Great object. Really beautiful. Quick delivery. Excellent.
Se oversættelseOldtidens Grækenland Marmor Priapus skulptur. 2. - 1. århundrede f.Kr. 24 cm højde. Spansk eksportlicens
Nr. 88173087
Priapus sculpture.
- Important! -
- Unique! -
Greek Hellenistic, 2nd - 1st century BC
Marble
24 cm Height (without stand)
PROVENANCE: Private collection, London, acquired 1960s - 1980s.
CONDITION: Unrestored, as found. Untouched natural patina.
DESCRIPTION:
Depicted standing, resting on a pillar, in the act of lifting the robe, discovering the genitals; the head is wrapped in a drape and a flap-like extensions beneath the chin representing a cock’s wattle. This rather unique figure of Priapus finds some paralels on groups such as the statue in Berlin which shows the head of the maenad, found before 1872 on the Quirinal near the Piazza Barberini, and a second in the National Museum at Athens where the head of Priapus is preserved. Cf. M. B. Comstock and C. C. Vermeule, Sculpture in Stone, The Greek, Roman and Etruscan collections of the Museum of Fine Arts Boston, Boston, 1976, p. 127, no. 196, for a similar Graeco-Roman group.
We did not found direct paralels for this sculpture since it was never copied in mass scale in roman times, that fact makes this sculpture very unique and unparalllel and a new form of the known corpus of images of Priapus.
Priapus was described in varying sources as the son of Aphrodite by Dionysus; as the son of Dionysus and Chione; as perhaps the father or son of Hermes; or as the son of Zeus or Pan. According to legend, Hera cursed him with inconvenient impotence (he could not sustain an erection when the time came for sexual intercourse), ugliness and foul-mindedness while he was still in Aphrodite's womb, in revenge for the hero Paris having the temerity to judge Aphrodite more beautiful than Hera. The other gods refused to allow him to live on Mount Olympus and threw him down to Earth, leaving him on a hillside. He was eventually found by shepherds and was brought up by them.
Priapus joined Pan and the satyrs as a spirit of fertility and growth, though he was perennially frustrated by his impotence. In a ribald anecdote told by Ovid, he attempted to rape the goddess Hestia but was thwarted by an ass, whose braying caused him to lose his erection at the critical moment and woke Hestia. The episode gave him a lasting hatred of asses and a willingness to see them killed in his honour. The emblem of his lustful nature was his permanent erection and his large penis.
The first extant mention of Priapus is in the eponymous comedy Priapus, written in the 4th century BC by Xenarchus. Originally worshipped by Greek colonists in Lampsacus in Asia Minor, the cult of Priapus spread to mainland Greece and eventually to Italy during the 3rd century BC. Lucian (De saltatione) tells that in Bithynia Priapus was accounted as a warlike god, a rustic tutor to the infant Ares, "who taught him dancing first and war only afterwards," Karl Kerenyi observed. Arnobius is aware of the importance accorded Priapus in this region near the Hellespont. Also, Pausanias notes:
This god is worshipped where goats and sheep pasture or there are swarms of bees; but by the people of Lampsacus he is more revered than any other god, being called by them a son of Dionysus and Aphrodite.
In later antiquity, his worship meant little more than a cult of sophisticated pornography.
Outside his "home" region in Asia Minor, Priapus was regarded as something of a joke by urban dwellers. However, he played a more important role in the countryside, where he was seen as a guardian deity. He was regarded as the patron god of sailors and fishermen and others in need of luck, and his presence was believed to avert the evil eye.
Priapus does not appear to have had an organized cult and was mostly worshiped in gardens or homes, though there are attestations of temples dedicated to the god. His sacrificial animal was the ass, but agricultural offerings (such as fruit, flowers, vegetables and fish) were also very common.
Notes:
The Seller can prove that the lot was obtained legally , provenance statement seen by Catawiki.
Important information. The seller guarantees that he is entitled to ship this lot.
The piece includes authenticity certificate.
The piece includes Spanish Export License (Passport for European Union) - If the piece is destined outside the European Union a substitution of the export permit should be requested.
#MasterpiecesW39
Sælger's Historie
Priapus sculpture.
- Important! -
- Unique! -
Greek Hellenistic, 2nd - 1st century BC
Marble
24 cm Height (without stand)
PROVENANCE: Private collection, London, acquired 1960s - 1980s.
CONDITION: Unrestored, as found. Untouched natural patina.
DESCRIPTION:
Depicted standing, resting on a pillar, in the act of lifting the robe, discovering the genitals; the head is wrapped in a drape and a flap-like extensions beneath the chin representing a cock’s wattle. This rather unique figure of Priapus finds some paralels on groups such as the statue in Berlin which shows the head of the maenad, found before 1872 on the Quirinal near the Piazza Barberini, and a second in the National Museum at Athens where the head of Priapus is preserved. Cf. M. B. Comstock and C. C. Vermeule, Sculpture in Stone, The Greek, Roman and Etruscan collections of the Museum of Fine Arts Boston, Boston, 1976, p. 127, no. 196, for a similar Graeco-Roman group.
We did not found direct paralels for this sculpture since it was never copied in mass scale in roman times, that fact makes this sculpture very unique and unparalllel and a new form of the known corpus of images of Priapus.
Priapus was described in varying sources as the son of Aphrodite by Dionysus; as the son of Dionysus and Chione; as perhaps the father or son of Hermes; or as the son of Zeus or Pan. According to legend, Hera cursed him with inconvenient impotence (he could not sustain an erection when the time came for sexual intercourse), ugliness and foul-mindedness while he was still in Aphrodite's womb, in revenge for the hero Paris having the temerity to judge Aphrodite more beautiful than Hera. The other gods refused to allow him to live on Mount Olympus and threw him down to Earth, leaving him on a hillside. He was eventually found by shepherds and was brought up by them.
