see in this Roman sculpture, satyrs are cheerful and mischievous creatures, although their lighthearted and festive nature can turn dangerous and even violent (which explains why our sculpture has a frown on its face). As Dionysian creatures, they are lovers of wine and enjoy carnal pleasures.

Satyr and Silenus, in Greek mythology, creatures of the wild, part man and part beast, who in Classical times were closely associated with the god Dionysus. Their Italian counterparts were the Fauns (see Faunus). Satyrs and Sileni were at first represented as uncouth men, each with a horse’s tail and ears and an erect phallus. In the Hellenistic age they were represented as men having a goat’s legs and tail. The occurrence of two different names for the creatures has been explained by two rival theories: that Silenus was the Asian Greek and Satyr the mainland name for the same mythical being; or that the Sileni were part horse and the Satyrs part goat. Neither theory, however, fits all the examples in early art and literature. From the 5th century BC the name Silenus was applied to Dionysus’ foster father, which thus aided the gradual absorption of the Satyrs and Sileni into the Dionysiac cult. In the Great Dionysia festival at Athens three tragedies were followed by a Satyr play (e.g., Euripides’ Cyclops), in which the chorus was dressed to represent Satyrs. Silenus, although bibulous like the Satyrs in the Satyr plays, also appeared in legend as a dispenser of homely wisdom.

In art the Satyrs and Sileni were depicted in company with nymphs or Maenads whom they pursued. (Their amorous relations with nymphs are described as early as the Homeric Hymn to Aphrodite.) The Greek sculptor Praxiteles represented a new artistic type in which the Satyr was young and handsome, with only the smallest vestiges of animal parts. Hellenistic artists developed that concept into humorous or forceful representation of half-animal subjects as an escape from the merely human.


Notes:
The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
The seller will take care that any necessary permits, like an export license will be arranged, he will inform the buyer about the status of it if this takes more than a few days.
The piece includes authenticity certificate.
The piece includes Spanish Export License.
#historyroom

Der Verkäufer stellt sich vor

Galerie für antike Kunst - Archäologie in Barcelona mit mehr als fünfzehn Jahren Erfahrung. Spezialisiert auf klassische Kunst, ägyptische Kunst, asiatische Kunst und präkolumbianische Kunst. Es garantiert die Echtheit aller seiner Stücke. Es nimmt an den wichtigsten Kunstmessen in Spanien teil, wie Feriarte, sowie an Messen im Ausland, BRAFA, Parcours des Mondes, Cultures Brussels. Alle Stücke werden mit einer vom spanischen Kulturministerium ausgestellten Ausfuhrgenehmigung verschickt. Wir versenden schnell per DHL Express oder Direct Art Transport.
Übersetzt mit Google Übersetzer
Kultur
Römisches Reich
Name of object
Kopf eines Satyrs. 1. - 3. Jahrhundert n. Chr. 30 cm H. Spanische Exportgenehmigung.
Jahrhundert/ Zeitraum
1st - 3rd century AD.
Herkunft
Private Sammlung
Herkunftsland
Unbekannt
Material
Marmor
Zustand
Gut

2340 Bewertungen (829 in den letzten 12 Monaten)
  1. 818
  2. 10
  3. 1

Magnífica la entrega y el objeto. Perfecta la sonido del sibato

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jlpp

very well packed with all the documents included, thnks

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user-7e2859b5bd8e

Great object. Really beautiful. Quick delivery. Excellent.

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user-9567dceff0be

Superbe objet, Service d'Arqueologia Ancient Art excellent et rapide. Jaume Bagot toujours parfait .

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Domidogan

Thank you for this Oinochoe, one question: did you as promised read my post!

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robarbouw

Very cooperative in every aspect of the transaction.

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user-d52762e

exactly as described and shipped safely and punctually.

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user-8d5f4840dfce

schnelle Lieferung sehr sichere Verpackung alles bestens

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user-7e268bc34a81

tres bel objet je le recherchai depuis longtemps envoi rapide et protégé je pense qu'il y aura d'autres achats avec ce vendeur merci +++++++

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user-78de74aee092

top oggetto bellissimo grazie 💯💯💯💯💯💯 :-)

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user-a1739a8e7293

I bought this beautiful artifact together with artifact from Mr. Bagot but although it is clearly stated on his shipping page that when purchasing multiple artifacts i paid the double package costs

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robarbouw

I bought this beautiful artifact together with artifact from Mr. Bagot but although it is clearly stated on his shipping page that when purchasing multiple artifacts i paid the double package costs

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robarbouw

wonderful faiece and very fast shipping.thanks a lot

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user-90218523fc43

J Bagot es un profesional excelente. Sus artículos son de gran calidad, se incluye la documentación necesaria y el embalaje se realiza con esmero. Le recomiendo encarecidamente.

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user-3268607d7894
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2340 Bewertungen (829 in den letzten 12 Monaten)
  1. 818
  2. 10
  3. 1

Magnífica la entrega y el objeto. Perfecta la sonido del sibato

Übersetzung ansehen
jlpp

Disclaimer

Der Verkäufer garantiert und kann belegen, dass das Objekt legal erworben wurde. Der Verkäufer wurde von Catawiki darüber informiert, dass er die Unterlagen, die gemäß den Gesetzen und Vorschriften seines Landes erforderlich sind, zur Verfügung stellen muss. Der Verkäufer garantiert, dass er berechtigt ist, das Objekt zu verkaufen/auszuführen. Der Verkäufer wird dem Käufer alle Informationen, die zur Provenienz des Objekts vorliegen, zur Verfügung stellen. Der Verkäufer versichert, dass alle erforderlichen Genehmigungen eingeholt wurden/werden. Der Verkäufer wird den Käufer unverzüglich über etwaige Verzögerungen bei der Einholung dieser Genehmigungen informieren.

Der Verkäufer garantiert und kann belegen, dass das Objekt legal erworben wurde. Der Verkäufer wurde von Catawiki darüber informiert, dass er die Unterlagen, die gemäß den Gesetzen und Vorschriften seines Landes erforderlich sind, zur Verfügung stellen muss. Der Verkäufer garantiert, dass er berechtigt ist, das Objekt zu verkaufen/auszuführen. Der Verkäufer wird dem Käufer alle Informationen, die zur Provenienz des Objekts vorliegen, zur Verfügung stellen. Der Verkäufer versichert, dass alle erforderlichen Genehmigungen eingeholt wurden/werden. Der Verkäufer wird den Käufer unverzüglich über etwaige Verzögerungen bei der Einholung dieser Genehmigungen informieren.