Original woodblock print - Paper - Utagawa Hiroshige III (1842–1894) -'Yokohama Hatoba Kaigandōri ijin'yakata no shin zu 横浜波止場海岸通異人館之真図(True View of Foreign Buildings along Kaigandōri as Seen from the Yokohama Wharves) - Japan - 1875 (meiji 7 period)


This Ukiyoe series drawn famous places in Tokyo.
This Ukiyo-e has many series.

Reasonable condition, bottom and right margins trimmed, holes on the margins, color 'bleeding' around the signature cartouche

memo
Utagawa Hiroshige III is known for drawing “Tokaido Gojusantsugi,” as well as Utagawa Hiroshige and Utagawa Hiroshige II.
Reflecting the advent of the Meiji period, however, he drew many products of civilization and enlightenment, such as steam locomotive, Western-style architecture and Western clothesHiroshige’s name is known to the world for drawing “Tokaido Gosho Sanji” as well as the first and second generations, but he created the work reflecting the Meiji era. He actively portrays the state-of-the-art technology of the time, including steam locomotives, steamships, railroads, Western-style architecture, clothes, mage-cut people, and rickshaws. Among them, the appearance of the railway connecting Shimbashi and Yokohama, which opened in 1872, caused a culture shock because it was said that iron wheels would run on steam at that time.The nishiki-e paintings drawn by ukiyo-e artists from locomotives and steamships that they had never seen before became news all over the country. Hiroshige III drew this kind of civilization with a lot of imported aniline red, which is a deep red color, so his kaika-e was called “Aka-e”. It can be said that he was a perfect reflection of the restless and noisy world of the time. The kaika-e of Hiroshige III has nothing to do with the lyricism of Hiroshige III, but it conveys the color of the early Meiji era. He also draws many such kaika-e paintings, as well as paintings of scenic spots in Tokyo and products of various countries.
This Ukiyo-e has many series.

Original woodblock print - Paper - Utagawa Hiroshige III (1842–1894) -'Yokohama Hatoba Kaigandōri ijin'yakata no shin zu 横浜波止場海岸通異人館之真図(True View of Foreign Buildings along Kaigandōri as Seen from the Yokohama Wharves) - Japan - 1875 (meiji 7 period)


This Ukiyoe series drawn famous places in Tokyo.
This Ukiyo-e has many series.

Reasonable condition, bottom and right margins trimmed, holes on the margins, color 'bleeding' around the signature cartouche

memo
Utagawa Hiroshige III is known for drawing “Tokaido Gojusantsugi,” as well as Utagawa Hiroshige and Utagawa Hiroshige II.
Reflecting the advent of the Meiji period, however, he drew many products of civilization and enlightenment, such as steam locomotive, Western-style architecture and Western clothesHiroshige’s name is known to the world for drawing “Tokaido Gosho Sanji” as well as the first and second generations, but he created the work reflecting the Meiji era. He actively portrays the state-of-the-art technology of the time, including steam locomotives, steamships, railroads, Western-style architecture, clothes, mage-cut people, and rickshaws. Among them, the appearance of the railway connecting Shimbashi and Yokohama, which opened in 1872, caused a culture shock because it was said that iron wheels would run on steam at that time.The nishiki-e paintings drawn by ukiyo-e artists from locomotives and steamships that they had never seen before became news all over the country. Hiroshige III drew this kind of civilization with a lot of imported aniline red, which is a deep red color, so his kaika-e was called “Aka-e”. It can be said that he was a perfect reflection of the restless and noisy world of the time. The kaika-e of Hiroshige III has nothing to do with the lyricism of Hiroshige III, but it conveys the color of the early Meiji era. He also draws many such kaika-e paintings, as well as paintings of scenic spots in Tokyo and products of various countries.
This Ukiyo-e has many series.

Epoche
1400-1900
Künstler
Utagawa Hiroshige III (1842–1894)
Titel des Kunstwerks
'True View of the Foreign Buildings along the Kaigandôri Seen from the Yokohama Wharves'
Technik
Holzschnitt-Druck
Signatur
Signiert in der Platte
Herkunftsland
Japan
Zustand
Muss restauriert werden
Höhe
355 mm
Breite
223 mm
Tiefe
1 mm
Gewicht
1 g
Stil
Ukiyo-e
Dynastischer Stil/Epoche
Meiji Periode (1868-1912)
Periode
1850-1900

1191 Bewertungen (222 in den letzten 12 Monaten)
  1. 214
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soddisfatta del mio ordine, spedizione rapida e accurata, grazie

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user-0e2379da2983

Oggetto bellissimo. Ottimo imballaggio. Tutto perfetto. Venditore top.

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user-be7957d20445

Perfect again. Many thanks from Germany 🇩🇪.

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user-023023895e3f

Fine woodprint (''estampe''), safe packaging, quick delivery. Wonderfull ! Many thanks Claval, France (EU)

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user-c7a43b6

FAST AND SAFE DELIVERY,pRINT CORRESPONDING TO THE DESCRIPTION

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user-6706ca4ffbd2

Je suis satisfait de mon achat ! Sakaman est un vendeur de confiance, merci beaucoup!

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user-0e8cbdff6947

de prent is snel verzonden vanuit Japan en was daarom ook snel in Nederland; dank daarvoor!

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user-4c8515a5acab

As always with this Seller, my purchased item - a ukiyoe print - arrived safely, in a condition as described. Great service! Thank you.

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user-0bf68c0

Seller claimed item was “already sold elsewhere“ after I won and paid the auction. I offered to find a solution in sending me an alternative item but got no response. Extremely disappointed

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user-2ba908a
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1191 Bewertungen (222 in den letzten 12 Monaten)
  1. 214
  2. 4
  3. 4

soddisfatta del mio ordine, spedizione rapida e accurata, grazie

Übersetzung ansehen
user-0e2379da2983