A Senufo maternity, Ivory Coast, carved out of one piece of wood, she is standing on a cylindrical base, her knees slightly bent, a thin abdomen with protruding navel, her long slender arms and hands are carrying a small infant who is feeding on her left breast, a cylindric neck carries the oval shaped head, the features are finely carved, an opened mouth showing teeth at the end of a thin elongated jaw line, pointed nose, half-closed eyes, the hair is pulled upwards in the style of Senufo ; some large cracks, signs of ritual use, glossy by use.

“The sculpture is used to honor women and their maternal role in ceremonies and festivals of the tyekpa society, a social association among the Senufo peoples.

The tyekpa association functions in Senufo culture primarily as a funerary society. Sculptures are but one element of complex funerary celebrations that also include music, song, and dance. These elements come together to pay homage to and honor the memory of an elder tyekpa "mother." During the ceremonies, tyekpa members dance with various figurative sculptures such as this mother-child pairing raised high above their head. Due to its prominent visual display in the funerary proceedings, tyekpa figurative sculptures are rather large, some measuring three to four feet in height; this piece is nearly two feet tall.

The Senufo peoples form a complex network comprising more than thirty subgroups with many local variations of language and custom. They occupy a large area of West Africa that spans the national boundaries of Côte d'Ivoire, Mali, and Burkina Faso. Senufo society is patriarchal; inheritance, however, is traced through the matrilineal line. Consequently, the primacy placed on women and their essential maternal role is often reflected in Senufo artistic traditions like this sculpture. The tyekpa association is part of a larger social organization among the Senufo known as Sandogo. Membership in Sandogo is limited to female members of the Senufo community. Senufo life revolves around the Sandogo society and its counterpart, the all-male Poro society. These institutions cut across kinship lines and household ties, creating a social cohesiveness that extends throughout the community."

Source: The MET.

Sælger's Historie

Jeg har samlet i 25 år og beskæftiget mig med afrikansk kunst i 20 år. Jeg blev inspireret af min fars passion for indsamling, som efterlod os en samling af "tyske kolonier". Jeg studerede etnologi, kunsthistorie og sammenlignende ret ved Freie Universität Berlin uden eksamen. Efter omfattende rejser gennem Cameroun, Mali, Elfenbenskysten, Burkina Faso, Togo og Ghana boede jeg i Bamako og Segou i 10 år. I Segou ledede jeg galleriet "Tribaloartforum", som måtte lukke i 2012 på grund af krigen i Mali. Så bosatte jeg mig i Lomé Togo, hvor vi har en filial. For 16 år siden blev Jaenicke-Njoya GmbH grundlagt, og jeg har været dets administrerende partner lige siden. I 2018 åbnede vi et galleri i Berlin Charlottenburg overfor Charlottenburg-paladset og nær Picasso-museet Berggruen. Vores team består af 6 medarbejdere. En arkæolog, en kunsthistoriker, en fotograf, en finansinspektør, en permanent repræsentant for vores filial i Lomé, Togo og en fungerende direktør i Berlin / Togo. Du kan finde os på internettet på wolfgang-jaenicke eller Galerie Wolfgang Jaenicke, Klausenerplatz 7, 14059 Berlin, Tyskland.
Oversat af Google Oversæt

A Senufo maternity, Ivory Coast, carved out of one piece of wood, she is standing on a cylindrical base, her knees slightly bent, a thin abdomen with protruding navel, her long slender arms and hands are carrying a small infant who is feeding on her left breast, a cylindric neck carries the oval shaped head, the features are finely carved, an opened mouth showing teeth at the end of a thin elongated jaw line, pointed nose, half-closed eyes, the hair is pulled upwards in the style of Senufo ; some large cracks, signs of ritual use, glossy by use.

“The sculpture is used to honor women and their maternal role in ceremonies and festivals of the tyekpa society, a social association among the Senufo peoples.

The tyekpa association functions in Senufo culture primarily as a funerary society. Sculptures are but one element of complex funerary celebrations that also include music, song, and dance. These elements come together to pay homage to and honor the memory of an elder tyekpa "mother." During the ceremonies, tyekpa members dance with various figurative sculptures such as this mother-child pairing raised high above their head. Due to its prominent visual display in the funerary proceedings, tyekpa figurative sculptures are rather large, some measuring three to four feet in height; this piece is nearly two feet tall.

