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Übersetzung ansehenIberisch Bronze Votivkopffigur. 5. – 1. Jahrhundert v. Chr. 7,5 cm H. Mit spanischer Exportlizenz
Nr. 85664671
![Iberisch Bronze Votivkopffigur. 5. – 1. Jahrhundert v. Chr. 7,5 cm H. Mit spanischer Exportlizenz #1.1](https://assets.catawiki.com/image/cw_ldp_l/plain/assets/catawiki/assets/2024/2/16/2/7/f/27f34c3a-d45c-4e84-901b-99397a2dffec.jpg)
![Iberisch Bronze Votivkopffigur. 5. – 1. Jahrhundert v. Chr. 7,5 cm H. Mit spanischer Exportlizenz #1.2](https://assets.catawiki.com/image/cw_ldp_l/plain/assets/catawiki/assets/2024/2/16/9/5/6/956d44e6-1813-4852-b0fa-e06e8083483b.jpg)
![Iberisch Bronze Votivkopffigur. 5. – 1. Jahrhundert v. Chr. 7,5 cm H. Mit spanischer Exportlizenz #2.1](https://assets.catawiki.com/image/cw_ldp_l/plain/assets/catawiki/assets/2024/2/16/2/4/1/2419c3f9-5933-486a-8d7e-dc816acbba0a.jpg)
Votive Head Figure.
Iberian
5th - 1st century BC
Bronze
3.2 cm height and 7.5 cm height with stand.
PROVENANCE: Private collection, Estepona, Malaga.
CONDITION: Good condition, intact.
DESCRIPTION:
Head made in bronze in the round, representing a human head adorned with a conical headdress, placed so that the brim forms a circle around the face. The nose and mouth are carefully modelled, with full lips, although the eyes are typical of the iconography of the Iberian ex-voto: large and fixed, symbolically reflecting the link with the supernatural world. The ears have also been worked in relief.
From the shape of the headdress, this piece can be related to an ex-voto depicting a praying lady, preserved in the National Archaeological Museum and from the collection of Carlos Walter Heiss (fig. 1).
The name Iberian refers to the human groups that inhabited the Mediterranean and southern areas of the Iberian Peninsula between the 4th century BC and the Romanisation of the area, until the 1st century BC. The Iberian culture therefore extended over a wide area stretching from Andalusia to Languedoc in southern France. It was a creative, advanced civilisation, sustained by a society organised around fortified hilltop cities, strongly hierarchical and linked by trade with the Greeks and Phoenicians.
The Iberians developed their own art, with a marked personality and, at the same time, permeable to Eastern influences, especially those of classical and Hellenistic Greece. Indissolubly linked to religion, Iberian art is related to funerary beliefs and the development of sanctuaries, which had a dual function as a sacred place and as a border marker. The interpretation of the works of art found in Iberian necropolises and sanctuaries allows us to learn about the beliefs of this people, their legends and even the personal religiosity of individuals.
Particularly noteworthy are the votive offerings, one of the most characteristic manifestations of Iberian culture, generally made in lost-wax bronze, although they have also been preserved in stone and terracotta. These are small statuettes, around 10 cm in height (the largest are no more than 25 cm), commissioned by high-ranking figures to be offered in the sanctuaries in exchange for protection, well-being, health or prosperity. In fact, most of them have been found in the cave sanctuaries of Despeñaperros, Sierra Morena and Castellar, in Jaén, as well as in La Luz, Murcia. Although they are a very heterogeneous group, they are generally stylised images of men or women in a reverential attitude, with exaggerated features or sexual organs (in the case of those related to fertility), although there are also known votive offerings representing horsemen, horses and other animals and also parts of the body, the latter related to the healing of illnesses or specific limbs.
BIBLIOGRAPHY:
- ARANEGUI GASCÓ, C. Los íberos ayer y hoy. Arqueologías y culturas. Marcial Pons Historia. 2017.
- BERMEJO TRIADO, J. Breve historia de los íberos. Nowtilus. 2010.
- PRADOS TORREIRA, L. Exvotos ibéricos de bronce del Museo Arqueológico Nacional. Ministerio de Cultura. 1992.
- QUESADA SANZ, F. “Los íberos y la cultura ibérica”, en CELESTINO PÉREZ, S., coord., La protohistoria en la Península Ibérica. Akal. 2017.
- RUEDA GALÁN, C.; HERRANZ SÁNCHEZ, A.B.; BELLÓN RUIZ, J.P., coord. Exvotos íberos. Paisajes sagrados, peregrinaciones y ritos. Universidad de Jaén. 2021.