Priapus joined Pan and the satyrs as a spirit of fertility and growth, though he was perennially frustrated by his impotence. In a ribald anecdote told by Ovid, he attempted to rape the goddess Hestia but was thwarted by an ass, whose braying caused him to lose his erection at the critical moment and woke Hestia. The episode gave him a lasting hatred of asses and a willingness to see them killed in his honour. The emblem of his lustful nature was his permanent erection and his large penis.
The first extant mention of Priapus is in the eponymous comedy Priapus, written in the 4th century BC by Xenarchus. Originally worshipped by Greek colonists in Lampsacus in Asia Minor, the cult of Priapus spread to mainland Greece and eventually to Italy during the 3rd century BC. Lucian (De saltatione) tells that in Bithynia Priapus was accounted as a warlike god, a rustic tutor to the infant Ares, "who taught him dancing first and war only afterwards," Karl Kerenyi observed. Arnobius is aware of the importance accorded Priapus in this region near the Hellespont. Also, Pausanias notes:
This god is worshipped where goats and sheep pasture or there are swarms of bees; but by the people of Lampsacus he is more revered than any other god, being called by them a son of Dionysus and Aphrodite.
In later antiquity, his worship meant little more than a cult of sophisticated pornography.
Outside his "home" region in Asia Minor, Priapus was regarded as something of a joke by urban dwellers. However, he played a more important role in the countryside, where he was seen as a guardian deity. He was regarded as the patron god of sailors and fishermen and others in need of luck, and his presence was believed to avert the evil eye.
Priapus does not appear to have had an organized cult and was mostly worshiped in gardens or homes, though there are attestations of temples dedicated to the god. His sacrificial animal was the ass, but agricultural offerings (such as fruit, flowers, vegetables and fish) were also very common.
Notes:
The Seller can prove that the lot was obtained legally , provenance statement seen by Catawiki.
Important information. The seller guarantees that he is entitled to ship this lot.
The piece includes authenticity certificate.
The piece includes Spanish Export License (Passport for European Union) - If the piece is destined outside the European Union a substitution of the export permit should be requested.
#MasterpiecesW39
Sælger's Historie
- 823
- 11
- 1
Superbe objet, Service d'Arqueologia Ancient Art excellent et rapide. Jaume Bagot toujours parfait .
Se oversættelseTodo perfecto gracias
Se oversættelseNice item all ok A+++
Se oversættelseThank you for this Oinochoe, one question: did you as promised read my post!
Se oversættelseExcellent translation, and very prompt delivery. Imperfect packaging. A significant crack of the board that had not been described in the original post of the item.
Se oversættelseAlways a great pleasure!
Se oversættelseFine quality, good service. Thanks.
Se oversættelseMuy amables, muy bien todo. Gracias
Se oversættelseAlles bestens
Se oversættelseexactly as described and shipped safely and punctually.
Se oversættelseschnelle Lieferung sehr sichere Verpackung alles bestens
Se oversættelsetres bel objet je le recherchai depuis longtemps envoi rapide et protégé je pense qu'il y aura d'autres achats avec ce vendeur merci +++++++
Se oversættelseEinfach nur toll
Se oversættelseTodo perfecto
Se oversættelseottimo
Se oversættelseperfetto
Se oversættelsetop oggetto bellissimo grazie 💯💯💯💯💯💯 :-)
Se oversættelseI bought this beautiful artifact together with artifact from Mr. Bagot but although it is clearly stated on his shipping page that when purchasing multiple artifacts i paid the double package costs
Se oversættelseI bought this beautiful artifact together with artifact from Mr. Bagot but although it is clearly stated on his shipping page that when purchasing multiple artifacts i paid the double package costs
Se oversættelseBel objet, bien emballé. Parfait.
Se oversættelsewonderful faiece and very fast shipping.thanks a lot
Se oversættelseJ Bagot es un profesional excelente. Sus artículos son de gran calidad, se incluye la documentación necesaria y el embalaje se realiza con esmero. Le recomiendo encarecidamente.
Se oversættelseo envio foi bastante rápido, obrigado.
Se oversættelseSono molto soddisfatto grazie.
Se oversættelse- 823
- 11
- 1
Great object. Really beautiful. Quick delivery. Excellent.
Se oversættelseDisclaimer
Sælger garanterer og kan bevise, at genstanden er erhvervet på lovlig vis. Sælger er blevet informeret af Catawiki om, at skulle fremskaffe den dokumentation, der kræves af love og regler i dennes bopælsland. Sælger garanterer at være berettiget til, at måtte sælge/eksportere denne genstand. Sælger sørger for, at al information vedrørende proveniensen af en genstand vil blive videregivet til køber. Sælger sørger for, at eventuelle nødvendige tilladelser er blevet eller vil blive indhentet. Sælger vil omgående informere køber om eventuelle forsinkelser i forbindelse med indhentelse af sådanne tilladelser.
Sælger garanterer og kan bevise, at genstanden er erhvervet på lovlig vis. Sælger er blevet informeret af Catawiki om, at skulle fremskaffe den dokumentation, der kræves af love og regler i dennes bopælsland. Sælger garanterer at være berettiget til, at måtte sælge/eksportere denne genstand. Sælger sørger for, at al information vedrørende proveniensen af en genstand vil blive videregivet til køber. Sælger sørger for, at eventuelle nødvendige tilladelser er blevet eller vil blive indhentet. Sælger vil omgående informere køber om eventuelle forsinkelser i forbindelse med indhentelse af sådanne tilladelser.