The Senufo peoples form a complex network comprising more than thirty subgroups with many local variations of language and custom. They occupy a large area of West Africa that spans the national boundaries of Côte d'Ivoire, Mali, and Burkina Faso. Senufo society is patriarchal; inheritance, however, is traced through the matrilineal line. Consequently, the primacy placed on women and their essential maternal role is often reflected in Senufo artistic traditions like this sculpture. The tyekpa association is part of a larger social organization among the Senufo known as Sandogo. Membership in Sandogo is limited to female members of the Senufo community. Senufo life revolves around the Sandogo society and its counterpart, the all-male Poro society. These institutions cut across kinship lines and household ties, creating a social cohesiveness that extends throughout the community."

Source: The MET.

Sælger's Historie

Jeg har samlet i 25 år og beskæftiget mig med afrikansk kunst i 20 år. Jeg blev inspireret af min fars passion for indsamling, som efterlod os en samling af "tyske kolonier". Jeg studerede etnologi, kunsthistorie og sammenlignende ret ved Freie Universität Berlin uden eksamen. Efter omfattende rejser gennem Cameroun, Mali, Elfenbenskysten, Burkina Faso, Togo og Ghana boede jeg i Bamako og Segou i 10 år. I Segou ledede jeg galleriet "Tribaloartforum", som måtte lukke i 2012 på grund af krigen i Mali. Så bosatte jeg mig i Lomé Togo, hvor vi har en filial. For 16 år siden blev Jaenicke-Njoya GmbH grundlagt, og jeg har været dets administrerende partner lige siden. I 2018 åbnede vi et galleri i Berlin Charlottenburg overfor Charlottenburg-paladset og nær Picasso-museet Berggruen. Vores team består af 6 medarbejdere. En arkæolog, en kunsthistoriker, en fotograf, en finansinspektør, en permanent repræsentant for vores filial i Lomé, Togo og en fungerende direktør i Berlin / Togo. Du kan finde os på internettet på wolfgang-jaenicke eller Galerie Wolfgang Jaenicke, Klausenerplatz 7, 14059 Berlin, Tyskland.
Oversat af Google Oversæt
Etnisk gruppe/ kultur
Senufo
Oprindelsesland
Elfenbenskysten
Materiale
Træ
Sold with stand
Nej
Stand
Rimelig stand
Højde
91 cm
Vægt
3,8 kg

1046 anmeldelser (361 de sidste 12 måneder)
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The artistry and quality of the piece exceeded my expectations and the professionalism of the seller is of the highest caliber. The photos and description accurately represented the item for sale.

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africa-gallery

The artistry and quality of the piece exceeded my expectations and the professionalism of the seller is of the highest caliber. The photos and description accurately represented the item for sale.

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africa-gallery

Oggetto molto bello e di qualità. Grazie.

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user-f27b9f31ad39

Parfait comme d'habitude. Belle pièce et bien protégée.

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user-573c07caf4f0

Sehr schöne Figur und Qualität, problemlose Abwicklung

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coltrai

a beautiful object!! perfect delivery!! many thanks!!

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user-87b41891ec2d

an amazingly beautiful object!! many thanks!!

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user-87b41891ec2d

a beautiful object!! perfect delivery!! many thanks!!

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user-87b41891ec2d

a beautiful object!! perfect delivery!! many thanks!!

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user-87b41891ec2d

The beautiful but delicate and heavy statue was exceedingly well packed so arrived without damage. Thanks.

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user-ccfc50d

Excellent dealer. Competent and serious.

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user-53ca7c7

Sehr schöne Arbeit. Alles wie immer sehr gut. Merci 🙏🏿

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user-87d1e13

Die Größe ist sehr schön und es war sehr gut verpackt. Vielen Dank.

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Ina2257

Masker is mooi en voldeed aan de verwachtingen! Uitstekend verpakt en goed afgeleverd!

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user-b683928

an amazingly beautiful object!! perfect delivery. many thanks!!

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user-87b41891ec2d

an amazingly beautiful object!! perfect delivery. many thanks!!

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user-87b41891ec2d

Parfait. Très bel objet bien authentique. C'est mon deuxième achat auprès de cette galerie qui a toujours de très bons objets authentiques et bien anciens. Vraiment très professionnel.

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user-0411134677ab

another excellent item, as always, from a professional seller, RECOMMENDED, Vielen Dank

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jan55diemen

2 Objekte gekauft, 2 mal Porto bezahlt, in einem Paket geschickt: nicht zufrieden. - Ansonsten: perfekt. Danke.

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coroli

Sehr imposantes Objekt. Schnell geliefert. Perfekt.

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coroli
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1046 anmeldelser (361 de sidste 12 måneder)
  1. 352
  2. 8
  3. 1

The artistry and quality of the piece exceeded my expectations and the professionalism of the seller is of the highest caliber. The photos and description accurately represented the item for sale.

Se oversættelse
africa-gallery