- RUIZ, A.; MOLINOS, M. Los íberos. Análisis arqueológico de un proceso histórico. Grijalbo. 1993.
- TARRADELL, M. Arte ibérico. Polígrafa. 1968.
- VV.AA. Revista de Estudios Ibéricos. Universidad Autónoma de Madrid. 1994-1998.
PARALLELS:
Fig. 1 Exvoto de dama orante. España, s. IV-I a.C. Bronce. Museo Arqueológico Nacional, Madrid, inv. 1942/100/135.
Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License (Passport for European Union) - If the piece is destined outside the European Union a substitution of the export permit should be requested, can take between 1-2 weeks maximum.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
Der Verkäufer stellt sich vor
Votive Head Figure.
Iberian
5th - 1st century BC
Bronze
3.2 cm height and 7.5 cm height with stand.
PROVENANCE: Private collection, Estepona, Malaga.
CONDITION: Good condition, intact.
DESCRIPTION:
Head made in bronze in the round, representing a human head adorned with a conical headdress, placed so that the brim forms a circle around the face. The nose and mouth are carefully modelled, with full lips, although the eyes are typical of the iconography of the Iberian ex-voto: large and fixed, symbolically reflecting the link with the supernatural world. The ears have also been worked in relief.
From the shape of the headdress, this piece can be related to an ex-voto depicting a praying lady, preserved in the National Archaeological Museum and from the collection of Carlos Walter Heiss (fig. 1).
The name Iberian refers to the human groups that inhabited the Mediterranean and southern areas of the Iberian Peninsula between the 4th century BC and the Romanisation of the area, until the 1st century BC. The Iberian culture therefore extended over a wide area stretching from Andalusia to Languedoc in southern France. It was a creative, advanced civilisation, sustained by a society organised around fortified hilltop cities, strongly hierarchical and linked by trade with the Greeks and Phoenicians.
The Iberians developed their own art, with a marked personality and, at the same time, permeable to Eastern influences, especially those of classical and Hellenistic Greece. Indissolubly linked to religion, Iberian art is related to funerary beliefs and the development of sanctuaries, which had a dual function as a sacred place and as a border marker. The interpretation of the works of art found in Iberian necropolises and sanctuaries allows us to learn about the beliefs of this people, their legends and even the personal religiosity of individuals.
Particularly noteworthy are the votive offerings, one of the most characteristic manifestations of Iberian culture, generally made in lost-wax bronze, although they have also been preserved in stone and terracotta. These are small statuettes, around 10 cm in height (the largest are no more than 25 cm), commissioned by high-ranking figures to be offered in the sanctuaries in exchange for protection, well-being, health or prosperity. In fact, most of them have been found in the cave sanctuaries of Despeñaperros, Sierra Morena and Castellar, in Jaén, as well as in La Luz, Murcia. Although they are a very heterogeneous group, they are generally stylised images of men or women in a reverential attitude, with exaggerated features or sexual organs (in the case of those related to fertility), although there are also known votive offerings representing horsemen, horses and other animals and also parts of the body, the latter related to the healing of illnesses or specific limbs.
BIBLIOGRAPHY:
- ARANEGUI GASCÓ, C. Los íberos ayer y hoy. Arqueologías y culturas. Marcial Pons Historia. 2017.
- BERMEJO TRIADO, J. Breve historia de los íberos. Nowtilus. 2010.
- PRADOS TORREIRA, L. Exvotos ibéricos de bronce del Museo Arqueológico Nacional. Ministerio de Cultura. 1992.
- QUESADA SANZ, F. “Los íberos y la cultura ibérica”, en CELESTINO PÉREZ, S., coord., La protohistoria en la Península Ibérica. Akal. 2017.
- RUEDA GALÁN, C.; HERRANZ SÁNCHEZ, A.B.; BELLÓN RUIZ, J.P., coord. Exvotos íberos. Paisajes sagrados, peregrinaciones y ritos. Universidad de Jaén. 2021.
- RUIZ, A.; MOLINOS, M. Los íberos. Análisis arqueológico de un proceso histórico. Grijalbo. 1993.
- TARRADELL, M. Arte ibérico. Polígrafa. 1968.
- VV.AA. Revista de Estudios Ibéricos. Universidad Autónoma de Madrid. 1994-1998.
PARALLELS:
Fig. 1 Exvoto de dama orante. España, s. IV-I a.C. Bronce. Museo Arqueológico Nacional, Madrid, inv. 1942/100/135.
Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License (Passport for European Union) - If the piece is destined outside the European Union a substitution of the export permit should be requested, can take between 1-2 weeks maximum.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
Der Verkäufer stellt sich vor
- 757
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bellissimo, orientale e ben recapitato....
Übersetzung ansehenThank you.
Übersetzung ansehenHa llegado en perfectas condiciones, tal y como se muestra en las fotos. Muchas gracias.
Übersetzung ansehenBeautiful little treasure of the ancient world? Delivered in due time! Thanks!
Übersetzung ansehentop come sempre 💯
Übersetzung ansehenJe suis très satisfait du produit il est très jolie et correspond au descriptif les documents demandés sont fournis Seul bémol !!le support fourni n'est pas le bon trop grand 🙄 sinon tout OK
Übersetzung ansehenBEL OBJET ANCIEN DE QUALITE BIEN EMBALLE ET ACHEMINE
Übersetzung ansehenTodo correcto. Gracias
Übersetzung ansehenTrès beaux objets!!! Livraison rapide et soignée. Meeci👏🏻
Übersetzung ansehenTop vendeur
Übersetzung ansehenEl objeto tenia algunos problemas que fueron solucionados por la empresa, labor excelente y pocas veces vista en este tipo de transacciones. Mis felicitaciones a la empresa
Übersetzung ansehenFast delivery, object fine. However, bad carrier: please never use again DHL express as they are "DHL slow": instead of coming to my address, they put it directly to a DHL Service Point/Locker.
Übersetzung ansehenTodo correcto
Übersetzung ansehenI am very happy with the ancient bronze horse. Excellent that it was delivered within a few days. My compliments to J.Bagot Arqueologia- Ancient Art, well done! Ron van Schaick
Übersetzung ansehenPerfect transaction and fantastic item. Thank you.
Übersetzung ansehenconforme rapide hope other thanks ++++
Übersetzung ansehenKülönleges eszköz, jó állapotban van, köszönöm a rendkívül gyors szállítást. Ajánlom az Eladót!
Übersetzung ansehenfast delivery, good packaging
Übersetzung ansehenGood seller: fast shipment, good packing and a very nice object. Thank you!
Übersetzung ansehensuper 💯💯💯💯💯
Übersetzung ansehenIl pezzo è arrivato in condizioni perfette il pacco era protetto alla perfezione
Übersetzung ansehenBuenos días, señor. ¡Gracias por las precauciones de embalaje Tip / Top! Muy contento con mi compra. ¡Gracias!
Übersetzung ansehenPerfecto! :)
Übersetzung ansehenWunderbares Stück. Alles wie beschrieben. Hervorragender Kontakt.
Übersetzung ansehen- 757
- 7
- 0
Todo perfecto, envío, comunicación y artículo
Übersetzung ansehenDisclaimer
Der Verkäufer garantiert und kann belegen, dass das Objekt legal erworben wurde. Der Verkäufer wurde von Catawiki darüber informiert, dass er die Unterlagen, die gemäß den Gesetzen und Vorschriften seines Landes erforderlich sind, zur Verfügung stellen muss. Der Verkäufer garantiert, dass er berechtigt ist, das Objekt zu verkaufen/auszuführen. Der Verkäufer wird dem Käufer alle Informationen, die zur Provenienz des Objekts vorliegen, zur Verfügung stellen. Der Verkäufer versichert, dass alle erforderlichen Genehmigungen eingeholt wurden/werden. Der Verkäufer wird den Käufer unverzüglich über etwaige Verzögerungen bei der Einholung dieser Genehmigungen informieren.
Der Verkäufer garantiert und kann belegen, dass das Objekt legal erworben wurde. Der Verkäufer wurde von Catawiki darüber informiert, dass er die Unterlagen, die gemäß den Gesetzen und Vorschriften seines Landes erforderlich sind, zur Verfügung stellen muss. Der Verkäufer garantiert, dass er berechtigt ist, das Objekt zu verkaufen/auszuführen. Der Verkäufer wird dem Käufer alle Informationen, die zur Provenienz des Objekts vorliegen, zur Verfügung stellen. Der Verkäufer versichert, dass alle erforderlichen Genehmigungen eingeholt wurden/werden. Der Verkäufer wird den Käufer unverzüglich über etwaige Verzögerungen bei der Einholung dieser Genehmigungen informieren.